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[Invalid or Expired Link Removed]im a little suspicious of the candy thing, I buy suplys for my reef tank from a company that does the same thing and I think its a kind of consumer programing thing, "buy our product, get a treat" theyr training us like dogs.

WHATS IN THE BOX!!! WHATS IN THE BOX!!!!!!
My gibson SGJ showed up and spent about 4 hours outside my apartment in -35'C weather. It was completely fine when I took it out of the box; not a mark on the nitro finish. That being said, I was very lucky, and I recommend waiting until the box is at least room temp.
-Ron
Just seller's pics, sorry, but:
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41.5" scale length, so belongs as much in the URB forum as here. I put Corelli low tension 370s on at first to be on the safe side, but it's obvious this thing was constructed for heavy heavy strings - the original ones were brass or copper wound, don't know on what core. Anyway, I'm shopping for louder heavier brighter strings. Nothing wrong with the Corellis at all, just not very loud on this - this is more of an old draught horse of an instrument rather then some dainty thin carved thing. It's a brute.
41.5'' scale length doesn't sound so big, I thought 47'' was more alround for double basses.
Nope. That's just about right for your standard 3/4 bass. Even a 4/4 behemoth doesn't approach 47".
Correct, 4/4, which lots of URBists consider more of a stage prop than an instrument (read Bob Gollihur's treatise on the subject, 3/4 is "full professional size"), apparently, is still only 43" scale, generally - most of the height difference is in the body.Nope. That's just about right for your standard 3/4 bass. Even a 4/4 behemoth doesn't approach 47".
Reminds me of that Midnight Oil lyric "steaming 45 degrees" - huh what? Oh yeah! That is rather toasty!hahahaha "low 30's", good one!!!
View attachment 566641 it was in the low 30's today, around here that doesn't count as extreme weather but I guess I have to wait anyway
Ah-yup, that's what can happen. I imagine some folks even like that effect. If I could replicate it intentionally on my little Matsumoku Thunderella violin bass, I would, it'd make it even more "antique-ey".I grew up in Fairbanks, Alaska so we never had the luxury of waiting if we wanted to play anywhere in the Winter. You just opened your cold guitar and let it acclimate. Spiderwebbing and checking in the finish was the norm. Life is different now. This picture is just from online. It ain't pretty.
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I grew up in Fairbanks, Alaska