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New Avatar Cab

I'm outraged. I just confirmed it...my cab is ALSO...speakers in a box! WHAT THE HELL...WHY did no one tell me? ;)

Though I get the meaning at the core of it, spouting that phrase "confirmed, speaker in a box" mockingly just sounds so stupid.

At the end of the day, I hope it's a good sounding cab, performs pleasingly to people, and they sell a million of them (or until their supply of custom / non custom Faital-Benz drivers run out) and that people using them have fun playing their gigs. That's what it's about. That's the goal. Not pouring over specs from a magazine while sitting on your toilet feeling smug and superior. Getting hung up on this type of stuff just because it gives you a nugget of power in an online argument is the great poison of this website.
I'm sure if Avatar bumped their prices up to $1200 a cab, they would win over some of those naysayers. ;)
 
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I would quote BASSINFLORIDA'S post, but the quote function is not working when I view TB on my iPad, so.....

Just want to say, wait for a bit, bassinflorida, someone will come along and tell you you are wrong, in spite of your fist hand experience.

Then you will need to ditch the Avatar, and get a Berg or something.
 
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I'll leave this here. [Invalid or Expired Link Removed]

Sure, it's a 210 combo. But the speaker config is very similar in orientation. I think it sounds pretty nice.
TC is world renowned for making great stuff. What do they think they're trying to pull here?
The dimensions for their enclosure, including the amp inside the enclosure, is 24.5"H x 14.7"W x 18"D.
And then there's the Avatar: 24.5"H X 17.75"W X 16.5"D.

The TC has LESS potential internal volume and has no problem producing a nice tone.
Then again we run into a perplexing speakers AND NOW AN AMP in a box conundrum.
Oh man. Stupid math.

A few of you might be thinking by now that I'm just trying to be a jerk, with my posts in this thread. Maybe. But I feel quite the opposite. I am just amazed that not even one page deep on a potentially cool new offering from a more wallet conscious manufacturer comes along and the outrage and armchair audiologists start piping up, not knowing a single thing about how this cab sounds, and just start slagging it and practically branding the manufacturers as idiots. It's crazy.
 
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I think the point of view of the "speakers in a box" people(myself included) goes something like this:
Here is a company making bass cabs, in 2014, why aren't they making them better? Sure speakers in any old enclosure "worked" for 50 years but the information is free and so is the software. How much better could these cabs "work" and sound with some software simulations and box modifications?
Bass guitar manufactures have been shoveling lazy crap at us bass players for forever. Very very few companies have tried to do better. We're tired of cabs farting out when we're finally as loud as some guitard with a cheap 112 combo.
How much value does a cheap cab really have when it fails? How much more sad is that when it's got great speakers that failed?
We do get overzealous with our attempts at shaming a manufacturer.
We don't play guitar is about time manufactures acknowledged that.
 
<snip> A few of you might be thinking by now that I'm just trying to be a jerk, with my posts in this thread. Maybe. But I feel quite the opposite. I am just amazed that not even one page deep on a potentially cool new offering from a more wallet conscious manufacturer comes along and the outrage and armchair audiologists start piping up, not knowing a single thing about how this cab sounds, and just start slagging it and practically branding the manufacturers as idiots. It's crazy.

Yes, it is.

The Tao of Design says that when the math and the senses agree, the result is sublime. But it can be pretty darned good if they're a little off. That's the Avatar (among others') business model.

Few people here have actually experienced full cycle design-to-market. Even fewer who are players have done so. There are a few of them still here.

Filtering is a necessity. The signal-to-noise ratio on the interwebz is low these days.
 
^^ This post I can agree with completely, and is much appreciated.

My only problem, as always in these kinds of threads, is assumptions posing as hard facts.
Very true. Often here on TB threads become witch hunts. I would argue that this appears to be "speakers in a box". Although outside of purchasing one I'll never know for sure, I don't pay people for things I can do better anymore so I'll have to die ignorant.
 
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Look dude. We get it. Someone posted some facts that supported an argument, y'all bought it as gospel just because math somehow rules this roost and trusting your own ears sucks, and that flat out means that now everything that's come before it is now completely wrong, and the people still doing it are all stupids.

It's like that whole Pluto is no longer a planet thing. Oh wait. http://www.usatoday.com/story/tech/2014/10/02/pluto-planet-solar-system/16578959/

Ok, silly analogy.

I could give a golly-goddamn that my 410 is not as efficient in delivery as a line-arrayed orientation of the same drivers, I like the form factor and it sounds good to my ears. Do you really want to waste your energy trying to convince me I'm supposedly wrong, as set by "the new standard" you believe? Spare me.

I used to work for the largest pro-audio enclosure manufacturer in the world. I was with them before the whole vertical column line array thing became the successor. Does not mean their previous systems didn't kick ass and sound amazing just the same. Same thing here.

That was a LOOOONNNNNNGGGGG time ago then. Vertical 410's were very common going back to the 60's.
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that is from 1978, but the Shure vocal master is one of the more Iconic such systems.

Speakers in a box, refers to someone stuffing speakers in a general sized box with general tuning. In most cases, it works fairly well. At Avatar's budget prices, that isn't a bad deal at all.
What is funny, is that when one understands that there IS NO PERFECT BOX, they can clearly understand how the Eminence 3012LF can be correctly designed to work in a variety of enclosures, as an example. Greenboy's design comes about different trade-offs then Duke Lejeune's as an example, and gasp, Duke even uses multiple different boxes with the same drivers as a manner of juggling those trade-offs for different goals. Duke even goes a step further and has a specific box with 2 different speakers available to further juggle trade offs in a different manner. The 1533E and 1533B is what I am describing. If one wants more emphasis on their B- string, he chooses a different driver and optimizes the tuning to accomplish that task.

Dave, who's ultimate goal is a decent product at a ROCK BOTTOM price, juggles his trade-offs different. His number one goal, is to reuse the box. I think it's not impossible to suggest that he generally just shoots for a generally decent tuning in said box, and lives with the results. I don't think that is the worst juggling of trade-offs ever. He uses Neo drivers, and then uses 3/4" plywood to still sort of be able to produce lightweight boxes at BARGAIN BASEMENT prices. His direct to consumer model allows he to be in the budget spectrum of prices, while providing a drastically superior driver and end product then say... Acoustic provides.
He has mentioned several times that Eminence helped him design his original box-size and tuning based on his custom drivers. The fact that he re-uses those boxes and "perhaps" adjusts his tuning, or perhaps does not is the question. I would be willing to bet, that they work fairly well, and while someone could clearly design a box around those speakers that chose different trade-offs and could produce better results for them, that may not be the case for everyone, and clearly that would require a greater cost to consumer to do so.
He has his niche, and I think he does fine in that niche.
The "proof" that he isn't a world renowned audio engineer can be as simple as looking at the ill-fated 1510 design(which, BTW, is sort of a Triad copy, so SWR fell into the trap as well, once upon a time). But the true value of Avatar, is that he listened, and produced the TB153 which really fits a niche and improved upon said failed design. While it is far from perfect, it is a more well designed system then many boutique manufacturers produce. While a fearful is objectively better, it is also more then twice the cost. It better be better. Better mid driver, x-over, driver placement, etc.

I, personally, don't see the desire to bash Dave and his product line. No, it's not perfect, but at least I can see how and why he juggles his trade-offs how he does, and his budget price is what, to me, proves he does a good job of doing so. the fact that mesa, Aguilar and other so called Boutique manufacturers that charge an arm and a leg for similar balanced trade offs shows me that.
When one understands there is no perfect box, and that all it ever is, is a balancing of trade-offs, it shouldn't be too hard to see that Dave produces a "good" product at a fair price.
 
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The "proof" that he isn't a world renowned audio engineer can be as simple as looking at the ill-fated 1510 design(which, BTW, is sort of a Triad copy, so SWR fell into the trap as well, once upon a time). But the true value of Avatar, is that he listened, and produced the TB153 which really fits a niche and improved upon said failed design. While it is far from perfect, it is a more well designed system then many boutique manufacturers produce. While a fearful is objectively better, it is also more then twice the cost. It better be better. Better mid driver, x-over, driver placement, etc.

I, personally, don't see the desire to bash Dave and his product line. No, it's not perfect, but at least I can see how and why he juggles his trade-offs how he does, and hsi budget price is what, to me, proves he does a good job of doing so. the fact that mesa, Aguilar and other so called Boutique manufacturers that charge an arm and a leg for similar balanced trade offs shows me that.
When one understands there is no perfect box, and that all it ever is, is a balancing of trade-offs, it shouldn't be too hard to see that Dave produces a "good" product at a fair price.

Looks like he is still listening......

There is another thread started about him now offering a mid in place of the tweet on the SB112 - definitely a step in the right direction, and one that should be followed by other manufacturers.
 
Looks like he is still listening......

There is another thread started about him now offering a mid in place of the tweet on the SB112 - definitely a step in the right direction, and one that should be followed by other manufacturers.

Yup, I posted there too.
The guy is trying, he is listening, and he is sticking to his primary goals(decent product, GREAT price). I don't see the harm in having a less then perfect product line to help working bassists afford a product that works for them. Again, his product line is much better then the budget prices suggest. Other products in his price range are clearly inferior in so many ways it's pathetic.

You can agree to disagree, and clearly the science/math crowd is "correct" but maybe they can just understand how he chooses his trade-offs. I don't find it that hard and I basically come here ONLY to read about the techie cab-nerd threads. No, it is not BFM, Greenboy, AK, MVW, or Barefaced, but I don't think all cabs have to be either.
 
To correct some factual errors presented here, Genz Benz drivers are in fact NOT stock parts but are different. That means significant differences in TS parameters, voicing, Xmax alterations, etc. to say or claim otherwise is not accurate.

It's possible to reverse engineer many parameters using Klippel analysis, which can also help with understanding large signal parameters as a driver operates past it's traditionally linear (important in bass gtr) region.
 
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To correct some factual errors presented here, Genz Benz drivers are in fact NOT stock parts but are different. That means significant differences in TS parameters, voicing, Xmax alterations, etc. to say or claim otherwise is not accurate.

It's possible to reverse engineer many parameters using Klippel analysis, which can also help with understanding large signal parameters as a driver operates past it's traditionally linear (important in bass gtr) region.

Interesting. So, why would Avatar buy all these " NOT stock " drivers from Whoever is Genz Benz these days, without knowing what he was getting into with an OEM driver ? Or was he told they were just Faital drivers with a Genz Benz label on them? How did he even know they were available to purchase, and why would Genz Benz sell them all in the first place if they were a specialized driver ? The mind boggles.
 
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Looks like he is still listening......

There is another thread started about him now offering a mid in place of the tweet on the SB112 - definitely a step in the right direction, and one that should be followed by other manufacturers.
Maybe. And maybe some of us like tweeters with drivers. And , yes, I have tried the fEARful cabs; I didn't care for them at all. His Bassic 15, otoh, is really groovy for me.
 
That was a LOOOONNNNNNGGGGG time ago then. Vertical 410's were very common going back to the 60's.
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that is from 1978, but the Shure vocal master is one of the more Iconic such systems.
I appreciate the awesome post, but to the above quoted section, I was of course referring to these
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when speaking to the new / decade-old trend shift to vertical line array columns. And they certainly are incredible tech in the effort to optimize the audience listening experience and tuning the directivity of the sound / and delay across the venues they are used in. Powerful tools to that end.

I actually have a pair of ancient similar-concept 4 x 12 column speakers like your link you provided at my rehearsal space, and frankly, THOSE are speakers in a box, and they sound quite the crap too. ;)

And again, in keeping with your explanation, I understand the phrase "S in a Box" just fine, it's just what I perceived the tone of that post as presented is what I took exception to. If I read into it wrong I do humbly apologize to Seamonkey, but given the tone of other posts in his I've read in the past, I figured it to be less than benign.

When I wrote the post you quoted, I ended with, and subsequently edited out, a snarky line about the above pictured speakers including mixed drivers and crossover networks, but felt it would not help matters in the discussion... ah well.

I agree with the prior sentiment that when the math and the senses agree, it's sublime. And in no way am I discrediting true high-spec tuning of enclosures that meet an ideal. Having come from a background where I was immersed in tech like this I never would, but when persons pose this second hand knowledge in a discussion / argument as a matter of trying to volley an air of superiority in their posts is when it cheeses me off a tad. Man, I get sucked into these things from time to time when I should just back away.
 
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