• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Double Bass Peacock Blows off Costello...

I agree with everything except the part about "his tame middle of the road project now." I find nothing tame or middle of the road about his new bands. His use of polyrhythms and nested ostinatos hasn't really been done in a jazz context before at least not at this level of authority and harmonic, rhythmic and melodic sophistication. He's really pushing the envelope. The bands are nothing short of astonishing in person or on record.

I realize that they don't do anything that sounds like someone stepped on a cat's tail but really..."tame middle of the road?" Puh-leeze!

Well, it is tame and MOR compared to what he was doing before. I saw his quintet live and it was great. I really like Holland.
 
hehehe.... hehehehehehe......

30, no sweat.


Ayuh. That sounds about right.


catpianoakdjfngk.jpg
 
Fitzgerald gets my vote....I hate cats.

Knock yourself out - just remember to use "mammalian protuberances" instead of ****, and so on. Sticks and stones can break my bones, but asterisks will never hurt me.

You would hate cats. Don't you have some sort of lumberjackish day gig? What good is a cat to an outdoorsy person? Can I interest you in a puppy instead?
hotdog.jpg
 
Now that it has reached page twenty I think I am ready to jump in . . . but only with regards to Holland. I agree with Damon that there is something smooth jazzy about the quintet stuff and just rubs me the wrong way. Its not that its not great music . . . because it is, those guys could play pure crap melodies with stupid harmonies and still make it hip to listen to. BUT, I just can't pick that stuff out of my library if I want to listen to Holland. For me, its Conference or Triplicate (or Liebman "Trio+1"). I would really like to check out the group live though . . . maybe it takes on something different.

Also, just thinking about Holland/Metheny, that album with Roy Haynes is one which I can really dig. All three of them playing some really hip stuff.
 
You would hate cats. Don't you have some sort of lumberjackish day gig? What good is a cat to an outdoorsy person? Can I interest you in a puppy instead?

It was fighting forest fires...I'm a high rigger these days and do some lighting design work (theatre, dance, music) when a project comes along that interests me. You're right though, cats are useless as a companion doing anything manly....I'm surprised you knew that. What I wanna know now son is why you would ruin a perfectly (no pun intended) good dawg with CATsup?
 
Oh Damon. Just when I felt like things were winding down you have to say something like this. 30 here we come.

OK, I am downloading critcal mass now, it better be worth my 8 downloads.
I am really into his playing, even now, but he is much more inside than he used to be. Have you ever heard the Spontaneous Music Ensemble?

Edit: Decent record, some but not all the heads border on cheesy smooth jazz, the improvisations are great, and the playing is great.
Still, pretty far from Circle and "Confrence of the Birds"....
 
what do you make of the DH stuff with Kenny Wheeler and Steve Coleman, Damon (or anyone esle)? I've been meaning to check that out. I love 'conference' and 'triplicate', but also find a lot of the recent stuff too safe and polished. They're all such great musicians that they can play it safe while playing extremely complicated music.
 
OK, I am downloading critcal mass now, it better be worth my 8 downloads.
I am really into his playing, even now, but he is much more inside than he used to be. Have you ever heard the Spontaneous Music Ensemble?

Edit: Decent record, some but not all the heads border on cheesy smooth jazz, the improvisations are great, and the playing is great.
Still, pretty far from Circle and "Confrence of the Birds"....



It is obviously a very different vibe than Circle and the like. I LOVE the Circle stuff. The statement 'middle of the road' reads as a statement on the quality of his newer stuff. Say stuff like that and it's juat like swatting the beehive with a stick.

If you think it sounds like smooth jazz I think the same can be said for MOST of the ECM catalog. I'm sure you've listened to Eberhart Weber. Great live show but doesn't really translate on record. Talk about smooth.
 
what do you make of the DH stuff with Kenny Wheeler and Steve Coleman, Damon (or anyone esle)? I've been meaning to check that out. I love 'conference' and 'triplicate', but also find a lot of the recent stuff too safe and polished. They're all such great musicians that they can play it safe while playing extremely complicated music.

I have "Seeds of Time" and "Jumpin' in" as well as "Triplicate". They are nice LPs, but I don't pull them out much. Kenny Wheeler's bands tend to be more interesting to me, even lately.
This new one is really good once the head passes, the band is really fluid and the players are great.
 

Latest posts