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Ok Folks, lets have it. IEM's or Backline

Do you want IEM's or Backline

  • YEA, I want IEM's... they match my earrings.

    Votes: 97 42.4%
  • NAY, Bass amp.. Gooood, Me make noise with amp, get $$$$.

    Votes: 132 57.6%

  • Total voters
    229
My Ampeg V4B and 2-15's cab make my pant legs flutter, but only in my music room -
Church setup is IEMs and they're OK for reference to hear what everybody else is doing, but I feel that I have the "worst seat in the house" with them. Not complaining - I understand.
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I ordered a set of IEMs as a "trial balloon", after a thread on the topic appeared here a couple of weeks ago. They arrived, beautifully packaged and DOA, so I guess I'm still in the amp category for now. I've only got limited time and energy to devote to gear changes; I think I'll woodshed instead of going farther down that rabbit hole, at least for now.
 
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In ears solve a lot of problems.

The need for ear plugs because the drum cymbals and/or loud guitar... The in ears act as earplugs, this is no longer an issue. No ringing or pain unless you had your monitors up too high.

Having Ear Plugs even with the good ones you can still struggle to hear some of the softer instruments or vocals in the mix.

Sound man puts too much of one and not enough of another in your monitor, that is it. :bored:

With in ears you can make the mix yourself. The keyboard player today is annoying, I can turn him down enough to hear and that is all that is needed, when the good one comes back turn keys up. Guitar is perfectly mixed just below the drums, Jenny's vocals are no longer ear piercing because she sings too high for my ears and Angie's vocals are sitting in there nicely.

Through all this I can hear myself fantastic.
It is the same mix every time. When needed, cut or boost someone.

The bad.
You will not hear the audience.
If you do not get in ears that can reproduce your bass well or are poor fitting it will not be fun.
 
The bad.
You will not hear the audience.
Our guy sets up an ambient microphone in a channel we can manipulate from our mixers. It lets some room sound in and minimizes this issue.

I still can't hear people from the audience when they walk up to me and start talking, unless they happen to be standing right by the ambient mic.

So it helps but not all the way.
 
Big rig/old school for us
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I’m not an in ears or small rig hater at all but this is what we feel we need for the job(Some times we each use one cab, sometimes we use two) . If I was only playing situations where I had great PA support I wouldn’t mind using in ears. My problem is that’s just not the case for my main band. I can’t tell you how many times we’ve shown up to a venue we’ve never played before to see very inadequate PA. For example, no subs at all. Instead of flipping back and forth, severely limiting where we can play, or having to bringing a good sized PA to every gig to have a solution to that problem, we just choose to stay old school.
 
Most, quite possibly all, of the gigs I'm offered I would/will immediately turn down if IEM's are mandatory.
We mostly play casinos and private events where the audience does not need to go deaf to have a good time. Letting the venue decide exactly how loud I am (instead of competing with guitar amps, etc.) has led to a substantial increase in pay. For me, turning down gigs with mandatory IEM's would mean significantly reducing my income which, especially at this stage in my life, does not make any sense.
 
I'll use either, but the one I did Friday I certainly enjoyed standing in front of a thumpy column of air with the whole stage and dance floor bouncing in time to my fingers. Every once in a while we get asked to turn up:bassist: and it's nice to let it rip.
 
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