Two weeks ago, I went to the Gibson Garage, ostensibly their 'factory store' here in downtown Nashville in Cummins Station (I'd like to have it explained to me how that exists when they quite a few Authorized Dealers here in town).
Full of everything Gibson makes, vintage birds on display from the vaults, their acoustics, some Mesa amps, and a large Epiphone presence, including Casadys and TBirds in every available color.
Overall, a huge selection of everything, like a NAMM Show display on steroids. Amazing axes, from mild to wild.
And . . . not one Gibson bass. Three things struck me:
Basses have always been a side business for them, and in every case, they hang on to derivations of best selling guitar models: Firebirds/TBirds, Les Paul shapes, 335 shapes. Rippers, Victory's, rarely if ever are revisited.
The basses they do make tend to be niche pieces, not axes broadly used in varied performance or recording situations, unless you're after that tone.
The newly reinvigorated Gibson is simply, by and large, making the best axes they've made in 2 forevers. There are lots of smart, talented people working there. But I don't know how deep their bench is when it comes to making contemporary, modern basses, though I certainly imagine they could. They will have to determine if their long term plan is to continue making modern production vintage basses like Rickenbacker and others, or if they want additional market share from new products that would benchmark the current standards.