Alright. We all know it’s been over discussed:
The dreaded “dead spot”.
I’ve been blessed for 30 years. I played bass without suspecting the existence of “dead spots”.
My 1st bass was headless. For many years, I strung it BEAD. My next main bass was an Ergodyne 5-stringer. And finally, I’ve mostly played a G&L L-2500. All have been completely free of “dead spots”.
Then, I entered the realm of the P bass. And suddenly, “dead spots” were a thing.
Let’s go over the common knowledge about the phenomena:
-“Dead spots” appear most frequently on the G string, between the 3rd and 7th fret.
-They consist in a note played on that part of the neck that dies prematurely.
-The note at that fret plays softer and dies faster, quickly going into decaying harmonic frequencies.
-A “dead spot” has to do with the bass vibrating in a way that absorbs the fretted string’s frequency.
-Playing the same note on the D string, rather than on the G, will not trigger the same “dead spot”.
-The problem is not confined to a few basses: it’s very common.
-Changing strings (lighter gauge) and neck tension is often mentioned as a solution.
-Adding weight to the headstock is often quoted as a possible solution too.
-Most solutions involve “moving the dead spot” around the neck, rather than resolving it.
-As the theory goes, playing with the weight and mass of the instrument has an effect.
And last but not least:
-Most bassists learn to live with “dead spots”, so should you.
-You don’t need that one note to sustain forever.
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