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Dave Grossman said:I don't know ... I think anything with more than 11 strings is overkill.
- Dave
OK, THAT just launched Coke out my nose (and boy, does that stingDave Grossman said:I don't know ... I think anything with more than 11 strings is overkill.
- Dave
True, they're probably not looking to market such beasts to the masses. Just build it so you can say "I did it".jusplayinmybass said:I don't think Gary is worried about being hired for gigs. People that venture into this kind of territory tend to make their own work as artists as well as have people that trust that they will do the job no matter how many strings they have. B Easy
Myron
PhatBasstard said:True, they're probably not looking to market such beasts to the masses. Just build it so you can say "I did it".
The point I'm making is : What's the point of making an instrument that is so massive you are now going deep into the ranges of other instruments that basically perform the same function? I mean, aren't we suposed to perform the function of a bassist, not a guitarist?
Let's make a 7ft. flute! Or more apropriately, a flute welded to a tuba.![]()
PhatBasstard said:Or more apropriately, a flute welded to a tuba.![]()
You kinda' missed the "perform the same function" part.jusplayinmybass said:I see your point, but i don't see why instruments can't be in the same range and co-exist. I mean, the low E on a guitar is the same E as the 2nd fret D string on a bass. And piano plays in the bass and guitar range. But you often see all 3 instruments on stage together. In an orchestra, there is tons of overlap as far as range goes. But it's cool because they have different tones. I'm sorry but a bass played up high isn't going to sound like a guitar. There are too many differences in timbre. i don't see what the problem is. B Easy
Myron
that is nearly identical in timbre to guitar.Yeah! These guys gotta' have some place to play.geshel said:burn all the pipe organs! now!

Yeah, I´m with you on that one. Although we bassists like to think there´s a HUGE tonal difference ("they´re not even on the same planet!"), I´d venture to say 99% of people don´t hear it or care about it. It´s like babies: everyone thinks theirs is the most beautiful, but to my eyes they all look the samePhatBasstard said:And I'm sorry, but even my lowly 6 can sound very guitar like in the upper register, especially when I'm chording. I've heard tons of extended range (upwards) "bass"that is nearly identical in timbre to guitar.
geshel said:burn all the pipe organs! now!
...must be 20 minutes past 4 o'clock someplace on the planet...geshel said:"Excuse me while I go toot my fluba".

Haha... I wonder how many talkbassers get that onej-raj said:...must be 20 minutes past 4 o'clock someplace on the planet...
![]()
Atomic-Hedgehog said:the only 12-string basses i've seen are with 4 trippled strings, i believe Hamer makes one... *shrugs*

the ombudsman said:Maybe Mr. Goodman or Jauqo could give us a clue about the Adler 12?
...like CoolHat said, but I'm not sure about the validity of an instrument tuned in thirds, for example.
Groovecenter said:Haha... I wonder how many talkbassers get that one
j-raj said:Maybe strings being tuned in different intervals allows for a greater sonic pallet when using percussive harmonics?
....apparently after 1 minute shy of 2 hours.... not many.
(fluba tootin)