I think a lot of the bad press is just simple hogwash.
For instance shrinkage of the fingerboard. That can be a common problem with any instrument. My Luthier can fix that in 5 minutes.
All the posts on Talk Bass are from guys saying they saw/played one with issues. No I do not expect anyone would buy an instrument that was not right but with all the speak about it you would think at some point through the years someone would have come along with a "here it is" post. This leads me to believe that most of this is hockey puck and the rest is folks just repeating what they truly do not know.
Also I bet if one looked hard enough one could find a screwy thing or two with an original instrument but that would be sacrilegious would it not?
I have seen a few originals that looked like rats nests in the electronics cavity and I have seen some Gibson's that looked immaculate.
I did find a post on TB where a guy said he knew of a Bass that was a reject that got finished and sold out the back door.
Here is the quote.
Food for thought, I once had a Gibson Nashville-era Tobias Classic 5 string that was built by an employee who scavenged the parts out of the factory, completed the basses at home, and stamped his own serial numbers on it, passing it off as a "real" Tobias. Apparently, the body/neck had a slight cosmetic defect and it was set aside as a quality-control reject.
The employee periodically left work with various parts in his pocket, and completed several of these instruments at home, and sold them as used. The serial number on mine wasn't even on record with Tobias as a Classic 5, it was made up. I no longer have the bass, and made the buyer aware of its questionable history . . .
I do not think that Mr Tobias is a bad guy at all but he is the only one that has laughed all the way to the bank on both ends of this deal.
For me when seeking a Neck Through Bass a Bolt On will not do. Nothing wrong with a Bolt On Bass but not the same. For those seeking that original Tobias Bass I suggest looking for a used one.
The Gibson units certainly are a steal of a deal.
Ever see a Killer B's or Growler's quality knocked? But Gibson built all of those. Interesting stuff indeed.
I believe there has been a magnifying glass used when looking at the Gibson units and Rose Colored Warm and Fuzzies when looking at the originals. After all theses are man made instruments, made from wood. Wood sometimes does things you would not want it to regardless of who ran the saw.