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Likely in the minority opinion, I'd have returned the Cali, kept the DCX, and used the difference to give a gift to the family, especially when you kept the BassRig.
Likely in the minority opinion, I'd have returned the Cali, kept the DCX, and used the difference to give a gift to the family, especially when you kept the BassRig.
I'd have kept the DCX Bass over the Cali76 CB as well. I haven't played a BassRig, but pedal preamps aren't my thing (I use an on-board preamp and a tube DI) so I doubt I would have kept the Super Vintage.

I can't speak to how it complements the SV; as I noted in the reply you quoted, I've never played a Super Vintage. I have, however, spent considerable time with the Cali76 TX-L, Cali76CB, and DCX Bass and I have informed opinions on each of those units. But what works or doesn't work for me doesn't necessarily mean anything when it comes to you. Everyone's signal path, ears, and musical needs are different, you know? And clearly the Cali76 CB is a hit with many bassists. For myself, I didn't like how the Cali76 CB colored my tone and interacted with my dirt. I also found it noisier than some alternative compressors so it didn't stick around. The DCX Bass, on the other hand, is my second favorite non-tube overdrive pedal of all time--and I've play, owned, and/or tried scores of overdrives on bass (I'm very picky about that effect)--because it is responsive and dynamic, has well-implemented gain range and EQ points, a pleasing clipping voice, and, above all, Origin Effects' adaptive voicing circuitry. All in a 125B enclosure.Can I ask why you think the DCX is a better addition to the SV than the Cali? Is the Cali redundant with the SV, which tends to compress a bit, being a tube amp recreation?
Right, the BassRig is an all in one pedal, and the DCX a kind of boost/OD, so they should make a nice complimentary pair. I'd get a UAFX 1176 in place of the Cali for similar compression effect if still desired, and, from my testing of each, for less cost and weight.Can I ask why you think the DCX is a better addition to the SV than the Cali? Is the Cali redundant with the SV, which tends to compress a bit, being a tube amp recreation?
And Origin didn't know if black would sell....I just did a thing... I've been on the fence about the DCX, but the Black edition got me. It should be here in time for the weekend![]()
LMAOOOOOAnd Origin didn't know if black would sell....
And Origin didn't know if black would sell....
You've said your piece. We all know you are upset that black finish wasn't offered when the DCX Bass was first released. I can understand your frustration to a degree--the black finish is better looking than the standard silver--but at this point Origin Effects has thrice responded to your posts in thorough and respectful manner, explaining the uncertainties that they must navigate as a small business. Continuing to gripe about the black finish not being part of the original run not only pours cold water on the musicians popping in here to express excitement over the new pedal they just ordered, but also beats a dead horse. And it's petty.And Origin didn't know if black would sell....
100% spot on.You've said your piece. We all know you are upset that black finish wasn't offered when the DCX Bass was first released. I can understand your frustration to a degree--the black finish is better looking than the standard silver--but at this point Origin Effects has thrice responded to your posts in thorough and respectful manner, explaining the uncertainties that they must navigate as a small business. Continuing to gripe about the black finish not being part of the original run not only pours cold water on the musicians popping in here to express excitement over the new pedal they just ordered, but also beats a dead horse. And it's petty.
I'm all for criticism if it leads to productive discourse that benefits our community. But rather than engaging with the content of Origin Effects' replies, you dismiss their points and insist that this is all some big conspiracy. That's illogical: it makes sense that they wouldn't want to experiment with new finishes when launching a new product. For how new finishes can fail, just look at 3 Leaf Audio pedals from 2019 to 2021. Or the inconsistency across the Damnation Audio's MBD-2s with Hammertone Blue finishes. And those are just two recent examples that slipped through quality testing and into the market. Think of all the finishes that builders have tested that didn't make the cut and of which you or I have never heard. Origin Effects has always used brushed aluminum and stainless steel finishes. Sure, in the past they've varied the color of their top plates for special editions, but they've never done satin powder-coated entire enclosures before; making a big change like that requires time and testing. And volume to make it worth. That's probably why Origin Effects launched the black finish across all their drive pedals: the DCX Bass as well as the Halcyon Green, M-EQ Driver, etc.
Finally, it really seems to me that you are making a mountain out of a molehill here. If you want a black finish and (understandably) don't want to pay the difference between buying a new (black) DXC Bass and selling your silver one, all you need to do is wait until the black ones appear on the secondhand market. Then you can buy one used and sell your silver one for roughly the same price.
I suggest to try the DCX at the end of the chain after the SansAmp.Before sending the DCX back (see above), I tried it with the Cali before and the SansAmp BDDI V2 after. Wow, that sounds amazing. Much, much fuller and bigger than with the BassRig.