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My rented backline adventures

Monday night we had an awesome backline company...here's my supplied rig:

Rig7-29-14SavannahCtr_zpsc52be045.jpg


Actually I was my own backline company and I supplied it, but I just wanted an excuse to post the pic. Busted out the Realistic violin bass for the first time since Christmas to get some fat vintage thump on some of the tunes we did, and it ruled, and I've yet to play any newer hollowbody that even compares. Pulled the VT Bass Deluxe out a week or two ago after a year and a half of inactivity, and though I still wish it was a little less compressed, it really does make switching basses less complicated and has some very cool dirt tones, so it's back in the lineup regularly. Real fun 60's show tonight with Ron Dante who sang all The Archies songs in the 60's like "Sugar Sugar", wrote a ton of commercial jingles in the late 60's-early 70's with Barry Manilow that everyone my age and older remembers, and produced Barry Manilow's biggest hits, along with Lenny Welch, Barbara Lewis, John Claude Gummoe of The Cascades, and Johnny Thunder. Long day with a full rehearsal and two 110 minute shows. We had to do background vocals for everyone and there was a lot of reading in this show...yes, actual notes on staffs, not just chords :) And these kids on here wonder why I tell them to read. Can't do a show like this without singing and reading. OK, so it's not quite the same as gigs where the singers are screaming like wounded dogs and the audience forms a mosh pit. But on the bright side, nobody's screaming like wounded dogs and forming a mosh pit.
 
Two X2 wireless receivers from 2007 that refuse to break so I can try those new Shure wirelesses ;) and a Korg Pitchblack. The pedals come and go in phases. Thinking of adding my Team Awesome Fuzz machine back. The VTD gets a pretty heavy overdrive going but it isn't the same as fuzz.
 
I got a story you would enjoy Jimmy! not really a supplied backline, but i was playing a local venue, and the sound guy really prefers a low stage volume, and appreciates if i don't bring a amp. Since i am using IEM, i don't argue. so i brought my brand new at the time REDDI and plugged my Alembic in, a tone that has always sound amazing. after the first set, i see the sound guy on the stage, tinkering near my side of the stage.
i get back up at the start of the next set, and laughed when i found my bass plugged into a no name DI box, and my REDDI sitting off to the side! I asked him why after the gig, he said he wasn't getting any low end out of the REDDI. i walked away shaking my head!
now i run him two channels, my REDDI in one, and my Basswitch in the other. he seems to like the combo

I made a sudden reply based on the pick guard .. looks just like my Peavey .. then I saw the pickups and machine head. What an idiot ..

i was playing a wedding with my Custom Walnut Alembic Europa 6 String, and a guy came up and said "WOW man! is that a Peavey?!" i was stunned!
 
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i was playing a wedding with my Custom Walnut Alembic Europa 6 String, and a guy came up and said "WOW man! is that a Peavey?!" i was stunned!

I often have people playing a 'guessing game' with my bass, since Dingwall isn't well known. The three most popular guesses are 'is that a Carvin', 'is that an Ibanez', and 'is that a Peavey'. It's fine with me because I figure that there's less chance of it being stolen.
 
I got a story you would enjoy Jimmy! not really a supplied backline, but i was playing a local venue, and the sound guy really prefers a low stage volume, and appreciates if i don't bring a amp. Since i am using IEM, i don't argue. so i brought my brand new at the time REDDI and plugged my Alembic in, a tone that has always sound amazing. after the first set, i see the sound guy on the stage, tinkering near my side of the stage.
i get back up at the start of the next set, and laughed when i found my bass plugged into a no name DI box, and my REDDI sitting off to the side! I asked him why after the gig, he said he wasn't getting any low end out of the REDDI. i walked away shaking my head!
now i run him two channels, my REDDI in one, and my Basswitch in the other. he seems to like the combo
Sheesh! Is the tube on its way out or is he deaf? That's the very first time I ever heard that complaint about the REDDI!

i was playing a wedding with my Custom Walnut Alembic Europa 6 String, and a guy came up and said "WOW man! is that a Peavey?!" i was stunned!
You should introduce him to the soundman. Sounds like they'd get along great!
 
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deaf!
the REDDI is a very good DI. I let my brother borrow it every week. He writes music for TV show, he thinks the tone is subtle but very nice in comparison to his high end preamps. I use it live every weekend.

As a side, if you haven't tried the Basswitch yet, i would highly suggest it. i know you have always been a mic'd cab kind of guy. the preamp in the Basswitch is very nice. run 2 channels to the board REDDI clean, and effects (in the future) through the Basswitch with some EQ rolled in. the pair gives a tonally full sound. The REDDI gives nice warm lows, while the Basswitch adds very defined highs. To me, its pretty perfect.
 
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.....

As a side, if you haven't tried the Basswitch yet, i would highly suggest it. i know you have always been a mic'd cab kind of guy. the preamp in the Basswitch is very nice. run 2 channels to the board REDDI clean, and effects (in the future) through the Basswitch with some EQ rolled in. the pair gives a tonally full sound. The REDDI gives nice warm lows, while the Basswitch adds very defined highs. To me, its pretty perfect.

my setup as well :)
 
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Only time i had in issue with No lows in the REDDI or the producers Tube DI was when one of the pins on his XLR cable went south... Either pin #2 or #3 was out in the cable so we were getting half the signal....He replaced his cable feed and the REDDI was as normal/ full and big... Wasn't either DI but his cable//
 
Real fun 60's show tonight with Ron Dante who sang all The Archies songs in the 60's like "Sugar Sugar", wrote a ton of commercial jingles in the late 60's-early 70's with Barry Manilow that everyone my age and older remembers, and produced Barry Manilow's biggest hits, along with Lenny Welch, Barbara Lewis, John Claude Gummoe of The Cascades, and Johnny Thunder. Long day with a full rehearsal and two 110 minute shows.

Many of those so called bubblegum pop songs have good bass parts and are well written. It must have been a pleasure to work with Ron. Bang-Shang-A-Lang is one song that can really get your fingers moving.
 
after the first set, i see the sound guy on the stage, tinkering near my side of the stage.
i get back up at the start of the next set, and laughed when i found my bass plugged into a no name DI box, and my REDDI sitting off to the side!
laughing would not have been my first response :bored:

did you figure out what the problem was?
 
so jimmy, you had the real SVT and the REDDI and the VT pedal all going at the same time?

i thought the idea was to use the last two when you didn't have the luxury of the first one...
 
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so jimmy, you had the real SVT and the REDDI and the VT pedal all going at the same time?

i thought the idea was to use the last two when you didn't have the luxury of the first one...
LOL...long story...stop me if you've heard it before...

In 2008 when I got my tube amps restored, I decided to start micing and bought a Heil PR40. This led to much happiness most of the time, but also occasional arguments with incompetent and unfamiliar soundmen, and sometimes it led to subterfuge...like the time a dude sneaked a mic cable into the back of my PF350 while I was on dinner break. That's the entire reason I got the REDDI...to stop those arguments and make me happy with my sound as well. Since I got it 2 years ago, it's been my only source to the PA, although when I use my tube amps I do try to turn up loud enough so you can hear them as well. As for the VTD, I stopped using it for a year and a half and just brought it back a couple weeks ago. I was unhappy with the Barber Linden EQ I was using on upright boosting yucky high mids when I wanted to boost treble for slapping, and rather than spend money on something else, I tried the VTD again and it worked great. So I only use the VTD as a splitter/EQ for my upright (or whatever second electric I might bring on those rare occasions I bring two), and on the electric I leave it off for clean tones and only use it for dirty tones, as I prefer the clean electric tones without the VTD's light compression. Might prefer the upright without the VTD if I could play it better ;) but it's all good.
 
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