Coming up here... Sorry, just being busy...I seen to have not been getting alerts to be messages here you guys! My sincere apologies- I'll do some catching up and get things in order...
Back this evening!
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Coming up here... Sorry, just being busy...I seen to have not been getting alerts to be messages here you guys! My sincere apologies- I'll do some catching up and get things in order...
Back this evening!
Cool heads.I just got this amp - Peavey Standard 260H series.
I'm running it into a BagEnd S15 or two. It's ridiculously loud for the wattage rating.
I don't remember these heads sounding so clear.
This thing sounds great, especially overdriven using the various gain stages.
This version has some cool switching options with individual inputs for the two channels as well as parallel and series options with separate inputs for those. It's also footswitchable, but I don't have the DIN plug switch for it.
I've been comparing it to a Gen 2 GK 400RB and it's much louder, but I prefer the tone of the GK.
Cool heads.
GK is slick, smooth and can open up to a nicely delivered growl.
Peavey is the old school grunt, with an opaque low end...
I've got an Eden WT405 for the modern-sound gigs, but there Peavey stuff gets the rock gigs in biker/hick/swill pits- my favorite places to play!
Do you have a number with us?
As you can see I'm not that good about clubs either! But I started this one... Call me irresponsible...That's true - the Peavey has a different gritty, trebley, crunchy tone. It feels a bit less controlled than the GK.
I don't have a number. Happy to have one, but I haven't been good about keeping track of the clubs I'm in!
That's true - the Peavey has a different gritty, trebley, crunchy tone. It feels a bit less controlled than the GK.
The Mk-VIII was the one I wanted as a kid, but only in the last couple years did I discover the Mk-III. Very nice.Been keeping the old eyes peeled for a MK VIII head for a while now. Specs had me all excited, but the market was slim. Then I pop onto the GC used site last night and see one! Lo and behold, it's at the GC across town from me.
So this morning, I pop over to check it out... and wouldn't you know it, the darn thing followed me home.
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It was missing corners, which I had replacements for.
It was also missing the proper handles, which I'm having a devil of a time finding. They are kind of an odd size, I guess! 7-1/4" hole spread is 1" shorter than anything else I can find, so if anyone has a clue on where I need to look, MUCH appreciated.
The one handle shown is likely an original, but it's in terrible shape and this amp is heavy enough for 2 handles.
I honestly went there, thinking I'd just get a read on how it performed for me, with the assumption of it being from GC, it was likely broken in some way, so I could see if it was truly an amp for me to keep seeking. But I put it through its paces and nothing was off. All the pots were even clean and crackle free, which is a first for just about ANY older Peavey I've played through.
There was no reason NOT to buy it, so I bought it.
Now, I can finally run insane combinations of cabinets that I never could before. My practice space has a 2x15 Peavey cab and that is 4Ω. I've almost snagged a number of other ones of those, as they frequently popped up for silly low prices, but couldn't justify 2 of them with the head there.
Well, now I can do that with ease, should I want to.
Oh, I should also mention that I couldn't resist picking this up with it, as the price was stupid low and it will be replacing another cab I have for the home rig:
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Missing the badge and a couple of feet, this is also a Peavey, the 410TX. My guess is, these 2 lived together as they came in about the same time.
They will continue to live together for a while, it appears!
Spring loaded side handles are a great idea for all those heavy combos. The one design flaw I have to remark about odd the absence of proper handles for a heavy, low-to-the-ground box.I picked up a Series III Bass Combo recently and just got it back from service today. All the electronics were/are original, and I found a 90s Black Widow speaker to replace the damaged one. I haven't had a Peavey combo since my TKO 115 in college, and this is much better. It's loud and clear even at high volumes, but can still get a little grit with pre cranked. It's perfect for the practice room.
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I added casters so it's a little easier to move. I'm also going to add spring-loaded side handles to make make loading in/out less of a PITA.
Now if I can just find an old PV head for the Athens practice room, I'm set!
I've got a Fender Tube head and I see them offered for $1,500+. This beast, serviced up and without issues should totally go for your price.VB-2 fully restored!
After all this work I really want to keep it. However the wife is insisting I put it up for sale. Trouble is IDK how much I can reasonably sell this for. Normally I see them go used for $700 in decent condition on Reverb/Ebay with unknown age of the tubes, maintenance history, and original filter caps from 17+ years ago. Given this has the EHX tubes, new filter caps, restored chassis, fuse holders for easier service etc, would it sell for $800-900?
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Sweet rig. It's that your regular stage amp?FireBass 700 into Avatar cabinets. I also have a Microbass in the living room.
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Out of control dude!Got my Mk4 head working again so now have three full stack
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No I've used two at practice but volume wise there is no need to bring two!Out of control dude!
Ever bring two of those cabs to a gig?
I don't think I mentioned "need"...No I've used two at practice but volume wise there is no need to bring two!
Double 2x15 rig would be glorious!I don't think I mentioned "need"...![]()

Sweet rig. It's that your regular stage amp?
Number?...