Totally different feel and groove to me anyway.Now go look up Dirty Loops.
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Totally different feel and groove to me anyway.Now go look up Dirty Loops.
You're joking but it's important to spell the band's name correctly. Or any word for that matter.
The whole Pamplamoose catalogue is definitely worth a listen, Jack & Nataly are phenomenally talented as are the rest of the musicians they work with.
The drummer in this particularly video, Rob Humphreys, is one of the better session drummers in all of Los Angeles: for this kind of pocket/percussion heavy style, he’s probably the best I’ve ever personally worked with.
I’ve been primarily inspired by songwriting and production lately myself: the two most recent EP’s Machine has produced (Post Profit and unpeople respectively) have been pretty incredible on both fronts.
The most recent record I heard this year that made me go “godDAYUM” on the musicianship front was the new Night Verses album: the production on that album is fantastic as well.
Their whole thing is smash-ups; highly accessible melanges. Fun way to warm up.Awesome man, thanks for sharing.
I need to dig into Pomplamoose now, and I'll have to check out that Night Verses album!
They also founded Patreon as a way to make a living as musicians, and are likely now billionaires as a result.
Yes, but they popularized the whole "high level musicians make pop tunes worth listening to" thing before everyone else...and Heinrick's bass playing should blow anyone's mind.Totally different feel and groove to me anyway.![]()
Absolutely. The company is worth $4 billion now and they own half.No chance that Patreon has made them a thousand million dollars in net profit, but they’ve likely created generational wealth for themselves.
Absolutely. The company is worth $4 billion now and they own half.
dig some of his recordings with Scary Pockets, a sort of sister project of Pamplamoose. They have a rotating cast of LA bassists, its kind of a whos-who of funky beasts. Sam Wilkes, Daniel Aged, and Joe Ayoub are some of my other favorite killer regulars. They made hundreds of covers, hard to know which one to recommend, but here's a random one with Nick:
What bassist & song blew your minds?
Nick Campbell just blew my fing mind on this song.
As soon as I listened to this about 10 times I just thought "holy ****. I need to find an instructor/teacher and take lessons so I can play just like that."
I've never felt more motivated to play/learn since I've been playing for the past year.
I come from mainly rock / metal roots as far as my music taste, so this is very different than what I usually get into, but man I just had a shift in what direction I want to go.
I'm glad you liked it! I had to share, it's too good not to.This is amazing!!!
One of Nick's lesser known contributions was helping California make an exemption for musicians on the AB5 bill. Would've been a logistical nightmare for freelance musicians but he and Ari Herstad and a few others did a bold act and I'm forever grateful for it.
I Met With AB5 Author Assemblywoman Gonzalez. Here's How It Went - Ari's Take
That’s actually the most amazing thing in this thread.
The CA musicians union is either fully inept, corrupt, or both for not being able to accomplish what those gentlemen did.
As soon as I listened to this about 10 times
Their whole thing is smash-ups; highly accessible melanges.


)Musician's Union was in favor of AB5. It's more beneficial for someone in the union but most of us aren't. Local 47 has its perks but also so many local performance venues just don't operate that way. AB5 was well intentioned to protect people like Lyft drivers from being exploited but it's a different beast with musicians.
Glad for all involved here.
Absolutely. The company is worth $4 billion now and they own half.
You are dead wrong, "my guy"The band’s name was already spelled correctly in the quoted post you responded to my guy.
Hence my tongue-in-cheek reply.
who owns half of Patreon? The musicians from the band in the OP?