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P Bass and the Grammys

Sure, but the upright sound is very different than electric bass and not used frequently in pop music. So let me rephrase, the P bass is *the* sound for electric bass. Certainly *the* sound when recording and playback was good enough to actually hear the bass instead of the click from the fretboard and the strat that they doubled an octave higher over the upright.


Now with that rephrase, we agree. The Precision was without doubt "the" original electric bass sound.

That Strat doubling you mention comes from a period where the music got louder and so did the drummer. I remember it well. The upright simply couldn't compete at those volumes. It was at this point that the electric bass became dominant. Many hit tunes didn't have to do that.

"These Boots Are Made For Walkin" by Nancy Sinatra, or "Fever" by Peggy Lee, and certainly any "Pop" tune by Sinatra carried an un-doubled upright. It was the volume that created the need to double.

Personally, (and I know this is an aside) I love the electric bass and I love the upright bass. I think upright still has a place in 'pop'ular music, and so do these artists.

Norah Jones:
Norah Jones - Don't Know Why - YouTube

Stevie Wonder:
Stevie Wonder (HQ) - Ribbon In The Sky - YouTube

I could go on but I digress. Electric and upright are very different but both essential tools in my book anyhow. Long may they both grace our music.
 
"These Boots Are Made For Walkin" by Nancy Sinatra, or "Fever" by Peggy Lee, and certainly any "Pop" tune by Sinatra carried an un-doubled upright. It was the volume that created the need to double.

You know, Boots was recorded by the wrecking crew, the same band of studio musicians who did the Phil Spector stuff. And I've read that Boots has two basses on it, an upright and an electric. And if you listen to it closely, you can hear both an upright and an electric, not necessarily playing at the same time, though.
 
You know, Boots was recorded by the wrecking crew, the same band of studio musicians who did the Phil Spector stuff. And I've read that Boots has two basses on it, an upright and an electric. And if you listen to it closely, you can hear both an upright and an electric, not necessarily playing at the same time, though.

True enough, I stand corrected on that one...good catch! The point is still a valid one though.
 
An implication is "implied" from the sender of the communication, which in this case did not occur. An assumption, however, is assumed from the receiver of a communication. The latter is most likely what you are experiencing.

Yeah that...

I've been assuming from some of the posts that somehow some folks have been claiming a P bass isn't a good choice, or questioning it, even when there are plenty of things to chose from, and in that case, why ask why, and just have a Bud.
 
Yeah that...

I've been assuming from some of the posts that somehow some folks have been claiming a P bass isn't a good choice, or questioning it, even when there are plenty of things to chose from, and in that case, why ask why, and just have a Bud.

Yeah, well, some posts have hey, you're in The Gripweeds! Cool. I have a couple of your band's CDs. Love you guys. Seriously, I totally dig your band. Cool to see you here on TB.
 
I noticed that too. Hardly anyone of the bassists on there were any good anyway, but still interesting.

to play that groove, and hit all the dance steps the bassist for bruno mars did, i would have to say, he's a pretty good bass player. to say there weren't any good bass players that played the grammy's is a bit of a bold statement. pretty sure none of us knows what each of those bass players is really capable of... and i could be wrong but i'm pretty sure he was playing with his fingers.... just my opinion