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Modulus Mob

I recently changed my string from Daddario XL 130 to DR nickel LoRider 130. DR definitely has much more growl and power than XL so it can shine in the mix easily. It is stiffer on my hand than XL but not hard to get used to.

However, the biggest thing I didn't like about LoRider was the B string. It's been 2 weeks but when compared to the C-G-D-A string, the B string sounds like more than a half-year used string. Too dull and not clear at all. It was my last shot for DR but not satisfied with any strings I ever used.

My close luthier suggested NYXL from Daddario so I might try that one if I'm about to change the string.
had a similar situation. been using dr sunbeams (nlr5-40's) for ages. but on one particular situation, i strung up my q5 and the 'b' string didn't match up and sounded 'off'. a suggestion was made to try a d'addario nyxl taper-core 'b' string. ordered a .130 instead of a 'normal' .120 just to see what the tension and tone would be.

the stings matched up perfect. tone was even across the spectrum. in this case, it definitely worked for me.
 
had a similar situation. been using dr sunbeams (nlr5-40's) for ages. but on one particular situation, i strung up my q5 and the 'b' string didn't match up and sounded 'off'. a suggestion was made to try a d'addario nyxl taper-core 'b' string. ordered a .130 instead of a 'normal' .120 just to see what the tension and tone would be.

the stings matched up perfect. tone was even across the spectrum. in this case, it definitely worked for me.

Is there a big difference between taper-core and non-taper-core?
 
Is there a big difference between taper-core and non-taper-core?
unfortunately, taper-core vs. entire-string-making-full-contact-on-saddle can open up a can of worms depending on the user.

some hear a humongous difference when a/b'ing 'b' strings (and 'e' strings for that matter) that have an exposed core as opposed to a fully-wound string traveling over the bridge saddle.

plus, there's 'round core' vs. 'hex core' that can open another can of worms depending on your ears.

some have commented that exposed core strings can 'limit' sustain (note decay). i play way too many notes to pay attention to that... ;)

breakage can be another issue. back in the 80's, i used superwound double-ball end strings on my steinberger with an exposed core on the 'e' string (30-90). loved those strings to death but was changing 'e' strings almost every gig coz the 'e' string would break at the saddle where the exposed core lies.

guess it boils down to what string sounds best with bass 'a' or bass 'b'
 
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I use Dunlop 50-110 on my b quad 4

and sit rock brights on my new build :)
C7C9CD47-E017-4932-9F4A-C046DE2F7A00.jpeg
 
My band, RatGuile, had its first live show two weeks before, and the live video was uploaded yesterday. Although we don't have officially released songs, the video was entertaining. We are a South Korean band, so all lyrics are written in Korean. However, I believe the energetic atmosphere and rocking soul don't have any boundaries. The genre is post-hardcore with some djent riffs. Hope you enjoy our show. The show contains several non-music videos we took, so if you just want to watch the concert, go to 4:40.



The gear I used was Modulus Q6(Emg DCs, BQC, Dr-LoRider) with Darkglass B7k Ultra V2. It was the first time I recorded my Q6 with other instruments. Q6 really cuts through the mix with overwhelming power! I also started recording for our debut single with Q6 and my engineer really liked its tone. This modulus has a beast inside.
 
I recently changed my string from Daddario XL 130 to DR nickel LoRider 130. DR definitely has much more growl and power than XL so it can shine in the mix easily. It is stiffer on my hand than XL but not hard to get used to.

However, the biggest thing I didn't like about LoRider was the B string. It's been 2 weeks but when compared to the C-G-D-A string, the B string sounds like more than a half-year used string. Too dull and not clear at all. It was my last shot for DR but not satisfied with any strings I ever used.

My close luthier suggested NYXL from Daddario so I might try that one if I'm about to change the string.

The NYXL are my favorites - I just put on a fresh pair last night. 50-105 (I meant to order the 45-105). It never get's old hearing brand new strings on my bass. I love the punch, bite, snap or whatever other words you want to use.
 
Does anyone here have the Chechen fingerboard option on their bass? I have a VJ with it and was wondering what type (if any) fingerboard treatment I should be applying once or twice a year? Any suggestions would be appreciated, cheers!
 
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Does anyone here have the Chechen fingerboard option on their bass? I have a VJ with it and was wondering what type (if any) fingerboard treatment I should be applying once or twice a year? Any suggestions would be appreciated, cheers!
I have a Genesis 4 with a highly grained Chechen board. No special care I have ever used. It is basically rosewood so whatever your care that you would use for rosewood will be perfectly fine to use on Chechen boards.
 
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Have used prices gone especially bonkers over the last month or two or is there just not a lot available making the listed ones that aren’t selling seem inflated? I’m interested in a VJ but recall mint customized ones going for $2000ish max, with regular 3-tone sunburst with passive electronics a lot closer to $1200 range. Now it seems like beat and/or poorly modified ones are $2500+.
 
i’m noticing the same thing, prices seem to be $1000 plus more than what i paid for a used VJ this time last year…

my opinion is, because of the fees added to list the instruments, and the cost of shipping, sellers are having to inflate the selling price to try to make up the difference…


Have used prices gone especially bonkers over the last month or two or is there just not a lot available making the listed ones that aren’t selling seem inflated? I’m interested in a VJ but recall mint customized ones going for $2000ish max, with regular 3-tone sunburst with passive electronics a lot closer to $1200 range. Now it seems like beat and/or poorly modified ones are $2500+.
 
i’m noticing the same thing, prices seem to be $1000 plus more than what i paid for a used VJ this time last year…

my opinion is, because of the fees added to list the instruments, and the cost of shipping, sellers are having to inflate the selling price to try to make up the difference…

I’d believe that. Worst offenders for all brands seems to be the ones that snatch stuff up for reasonable prices then re-list on Reverb and/or eBay with an inflated price because they’re willing to sit on them until they sell for a profit. I know I personally try hardest to be able to purchase from places where I can avoid fees if possible, and state sales tax at the VERY least, neither of which I can avoid if going through either of the aforementioned sites. Better yet finding a reputable seller who is part of a community such as this one where I know it’s been well cared for. I’ll probably just wait it out until I find a price I like. If things don’t change after a while and I’m still hankering, I’ll probably bite the bullet but be VERY particular about the quality of the instrument if I’m already overpaying.
 
Have used prices gone especially bonkers over the last month or two or is there just not a lot available making the listed ones that aren’t selling seem inflated? I’m interested in a VJ but recall mint customized ones going for $2000ish max, with regular 3-tone sunburst with passive electronics a lot closer to $1200 range. Now it seems like beat and/or poorly modified ones are $2500+.
There was one listed here for close to 4k for months. Don’t know who would pay that much.
 
I mean, that’s almost always the case. However, I just wasn’t sure if the prompt jump in such a short period of time was accurate of recent sale value or simply because the used market is fairly barren. This group according to post history has had their pulse on the used market and I was verifying that to still be the case. If not, I’ll continue to watch as I have been.
 
I mean, that’s almost always the case. However, I just wasn’t sure if the prompt jump in such a short period of time was accurate of recent sale value or simply because the used market is fairly barren. This group according to post history has had their pulse on the used market and I was verifying that to still be the case. If not, I’ll continue to watch as I have been.
Well, there’s currently a real flea (1997, lane poor) on ebust. Starting bid is very reasonable (about the same price I got for my funk unlimited two years ago). The final sale price should be a bit higher when all is said and done. Thing is that sellers of “regular “ funk unlimited’s see real flea’s selling for around $3k and assume that is the market price; not realizing the original ’97 flea’s are highly coveted (regular funk unlimited’s, not so much). Their market usually will course-correct.
 
Cool, sounds like I just need to keep my eyes out. Getting a FU4 with the dual Js would be awesome, but I’m really looking for a Jazz so I figure a VJ would fit the bill nicely while not running the extra premium the FUs seem to come along with. Ideally I think finding just the neck I can mate to a slimmer Jazz style extra lightweight body would be the ticket but since Modulus doesn’t do necks alone anymore finding a neck by itself would be super rare.