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Well, okay, here's my honest imput.
Everytime I play a J, I like the tonal clarity but miss the punch that a P gives.
Everytime I play a P, I love the punch it has bit miss the tonal clarity that the J has.
When I play a PJ, I feel like I'm playing a horrible mutation of a bass guitar.
Try an SB-1 or SB-2. Something about those Split MFDs produces more clarity but with all the punch.
On the SB-2 you only have two volumes. The bridge volume is supposed to be thought of as a tone control. It's not meant to be a hybrid, it's just the design. Only put the bridge volume at 100% if you want a mid-scoop, otherwise 90% bridge is the most I use for adding top-end.
Well, okay, here's my honest imput.
Everytime I play a J, I like the tonal clarity but miss the punch that a P gives.
Everytime I play a P, I love the punch it has bit miss the tonal clarity that the J has.
When I play a PJ, I feel like I'm playing a horrible mutation of a bass guitar.
I'm currently in a Jazz phase.
Me too, PJs feel wrong. I'm weird about basses though, I feel like they need to be 'pure'. For example, an active jazz does not appeal to me, but a passive stingray makes me cringe.
I like the P neck. Had a PJ, but couldn't get a tone I liked and couldn't deal with that scrawny neck.
And I wouldn't willingly put tort on anything.
Neither.Yes it's been done to death, but hey, it's fun. What are your current thoughts on P vs J in 2016?
This is my PJJJ. Yes there is a hidden jazz pickup inside that bridge cover I also laquered the Fretboard View attachment 852326
Yes, both. Both have their uses without compromising, i need my 3 J`s and 4 P`s.Both. No question.View attachment 852294
I have a AVRI '63 pickup in my P and it is killer.
I have CS60s in my Jazz and they're killer
VVVV. Im going to add a master tone when I get a barrel jackWhat a beast! How is it wired?