"Loud" doesn't own them anymore Yamaha does. Have no fear
Oh, I know. Old habits die hard and all that
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"Loud" doesn't own them anymore Yamaha does. Have no fear
This is a photoshop job yea?I do believe if both SVT and B15 has individual SGT control section . It could be more useful with just single flip without much tweak between 2 voice.
Something like this...
View attachment 5200260
This is a photoshop job yea?
So even with the Footswitch, you’d still have to go over and adjust the knob to get the dirt/volume level where you want it when going between SVT and B15 settings? If so, the footswitch seems like a silly feature.
Can you square up the two upper corners of the chassis and get rid of the two round overs?
Can you square up the two upper corners of the chassis and get rid of the two round overs?
The Ampeg sound is whatever you want it to be. That’s why they have knobsI received a V3 and have been testing it out with an Eich 2x10. The build quality on mine is quite good. The knobs/mini switches all move consistently. The speakon connector is set to lock upside down, odd but no biggie. There's a small fan on one side of the amp. (I never heard it after a few hours of playing, and would stop on occasion to check.) My amp can get quite loud before any noticeable floor noise creeps in, (linear volume pot that goes smoothly from 0-10 throughout the range.) With an efficient cabinet like the Eich, I don't see any issues hanging with a ham-fisted drummer, which is my main requirement.
Sound-wise is where I need more work. I thought of all the Ampeg products I've owned, and they all had a 'plug and play, set everything to noon and it'll sound like an Ampeg' feature about them. I think I took that Ampeg sound for granted and never analyzed what I was hearing, because this amp is staring back at me like a clean slate.
There's also the possibility that I've simply lost my mind and there is no "Ampeg" sound.
Very mixed on this release. You could call me an Ampeg shill so please take my post with a grain of salt.
This is just plain lazy on Ampeg/Yamaha's part. Although I have and love the SGT DI, I don't see the merit of releasing a class D pairing when the premap is designed to work with most power amps. The incentive should've been the inclusion of additional popular bass and guitar models and the inclusion of tube in the preamp section.
Mind you, the entry level amp goes for $499 and the SGT DI was released this year in the same ballpark. I will admit the addition newer cabs is a nice to see and well overdue but I can't help but feel this release is low effort and low hanging fruit. Typically, it makes sense to release the amp first followed by the preamp.
Ok, I'll get off my soap box and find another cluster of clouds to yell at.
This has prolly been said, but the 4x10 and 1x15 cabs promise quite deep lower extension. 4x10 -3dB down to A0.
Obviously some price to be paid in terms of less-than-awesome sensitivity there, but if I had the beans and did not have my old 410 HPF, I'd be intriqued.
The Ampeg sound is whatever you want it to be. That’s why they have knobs![]()
Sound-wise is where I need more work. I thought of all the Ampeg products I've owned, and they all had a 'plug and play, set everything to noon and it'll sound like an Ampeg' feature about them. I think I took that Ampeg sound for granted and never analyzed what I was hearing, because this amp is staring back at me like a clean slate.
There's also the possibility that I've simply lost my mind and there is no "Ampeg" sound.
Thanks! That looks much better, now.
I agree that 2ohm would be cool - but in terms of a practical sales point, 2ohm is not even on the radar for about 99.9% of bassists. It's just really not needed almost all of time, by almost all bassists.
Of course, neither is the single knob onboard compressor though, so who knows lol.....