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I am. I like the G string to cut through a bit. However,I am trying this combo with only one horn on. The other turned completely off for nowAre y'all using the horns on those BB2's?
It does!!! Still playing with the EQ a bit to see what I like best.This set up has to sound killer!
HPF are ok if set low enough but they're not really needed with the Gen 3 models - set them too high and you risk running into thermal issues before you hear warning distortion. With the earlier Barefaced cabs then they're more useful as their woofers don't have so much excursion 'headroom', so a correctly set high pass can lower distortion and get you a bit more SPL.
Are y'all using the horns on those BB2's?
So the new 410 is 2 or 8 ohms according to the website. Does anyone know if it is switchable between the two or do you have to specify 4 or 8 on order? Would love to hear this side by side with the new bergantino 410.
Yeah, makes sense. Should be a simple job to rewire it for one or the other anyway. Think I would have to get 8 ohms for my tube heads, the Orange AD200 and Trace V4 only do 4 and 8 I think. The Ampeg V4 and Super Bassman run 2,4 and 8. Will have to check. Seriously considering this one. Ahh, gas....Probably not switchable. Order 2 or 8.
So I've had the chance to test my newly purchased SM at a few full volume rehearsals and....so far I don't love it. Don't get me wrong, the combination of tone and output for a box of its size is incredible. However, I did find that the low end output was not quite satisfactory for my needs, even with bass EQ adjusted (and it took some time to find an EQ I really liked with the cab with my Streamliner head). I also have to push my amp harder than I did with my last cabinet (Markbass NY 122) to keep up with my (fairly loud) band - not excessively hard, just harder than before.
I have a few gigs coming up soon, so I will be testing the SM in live venue situations to continue to feel it out. Unless I fall in love with it, might be looking for a trade for a SC or BB2 (or maybe the Retro 210 would be more to my liking) if they would be more suitable one cab solutions for me. Sorry if it sounds like I'm raining on the BF parade - and I might end up keeping the SM and be very happy with it - but just thought I'd share my initial impressions.
I've been running 2 super compacts with a GK 700rb ii.
It's a great setup, and I've got no complaints, but the last 2 gigs I played through provided backlines I felt like I've cut through way better.
The backlines were an mbf800 with a neo 115 and a mesa mpulse 600 with a mesa 4x10.
I don't know how it sounded in the room, but from where I was standing, it sounded like these cabs have a bigger emphasis on the mids.
Would the retro series be more similar to these cabs?
Alternatively, any tips for specific EQ points to get more of that voicing from my Super Compacts?
Thanks!
Try knobs at noon. Sounds great with my 700rb through my SC.I generally EQ my GK to be flatish (true flat, not knobs at noon flat) so I think you're right about being more aggressive with my EQ. I guess I'm just curious about what that curve should look like to get where I'm trying to go (I'm all for trusting my ears, but I like being able to quantify stuff). Plus, with the 4x10, I can't help but feel an itch for some new gear.
When I decided to go for a Barefaced, I really wanted the two10, but Alex suggested the Super Compact for me, so I've never stopped being curious about the 10s.
The cabs from the backline did have tweeters, but I always turn them off.
Thanks for the tip!Try knobs at noon. Sounds great with my 700rb through my SC.
Don't EQ your amp to be 'flat-ish', EQ it to where it sounds best!
The 12XN cabs are all stronger in the mids than the 10CR ones.