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P Bass and the Grammys

Ugh. Dont get me started...

Too late. Here's what I detest about Katy Perry...and really, it's not her so much as the material: Every hook has a vaguely interesting melody that has been completely emasculated by being set against a set of ambiguous chord changes that remove any sense of development, direction, or drama. There's no tension/release, no sense of movement or progression, it's just a wall of sound for her to sing against. If some half-drunk third-tier Tin Pan Alley songwriter was given those same melodies to rehearmonize Katy Perry albums would be a template for the new Cole Porter, and 30 years from now students at Berklee would be studying her debut as a textbook example of "standards". But no, they've all been saturated in a sea of harmonic anonimity.

/soapbox

So, other than that, Mrs. Lincoln, how did you like the play? ;)
 
rgarcia26 said:
Lol………. Let’s not start a war (I don’t want to be the hater).. I just saying that if money wasn’t an issue I would not but my basses at the mall... instead I will have a super nice custom build for my self....
there are better basses out there,...my choice would be not necessary a mass produce bass

Let me guess- you'd have custom P built for you, right?

Just pulling your leg.
 
Lol………. Let’s not start a war (I don’t want to be the hater).. I just saying that if money wasn’t an issue I would not but my basses at the mall... instead I will have a super nice custom build for my self....
there are better basses out there,...my choice would be not necessary a mass produce bass

No, it's OK. There will be no war. We've already established that if you want an authentic Fender P sound, the logical thing to do is buy a boutique bass or get a custom build so that you can dial the Fender P sound in perfectly. You are among friends here.
 
Holy crap. That Mary K forum is more brutal than TB.

"What could be worst than showing up on the red carpet in the exact same dress as another star at Oscars? Showing up at the Grammys with the same bass guitar as every other band. Seems that every bass player wanted to stand out as being different and looked to designer Leo Fender for that classic, retro feel. But uh, oh, other people had the same idea. There were a lot of red faces. Even in the audience, Randy Jackson was heard to say "Damn dawg, another P?" Worse, the color choices were ghastly. The Foo Fighters' bassist is a winter and should have gone with a Mary K colored P with red tortoise pickguard. The bassist for the band Perry was a fashion disaster and would have done well going with seafoam and a mint green pickguard. Adele's bassist is a summer and made a major fashion faux pau by going with the Sunburst. He should have rocked it with lake placid blue and a white pickguard. But the number of Grammys Adele took home should ease the embarrassment. The lone fashion hero of the evening was Bruno Mar's bassist who really pulled off the fashion gamble when he rocked it with a lovely pastelish Fiesta Red, taking designer Leo's classic lines to it logical conclusion. Even Bob Mackie approached him with congratulations at the after party".
Ha! I literally LOL'd. Well played.

Ugh. Dont get me started...

Too late. Here's what I detest about Katy Perry...and really, it's not her so much as the material: Every hook has a vaguely interesting melody that has been completely emasculated by being set against a set of ambiguous chord changes that remove any sense of development, direction, or drama. There's no tension/release, no sense of movement or progression, it's just a wall of sound for her to sing against. If some half-drunk third-tier Tin Pan Alley songwriter was given those same melodies to rehearmonize Katy Perry albums would be a template for the new Cole Porter, and 30 years from now students at Berklee would be studying her debut as a textbook example of "standards". But no, they've all been saturated in a sea of harmonic anonimity.

/soapbox
Couldn't have said it better. Ughh. Hurts.
 
What I saw was return to guitar oriented rock at the Grammy's. Being an old fart, I appreciated it. I had an 20 something kid in my music class today actually bitch about the Macca closing performance, good lord, kids these days.

I'm not going to the Grammy's anytime soon, but hell, if I'm playing the show, I'm using the tried and true for my 4 minutes and 30 seconds of TV fame. Ain't gonna be no stinking battery or all kind of knobs to accidentally hit during that song, no sir, though I use a battery loaded bass on most of my gigs now.

And hell, it just looked cool all those Fenders didn't they. The Beach Boys tribute was full of Fender eye candy.

What a great show, cept for the Chris Brown jonk. Rejoice about the P time.

Michael,
Gotta say again, I really like your band...I mentioned that to you on a forum several years ago. Just a fantastic formula and sound. I'm extremely jealous! Wish you guys the best!
 
It's possible. But no way to know without asking the player why he selected the bass he did. I'm assuming they chose the bass they liked best, not what someone told them to use, because otherwise we would not have seen other basses being used (e.g., Ric, Epi JC, Jazz, etc.)

I wonder how many of them, upon strapping on their p-basses, noticed everyone else doing the same thing and thought the musical equivalent of "the same dress as me!"
 
hmmm....I always raise an eyebrow when someone says this....Upright Doublebasses were used in studios for decades before Leo ever designed a P bass, and they sounded good too. Listen to Jameson on one. I dig his upright playing.

Just sayin....

Sure, but the upright sound is very different than electric bass and not used frequently in pop music. So let me rephrase, the P bass is *the* sound for electric bass. Certainly *the* sound when recording and playback was good enough to actually hear the bass instead of the click from the fretboard and the strat that they doubled an octave higher over the upright.
 
Let me guess- you'd have custom P built for you, right?

Just pulling your leg.

Lol may be :D (u know I though of that right after posting)

No, it's OK. There will be no war. We've already established that if you want an authentic Fender P sound, the logical thing to do is buy a boutique bass or get a custom build so that you can dial the Fender P sound in perfectly. You are among friends here.

Thank you for not blasting me guys...
I just saying that to be so many choices (Tons of Money)... any bass guitar that u can buy... everyone choosing Fender and Gib... sponsorship have to play a roll...
Now everyone wants a "P"
I rest my case………… Peace on Earth
 
Thank you for not blasting me guys...
I just saying that to be so many choices (Tons of Money)... any bass guitar that u can buy... everyone choosing Fender and Gib... sponsorship have to play a roll...
Now everyone wants a "P"
I rest my case………… Peace on Earth

If Fender or Gibson sponsored the grammy's you would not have seen a Ric or a Spector. And there would have been a commercial probably thrown in(from Fender). Now if the bass players are endorsing artists then you can see why the Fenders were all over the place.

And for those who may not know, Garry Tallent of the E street band has a Signature Spector.


How many none musicians at home can point out a particular brand of bass?
 
Lol may be :D (u know I though of that right after posting)



Thank you for not blasting me guys...
I just saying that to be so many choices (Tons of Money)... any bass guitar that u can buy... everyone choosing Fender and Gib... sponsorship have to play a roll...
Now everyone wants a "P"
I rest my case………… Peace on Earth

Peace to you my friend. And if I had the money, I'd buy you that custom build. You are ready for it. I hope to see you get that build and post pictures here for us to enjoy.

You know, there were one or two posters who said, "Hey, why are all the pros playing Fender P's? Do they know something I don't know?" And we basically told them, take that thought and push it down. Dowwwwwwwwwwwwwwwwwwwn. Downnnnn further. Push, push it downnnnnnnnnn. These are the cretins who don't deserve a custom build but always manage to come up with the jack for one. Oh well, such is life.

I believe in you. Best of luck. And if you ever have doubts, reach out. We'll be the wind beneath your wings on either side of your neck-through.
 
Nice one Lucky, thanks for the shout out for the band, I'm glad you dig it...!

You know, people might have just played P Basses on the Grammy's cuz they work, sheesh, what a concept.

That implies that it's the only thing that "works" and there are so many choices available the also "work".
 

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