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New Ampeg Venture Series

You are perfectly correct, @DJ Bebop. But, here is my question to those out there...

Have you ever run a bass through a DAW with B15 or SVT plugins and those cab sims? If you can compare them to the real thing, is the difference enough to justify buying the actual amps and cabs?
Yes!
In fact running through a DAW using plug-ins was the beginning of me adopting the modeling pedal thing. It was early on before modeling amps or pedals. I could see the practicality of it. The only trouble I found, again early on, was in order to use the speaker sims live was the need of some sort of FRFR cabs or play back system, like the PA or FOH. The amp models without speakers sims work through most things if you accepted it not going through the appropriate speaker cab.

:)
 
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They did you a favor. I've got a PF500, and I never use it because it's just not terribly exciting tonally, in addition to all the issues that line had.

Different strokes etc, I've got the PF500 and like it a lot. No issues from mine (yes, sample size of one but a lot of the issues came early on and were ironed out even before Yamaha took over).

OTOH that one that's collecting dust for you might be worth more now that they're out of production, if you're inclined to unload it.
 
Yes!
In fact running through a DAW using plug-ins was the beginning of me adopting the modeling pedal thing. It was early on before modeling amps or pedals. I could see the practicality of it. The only trouble I found, again early on, was in order to use the speaker sims live was the need of some sort of FRFR cabs or play back system, like the PA or FOH. The amp models without speakers sims work through most things if you accepted it not going through the appropriate speaker cab.

:)

OK, so here we have the difference between what we have been discussing. Live and home studio. If I was going live, I would want the real thing as well. But, in a DAW setting, I find the plugins, with their cab sims, perfectly acceptable.
 
OK, so here we have the difference between what we have been discussing. Live and home studio. If I was going live, I would want the real thing as well. But, in a DAW setting, I find the plugins, with their cab sims, perfectly acceptable.
Oh I get it now.
Yes at home it's always plug-ins for recording, it's fine. I never mic up a B-15 for recording my crap. You'd never tell the difference.

I find for live they are acceptable too, until I got my rig.

:)
 
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I, for the life of me, can not believe that they'd release a 1200 watt amp that is only 4 ohm capable.

Given the wattages, and because the manuals explicitly say "Class D - ICE Power", it's very likely the V3, V7, and V12 amps are using the ICE Power 300AS1, 700AS1, and 1200AS1 modules respectively. Per the data sheets none of these amps support less than 4 ohms. You can download the data sheets and read for yourself. Although some other products that use the same modules offer a 2.6 ohm mode this is an "off-book" application and requires extra sauce to accomplish.

Something else is these amps don't appear to have fans (although maybe I missed them and they're on the side, but the manual makes no mention of a fan). Designing the system to run at less than 4 ohms with these modules requires extra attention to thermal management. Since it's likely Ampeg will sell more of these than some of the other smaller makers products they're probably trying to prolong the life and reduce warranty claims and restricting them to ICEPower spec-compliant operating regimes seems smart.

And all the new cabinets are 8 ohms. So go crazy, get two 212s. Shake beer glasses off the bar.
 
I can't believe they are releasing cabinets that don't support the power of the amps they're released with.

:)

Heads are all rated at 4ohm, and cabs are 8ohm... so the 410 can handle the 1200, 212 the 700, and the rest the 300.

I do find it odd that the 210 and 115 aren't rated for the 700... even doubled up. You have to go 212 or 410.
 
Given the wattages, and because the manuals explicitly say "Class D - ICE Power", it's very likely the V3, V7, and V12 amps are using the ICE Power 300AS1, 700AS1, and 1200AS1 modules respectively. Per the data sheets none of these amps support less than 4 ohms. You can download the data sheets and read for yourself. Although some other products that use the same modules offer a 2.6 ohm mode this is an "off-book" application and requires extra sauce to accomplish.

Something else is these amps don't appear to have fans (although maybe I missed them and they're on the side, but the manual makes no mention of a fan). Designing the system to run at less than 4 ohms with these modules requires extra attention to thermal management. Since it's likely Ampeg will sell more of these than some of the other smaller makers products they're probably trying to prolong the life and reduce warranty claims and restricting them to ICEPower spec-compliant operating regimes seems smart.

And all the new cabinets are 8 ohms. So go crazy, get two 212s. Shake beer glasses off the bar.
Well what if you want to run (2) 4 ohm 212 cabs, your screwed.
GK, Mesa, Bergantino and others offer 2 ohm handling.
Seems like a fail to me
 
Finally Yamapeg make Wow factor !!!

I been post before wishing Yamapeg put the SGT preamp pedal on replacement PF series, YES, they did !

Meanwhile, i also wish there are 212 cab for PF line, YES, they did again !!!

Well, will pay attention on this new Venture.

Honestly.....i do believe the front panel look classy with chrome finished!
 
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Only nitpick I have is that I wish amp companies would just stop putting one-knob compressors on amps. Waste of circuitry and real-estate on the front panel. Either put a full-feature compressor in there or skip it as opposed to a half-baked solution that most players will either skip over, or mis-use due to lack of understanding compression to begin with.