To all the talk about the HandBox R-400 being a "Walkabout Killer":
My R-400 showed up today. After playing with it for a couple hours, and even doing some A/B comparisons with the Walkabout, I'm not ready to say this thing is a higher-output replacement for the Walkabout. Here's my impression:
-The R-400 has a TON more clean headroom than the Walkabout. It projects amazingly well; you can just slap on your bass with all you got, and it pops!
-No mid control; just bass and treble EQ knobs, and a contour knob that (unlike Mesa's attempts) actually does something. All the way left, it's completely flat, and all the way right, it's a big mid scoop that is more bass than treble boost. I like it at around 9:00, just above flat. I don't miss a mid-EQ adjustment at all.
-The gain doesn't give you any dirt/grind until the 1:00mark (the word "crunch" is printed at that marker). It's not as grindy as the Walkabout's distortion. The R-400 has 3 x 12AX7 tubes, and they generate a more flappy-sounding distortion. Definitely not as mean-sounding as the Walkabout. With the gain at 3:00 on both amps, this difference is obvious. Also, the R-400's distortion is more pronounced in the lower frequencies, and not so much on the G string. It's there, just more subtle.
-With the gain around 11:00, changing from fingerstyle to slap/pop/funk, the R-400 vaults itself way past the Walkabout. When the thumb and finger start working, it turns into a different amp without touching a knob. The punch this thing packs is insane. I had to do all kinds of screwing around with the EQ on the WA to get it in the same neighborhood as the R-400, and it still didn't sound nearly as good.
In conclusion, I think that funk, groove, pop, and related style players will pick the R-400 in a heartbeat. My first thought was: "This is how the Carbine amps should have sounded!". However, I'm a metal and punk player, and I'm not ready to sell my Walkabout just yet. It packs that mean, natural-sounding distortion that I've never been able to pull from any other amp.
I'm going to take both amps to band practice and see how they both sound in a different room. Plus, my band will provide feedback on both amps, and I'll make a decision on which I'm moving forward with. Even if I start gigging the R-400, I'l probably keep my Walkabout around, as it's the most unique-sounding high-gain amp I've ever owned.
OK - BIG correction, now that I have fiddled with the amp a bit more:
Just to the right of the gain knob, there's a BRIGHT button and a DRIVE button. Upon depressing said DRIVE button, the R-400 turns into a hot rod of epic proportions. The distortion is grindy, creamy, and hard. This is my new favorite amp ever. That one button makes a huge difference. Couple that with the EQ controls that create a mid boost when the bass and treble are minimized, and a mid scoop when both are augmented, and the contour knob that allows even further shaping, and this is the simplest, yet most versatile amp I've ever encountered.
I believe I'm gonna list my Walkabout in the classifieds now. Someone is going to acquire a great rig, with my two 12" Scout cabs and the WA head. It has served me well.
