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I was overdue for a new picture, so here you go. Appearance was inspired by the Billy Gould sig, but I decided I wanted headless, and also chickened out on the BG electronics package. Joe suggested that this is the first headless 34" scale Sonus with wide string spacing, but I think someone here already had one. "Firsts" like that don't matter to me anyway.
As for whether to go headless: this was my first, but I'm glad I did. String changing is a lot different from what I've been accustomed to over 40-odd years, but I wouldn't say it's any more complex. Obviously headless won't work with a hanging stand, so I had to get a couple of new stands (one for home, one for gigs) that support from the bottom. There isn't much of a volute, so caution is advised when carrying by the neck. The one curiosity is that there's no nut behind the zero fret, even though there appears to be room for one. Because of this the strings can shift a bit on the zero fret. I haven't had any problems keeping the bass in tune* and my fingers don't notice, but still, I'd call that an oversight.
I regularly play bar gigs in cramped conditions, so the lack of headstock is nice. It's a little odd not having that counterweight on the far end of the neck... feels like swinging a wiffle bat when I'm doing my rock-star posing. Not a concern at all, I just find it amusing. The body is non-chambered alder -- not heavy, but not light. So, the lack of headstock doesn't make this a featherweight bass overall, but I'm fine with that, it's not why I went headless.
*To the contrary: because of the composite neck and roller tuners that don't get bumped in the gig bag as traditional tuning keys often do, this is my most reliably in-tune bass, even when I take it out of the case.
Overall, I'm thrilled with the instrument. Build quality is impressive, and it's far from my first "boutique".