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My DP Pushic Custom fiasco........

Everyone is talking about attention to detail, but really, detail isnt main issue. The main issues are the big deals that he screws up.

Twisted necks
Seperating fingerboards
Topwoods on the back
etc...

If he had a crooked line it wouldnt be worth this much thread, but these are big obvious things. Details are details, but he's screwed up much more than that.
 
I just read the opening lines when you go to the DP custom website, and for those who say that you get what you pay for so you should just exprect and accept the flaws, I suggest you read it also. If you should expect and accept these flaws then the website is misleading customers. The claims are that he doesn't want to make lots of money from building but rather wants to put value in your hands. It is misleading to compare these basses to those that cost thousands more and say that the only difference is basically that he isn't charging for the name.
 
lamborghini98 said:
Im pretty sure that reading this thread is a terrible way to make judgements on DP. why dont you try talking to some of his happier customers, too. This is just the negative. Remember that he has made probably hundreds of instruments ... and I bet you cant find more than 6 or so original buyers who werent happy.. and not more than 1 or 2 who had serious problems with their instrument (by serious I mean you cant play the instrument). Youre right in that you should expect to get what you pay for. But you need to re-evaluate the meaning of that statement in this context. Are other basses overpriced? Who is Dave's market? etc etc

Im out of this thread until someone gives reason for any more debate. I really want to see an itemized list of the problems in 4string's instrument, and their actual impact to the instrument.

I've listed at least nine original buyers who weren't happy with their instrument on the third page of this thread, and that's just TBers- not including all the ones that end up on the used market. Why would Dave make hundreds of instruments and then not post them on his website? I've been watching it for probably four years now, and he updates whenever he can. And since he builds as a side project, and his average wait is around 8-14 months now, you can pretty safely bet that he hasn't made (and commercially sold) many more basses than what's listed on his site.

Part of the issue is that the problems in his basses DON'T fit into price context. Same price range? A Musicman Bongo or Stingray five-string. Fit and finish and quality control are of a MUCH higher percentage with MusicMan. Other comparable builders are the number of amateur luthiers on this site who sell in a similar price range without complaints on building issues.

It doesn't save money to do a poor job. It costs the same amount to assemble a neck and fingerboard correctly as it does to do it incorrectly. The cost that botique builders charge is mostly due to experience and the time they put into an instrument. And it's not like he charges less because he doesn't go into the same detailing as botique builders- he takes longer than most, in fact. Money-saving factors would be using less expensive woods, hardware, electronics, etc. Cutting a bad pickup route doesn't save money.

This thread is a great way to make judgement on DP basses, along with reading the good comments. You can see the percentage of basses sold to number of happy/unhappy buyers.

BTW, a serious issue in a bass is not just being completely unplayable. I can nail a fishing line to a 2x4 and you could play the damn thing. You could get a bass from Fodera that plays and sounds like a dream, but if it has a big crack down the fingerboard, then there's a serious problem. A twisted neck is a SERIOUS problem- it will interfere in intonating, adjusting action and trussrod, etc. Thinking that this is acceptable workmanship is to have no idea what quality is. There is a point where opinions butt up against facts. There's a heck of a lot more than 1 or 2 customers whose basses have had serious problems- I've listed nine or so in this thread off the top of my head. If I researched TB I could find more, as I know there were more that I can't recall the names of at the moment. It is good to know this information as well- reading just about the happy customers only gives you half of the information. If more well-known luthiers had this large a percentage of building errors, they wouldn't be in business. Being in the spotlight means their errors are in the spotlight as well. Many of the people who've purchased DPs did could not find info on his unsatisfied customers because he's not in the spotlight, so info is hard to come by. That's why places like TalkBass are great, as people now have a reference they can go to to see both the good and the bad.
 
lamborghini98 said:
Im pretty sure that reading this thread is a terrible way to make judgements on DP. why dont you try talking to some of his happier customers, too. This is just the negative. Remember that he has made probably hundreds of instruments ... and I bet you cant find more than 6 or so original buyers who werent happy.. and not more than 1 or 2 who had serious problems with their instrument (by serious I mean you cant play the instrument). Youre right in that you should expect to get what you pay for. But you need to re-evaluate the meaning of that statement in this context. Are other basses overpriced? Who is Dave's market? etc etc

Im out of this thread until someone gives reason for any more debate. I really want to see an itemized list of the problems in 4string's instrument, and their actual impact to the instrument.


1 to 2 people who have had serious problems?!?! Damn, boy, you really can't pay attention to details very well can you?

No one is stopping the happy customers from posting in this thread. If they did, no one would ridicule them for being happy with their purchase. I HOPE people are happy when they buy their bass--they cost a lot of money. Sadly, I haven't really seen anyone who was truly pleased with their Pushic.

Or, are you suggesting that only 2 Talkbass owners have gotten the bad ones? :rollno:

Don't you think after making hundreds of instruments he should be able to put a string ferrule on a body without having it overlay the control cavity cover? Do you really think that being completely unplayable is any criteria to base a new instrument on?

You're ability to ignore is pretty impressive. Enjoy staying out of the thread. Maybe if you try hard enough, you'll be able to convince yourself it doesn't exist....

I haven't seen a pair of rose colored glasses this big since Elton John went nuts in the late 70s.... :help:
 
Here are pictures of the awful errors that mine had:

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Need more??

The electronics were messed up too...
The worst part, is that, Dave, is an Electronic Engineer as far as I remember... go figure.

Dave was a nice person to work with, he refunded my money, and all. BUT: I wouldnt want anyone to waste his time and hopes on a bass thats only going to bring you problems.

I forgot to mention... some of the frets werent even PARALLEL to each other. THey were like FANNED. frets 3 4 and 5
 
Luis Fabara said:
Here are pictures of the awful errors that mine had:

Need more??

The electronics were messed up too...
The worst part, is that, Dave, is an Electronic Engineer as far as I remember... go figure.

Dave was a nice person to work with, he refunded my money, and all. BUT: I wouldnt want anyone to waste his time and hopes on a bass thats only going to bring you problems.

You seem to have some pretty bad problems with your neck there. What were the woods in it, and when was it made?
 
Woodchuck said:
Dave, what's the turn time around on your basses? Also, that 3rd person thing you do is kinda cool.

:D
lamborhini98 is a real person- I met him momentarily at the NYC GTG and he's a nice guy. I'm just very worried that he'll get something that he thinks he won't mind at first that will end up biting him in the butt in the end, as it has with many other TBers.
 
Bryan R. Tyler said:
:D
lamborhini98 is a real person- I met him momentarily at the NYC GTG and he's a nice guy. I'm just very worried that he'll get something that he thinks he won't mind at first that will end up biting him in the butt in the end, as it has with many other TBers.

Me too... but theres no point in worrying. I have confidence that if I dont rush him and dont give him a project I dont think he can do, itll all turn out well. A few TBers who are happy with Dave's work have come out of the woodwork and PM'ed me saying so. They just dont post because theyre not a-holes like myself. I just have a different point of view from a lot of people, and what you think is critical may not be critical to me. Then of course we both exaggerate and things get out of hand.

Still want 4string4ever to post, though...
 
JimmyM said:
I believe I can answer that. It's the word "custom" in combination with a good price. The word "custom" makes people think they're getting a one-of-a-kind creation made especially for them, even when they're not. Plus the guy's basses take a nice picture. And the good price tied in with it makes people think, wow! I'm getting a custom for such a good price! And they look around and they can't find anything comparable in customs at good prices, so they tell themselves that they will get a good instrument even when those other "morons" didn't. But the fact that an American Fender costs more than one of these so-called "customs" escapes them. And then when they get the bass, they're disappointed and pissed. "Hey, my bass is supposed to be custom and it looks and plays worse than a Carlo Robelli!" Well what did you expect for $700? A Ken Smith? A Fodera? Come on people, use your heads!

I looked up the word "custom" in the dictionary and it says basically something made to an individual's specifications. There's no mention of quality. So technically DP basses are custom, even if they're badly made. The problem is that we associate "custom" with high quality and expect the two to go together.

Same thing with "hand made". Even though machines do some things faster and more consistently, it's often used as a selling point to conjure up warm fuzzy images of the good ole days when craftmanship mattered and things were made with good ole fashioned loving care, etc. :) There was a Warrior thread a while back where someone noticed a flaw on the bass and Warrior's reply was "it's hand made". :rolleyes:
 
lamborghini98 said:
Me too... but theres no point in worrying. I have confidence that if I dont rush him and dont give him a project I dont think he can do, itll all turn out well. A few TBers who are happy with Dave's work have come out of the woodwork and PM'ed me saying so. They just dont post because theyre not a-holes like myself. I just have a different point of view from a lot of people, and what you think is critical may not be critical to me. Then of course we both exaggerate and things get out of hand.

Still want 4string4ever to post, though...

Do you think that if you start him on something too simple, that you may come out better buying off the shelf? I remember it like it was yesterday. About 3 years ago, somebody posted about Dave and his magical basses for a low price, and one by one, TB'ers posted their reply, "I'm gonna do it!" Dave was up to his whiskers in orders, hell, he was so happy, he posted here regularly. Then that first booger went out, and the TB'er was not pleased, so after he and Dave went back and forth about 5 times, he posted his dismay.........and one by one, disgruntled TB'ers, you know, the afore mentioned "I'm gonna do it!" crowd?, came out and they too, posted their dissatisfaction. Hell, Dave even stopped posting here after his defensive position was overrun by rapidly advancing troops. Some ended up on the 'bay in a "No reserve" auction, others were traded even up for Mexican P's. I was fortunate enough to play one of his 6'ers. I don't remember everything about that day, but I do remember crying afterwards. Lams, that gleam in your eyes, I've seen it. So full of hope and promise. "It'll be different." you're saying. My advice? Don't drop the soap.
 
This is probably the greatest one-liner EVER stated on TalkBass:

"I haven't seen a pair of rose colored glasses this big since Elton John went nuts in the late 70s...."

Bassmonkeee, YOU RULE!

;)

bassmonkeee said:
You're ability to ignore is pretty impressive. Enjoy staying out of the thread. Maybe if you try hard enough, you'll be able to convince yourself it doesn't exist....

I haven't seen a pair of rose colored glasses this big since Elton John went nuts in the late 70s.... :help:
 
Luis Fabara said:
Invalid Link Removed
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Need more??

The electronics were messed up too...
The worst part, is that, Dave, is an Electronic Engineer as far as I remember... go figure.

Dave was a nice person to work with, he refunded my money, and all. BUT: I wouldnt want anyone to waste his time and hopes on a bass thats only going to bring you problems.

I forgot to mention... some of the frets werent even PARALLEL to each other. THey were like FANNED. frets 3 4 and 5

Luis, nice to see you posting around these parts. Long time no see!

That neck twist is nasty. The problem with things like that, is even if you manage to get the neck playable with some fretwork, maybe a shim, and some truss rod adjustment, those kinds of twists keep coming back, and getting worse over time.

Eventually, the bass would be unplayable. And if it is a neck through, at that point it is firewood. Or wall art.
 
lamborghini98 said:
I have confidence that if I dont rush him and dont give him a project I dont think he can do, itll all turn out well.

He's got a long wait period, so he shouldn't be under any rush unless you REALLY harrang him.

That won't guarantee anything, mind you- one of the best known really, really bad DPs was ordered by Jeff Rader, who made sure DP took as much time as he needed, as quoted in this post.
http://www.talkbass.com/forum/showpost.php?p=400472&postcount=20
 
Luis Fabara said:
Here are pictures of the awful errors that mine had:

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I forgot to mention... some of the frets werent even PARALLEL to each other. THey were like FANNED. frets 3 4 and 5
:eek: Wow. I didn't know a fretjob could be done that poorly. There are problems there that I couldn't have conceived if I hadn't seen the pictures. It's like the fret slots were sawn with no guide, with his eyes closed. That thing is like a train wreck in a minefield during a hurricane.