Good evening everybody,
I’m in the Orange Club now, too. Took a couple of years (more, like, decades), but I finally bit the bullet for Christmas. I used to gig with Trace Elliot and Ampeg, but the Orange sound has always been my favourite. As my back isn't what it used to be, I rather opted for the Terror Bass + 2x112 than AD200 + 410. And boy am I happy.
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Will take it to band rehearsal soon, but so far, I'm happy to make our house shake – those 112 are incredibly loud for their size and seem to deliver more at the bottom end than either the 15" B-100R (on the left) or the other cabinets I’ve used over the years. I was never a Fridge type, though, more of a 2x12 or 4x10 guy.
My Terror Bass wasn't dented, but the packaging was. Also, the input valve got dislocated in transport apparently, even with the retainer on. The affected retainer was more wobbly than the one on the second tube and the spring wasn't centered. At first, the amp started ringing and rattling at higher levels; reseating the valve fixed this for me. Otherwise, nothing to complain whatsoever.
I like the OBC112 lots. They seem a tad darker than what I'm used to with my MIM Precision, but, funny enough, my defretted passive Ibanez sounds brighter and punchier than ever before? Weird. Will have to investigate.
I dial up Gain to about 1am for some hair on my tone (I mostly play in our three piece 80-90s Alternative/Metal cover band) and use the scrambler of an Ampeg SCR-DI for overdrive. Will experiment whether the SCR-DI’s preamp could be used as a boost for pushing Gain instead, and employing the scrambler as a special effect rather than for thickening tone during guitar solos as I usually do.
Be it as it may, the Orange mini stack is a keeper for me. Finally, I have the tone I've always wanted – but still promises enough flexibility for the covers stuff as well as my own more experimental side projects. Also, my back is happy again, so this makes me happy.