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Double Bass NS EUB megathread

Thanks, Hqubed!

That's the feeling that I had but it's interesting because this is supposed to be a brand new NXT. I thought those - and other NS EUB basses - shipped with the contemporary strings. Hmm...maybe they've changed since everyone seemed to be changing them out?
 
Yes, my memory was correct (even a blind squirrel finds a nut every once in a while.)

The Contemporary and Traditional strings BOTH have Gold/Blue/Gold silks at the ball end (with gold stripes over the blue), and both have the multi-colored D'Addario silks in the pegbox to indicate each string position (the ones in my photo below are "G" strings, which are red at the pegbox end.)

The difference (aside from string diameter - the Contemporary strings are a light gauge) is in the ball end - the Contemporary strings have a smaller, electric-bass-style ball end with a hole in the middle, while the Traditionals have the same ball end used on Helicore upright bass string sets, which is a solid cylinder (no hole).

traditional-contemporary.jpg



Hope that helps!
 
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Hello once again!

Does anyone have a scheme for NS CR5M's electronics? Especially 3 way arco/pizz mode selector wiring. Got some issues - when I switch between modes, sound always interrupts like "brrr..rr.....r.....rr..r.r.....rrrrrr" and I have to twitch switch few times.
Help, please!
 
I am the proud owner of an NS CR4M I have had for about 6 months and enjoy quite a bit. I am playing with the stock strings. I use both the piezo and mag pick ups for different situations. I feel like my G string is somewhat weaker than the other strings, just kind of thin sounding, especially in the upper registers. I am thinking about replacing either just that string or the entire set for a more balanced sound. I don't really think there is anything wrong with the bass and was wondering if anyone has any thoughts or suggestions. Primarily pizz jazz playing. Thanks for your responses, and Happy New Year!

Welcome to the club, I've had my CRM4 for about 8 years now and am more than pleased with it.
For pizz I lower the action somewhat and tweak the truss rod for minimum relief but be careful how 'easy' you make it to play or it will sound like a bg.
If your G is low on output check the level of the mag pups - for some odd reason the G pup on mine seems to shrink away in distance from the string over time no matter how tight I screw it.
In all, I use some cheap proprietary strings (UK made, forget the name...) that work well with pizz or arco.

Best,
Steve
 
Bumping this thread.

I am very much enjoying my CRM4 I have had for about 2 months (I bought it used on here).
I am using it for bluegrass as a travel bass, and for busking, jams, festivals, whenever I can't, or don't want to lug the upright around.
I have strung it with Traditional strings.
When I play it "mobile", I am using a Phil Jones Double 4 compact combo amp, run off of a laptop battery, for the ultimate portable rig.
I met some of the NS Designs folks at BPL last weekend and can report that the booth was always busy.
 
I missed out on one of those shoulder mounts used on evilbay a few weeks back. Was thinking it'd be cool to use at church to be a little more mobile on a tight stage that's not bad with the NS, but an upright can be too unwieldy at times. I rarely see them used but would like to pick up one someday for sure.
 
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Hello BassTalkers-

I've just joined this site, and gravitated straight to this thread...I'm about halfway through reading all the posts. I've owned my NS CR5M for about 7 years - my first bass actually. Came to it by way of the mandolin, and I love it. I play all sorts of styles, and this bass seems to suit anything I choose to try. Glad to be a part of this group, and I'm looking forward to all the knowledge and bass-love that goes with it - cheers!
 

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