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Modulus Mob

I am the proud new owner of this amazing bass. Anything I should know about fretboard maintenance, etc.?
Looks like you probably have Bartolini quad coil pickups, which were an option; the two switches select between P style split coil, reverse P, and all four coils on.

Very likely that you've got a Bartolini 3 band preamp.

No worries about five knobs, that was also an option.

Make sure your neck bolts are good and snug; it's not uncommon to see small cracks appear in the small section of the body between the end of the neck heel and the neck pickup.

Most importantly - play the hell out of it :)
 
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It might be phenolic ( composite )

If it's not wood, it's definitely phenolic; Modulus didn't use CF for their fingerboards.

Come to think of it, I don't think you could use CF for a fingerboard, at least not a fretted one: Cutting the fret slots would tear the carbon fibers, ruining the structural integrity of the material.
 
If it's not wood, it's definitely phenolic; Modulus didn't use CF for their fingerboards.

Come to think of it, I don't think you could use CF for a fingerboard, at least not a fretted one: Cutting the fret slots would tear the carbon fibers, ruining the structural integrity of the material.

Possibly , only if the fingerboard and the rest of the neck were laid up as 1 piece , if it was laid up separately and bonded on later ( like wood or phenolic ) then it would not be compromised that much . That's why Modulus didn't use truss rods for a while . I work with composites and I must say , that is a crazy weave material they used for their necks !
 
if it was laid up separately and bonded on later ( like wood or phenolic ) then it would not be compromised that much .

Yeah, I don't think any manufacturers using composites would be content with having their product be "not compromised that much" !! :)
I didn't mean to suggest that a carbon fiber fingerboard would disintegrate or self-destruct if you tore the fibers when cutting fret slots, just that most of the advantages of having a monocoque fretboard made of unidirectional CF would be lost if you shredded the continuity of those fibers.
 
I'm not sure how much of my Chechen fretboard is bonded to my Modulus neck , but I doubt having frets installed made it any less structurally sound than if it was a Fretless . I'd love to cut 1 open and see what they used for the tuners & mounting bolts , and perhaps burn out a small section to see how many layers ( and what kind of fibers ) were used in their lay-up . My Q5 is very light , yet has great tone and sustain . There is a guy I'm friends with on FB who is doing CF necks in Denmark ... Singdooba basses I believe . 1 of his attempts he didn't use any "uni" and now he is using a truss rod on them . He is also doing them wet lay-up , and not using a vacuum bag . I work with pre-preg and presses and auto-claves . Much better laminates .
 
I'm not sure how much of my Chechen fretboard is bonded to my Modulus neck , but I doubt having frets installed made it any less structurally sound than if it was a Fretless . I'd love to cut 1 open and see what they used for the tuners & mounting bolts , and perhaps burn out a small section to see how many layers ( and what kind of fibers ) were used in their lay-up . My Q5 is very light , yet has great tone and sustain . There is a guy I'm friends with on FB who is doing CF necks in Denmark ... Singdooba basses I believe . 1 of his attempts he didn't use any "uni" and now he is using a truss rod on them . He is also doing them wet lay-up , and not using a vacuum bag . I work with pre-preg and presses and auto-claves . Much better laminates .
Modulus used pre-preg with metal molds and an auto-clave. The headstock, like most of the neck, is hollow - don't over-tighten the nuts on your tuners! Can't really tell how many layers or what kind of fibers were used, but from having a tuner out I could see that the layup is about .125" thick, give or take. At least in the headstock - couldn't really see down into the neck.
 
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Hmmm , that's probably about 14-16 plies of woven , less if they used any uni ( which I'm sure they did . I believe the reason behind their "crazy ply. " is if they had used uni or fabric on the 1st layer and didn't get it absolutely straight , it would appear that the neck might be warping .
 
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I read somewhere that the idea for the KLD layer came about from someone there looking at a pile of trimmings from a layup and thinking "that looks kinda cool"..... so obviously they were using uni for at least some of the layers.

KLD first appeared in the late 80s, not sure of the exact year, but all their early production stuff has the typical CF weave pattern visible.
 
I'm not sure how much of my Chechen fretboard is bonded to my Modulus neck , but I doubt having frets installed made it any less structurally sound than if it was a Fretless . I'd love to cut 1 open and see what they used for the tuners & mounting bolts , and perhaps burn out a small section to see how many layers ( and what kind of fibers ) were used in their lay-up . My Q5 is very light , yet has great tone and sustain . There is a guy I'm friends with on FB who is doing CF necks in Denmark ... Singdooba basses I believe . 1 of his attempts he didn't use any "uni" and now he is using a truss rod on them . He is also doing them wet lay-up , and not using a vacuum bag . I work with pre-preg and presses and auto-claves . Much better laminates .
I'm from Denmark! I might want to get to know this friend of yours to check out his CF necks/projects! Do you have any useful information about him?
 
I'm from Denmark! I might want to get to know this friend of yours to check out his CF necks/projects! Do you have any useful information about him?
If you're interested in do-it-yourself CF, do a search over in Luthier's Corner for threads by TalkBass user MPU. He uses a fairly straightforward vacuum bagging technique; not how Modulus did it, but it is really the way to go if you don't have a major amount of money to invest in equipment.

He's not in Denmark, but he is in your area of the planet :)