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The key issue for me is which inherent voicing do you prefer? When I tried the TT-800 I found some tones I liked after messing around with EQ, but didn't really connect with it. The WD-800 voicing just sounds more "right" to my ears. Two channels are nice to have, but only if they provide a tone you want.
I guess I don't know what I'm doing and I accept that premise
I play both upright and solid body bass through my WD set up. I just unplug one and plug in the other. Both through the front end. I do switch on my para mids that I set up for my upright and fiddle with the high pass filter a little. It takes just a few seconds for me to make the change over.
PS, I was running a preamp for a minute for the upright. Then I would just unplug it from the amp leaving it attached to the upright. Then plug in my solid body. Kinda the same thing.
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As I hope I'm not cluttering up the voluminous information you are receiving.I am sure you know more than me. I hope that I am distilling the voluminous information correctly.
Hi guys, like the original OP I am looking @ both of these amps. The most important difference I can glean from the group is that the TT have less options for tone shaping because of the eq controls. Am I being too basic by suggesting that this problem could be solved by adding a really good eq pedal into the chain? By doing this would you be able to dial in any pattern (scooped or upside down happy face)?
I doubt you can make a TT sound like a WD, or vice-versa. It's not just about the number of tone controls or how they work. Certain aspects of these amps are specifically designed to sound and feel different.
You may find you prefer the tone of one and the control options of the other. When this occurs, it's usually best to go with the option that sounds best to you.
Adding an outboard EQ can help narrow the gap, but you may also find it to be confusing or too much of a hassle. Even with a powerful EQ, you probably won't make these amps sound exactly the same.
It depends on how you intend to use the EQ. Is the goal to dial in a certain sound or to use the EQ to correct for problems with the acoustic environment? If the goal is to correct for poor acoustics, the more flexible tone controls will usually be more effective, because they can be tailored to better mitigate the problem. For a utility EQ, ideally you have either fully parametric or a 1/3 octave (30-31 band) graphic. The WD800 has three bands of semi-parametric EQ, so it should be a bit better in this respect.just looking at what could be accomplished by adding an external EQ.
both the Boogie and SW channels on the TT have that same lower damping factor .I would say the damping factor on the TT is between the medium and low setting of the WD
Does that mean then that the WD's "DF" can be adjusted/set even lower than where the TT is factory set?
The WD-800 has all the eq most players can handle already onboard.
The low position is slightly lower.Does that mean then that the WD's "DF" can be adjusted/set even lower than where the TT is factory set?
I strongly encourage you to try each head first if you can. The voicings are different enough that many (maybe most folks) will have a strong preference for one over the other. Even on the TT many prefer one channel over the other - for me it's the Boogie channel and I never thought it would appeal to me until I played it.If I am taking all the information into consideration knowing the WD and the TT are voiced differently but still retain a large part of the DNA that each amp was modeled after. By adding an external EQ will give me much more tonal flexibility the winner seems to be the TT because it is two amps a vintage sound and a modern sound and adding an EQ simply enhances both sides allowing more flexibility than a WD with an external EQ can provide.
I strongly encourage you to try each head first if you can. The voicings are different enough that many (maybe most folks) will have a strong preference for one over the other. Even on the TT many prefer one channel over the other - for me it's the Boogie channel and I never thought it would appeal to me until I played it.
I also think you'll find that these heads don't need any external EQ to slot nicely into a mix in most any venue. Personally I would probably not buy a head that required a lot of external EQ to sound good and work well in live performance for me.
I hope those thoughts are useful.