Ah, the venerable MK-III. Nice, and good company.Not quite enough, so I got one of these a couple of weeks ago to help out
View attachment 4908844
So now it looks more like this:
View attachment 4908845
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Ah, the venerable MK-III. Nice, and good company.Not quite enough, so I got one of these a couple of weeks ago to help out
View attachment 4908844
So now it looks more like this:
View attachment 4908845
![]()
OUTSTANDING!!!Not quite enough, so I got one of these a couple of weeks ago to help out
View attachment 4908844
So now it looks more like this:
View attachment 4908845
![]()
Love the MKIII. Does it have the 400BH amp module (the one with the massive heat sink)?
Nice! That's the one I would get--the later MKIII with 400BH.Yes, as does the Mark IV![]()
The one I got had the 400B power section. I'm pretty convinced mine can handle the gig...Nice! That's the one I would get--the later MKIII with 400BH.
Same! This one drives the high cab. In this case, the Eden 212.The one I got had the 400B power section. I'm pretty convinced mine can handle the gig...
And your bass is backwards! Dude, straight-As for Jank! Lol.Same! This one drives the high cab. In this case, the Eden 212.
This is the first time I used the high/low outputs on the 400b. The Eden's lows are loose and the Peavey 115 doesn't have a lot of highs so I thought I'd give it a try. Lo output to the Yorkville BM400's effects loops return then 400w to the Peavey 115, Hi output back into the 400b's power amp input and 200w to the Eden 212. Crossover set for 90-100 Hz. Balance volumes to taste.
Results? Just like a nice stew. The results are better than any individual part.
That Peavey just thumps as a sub and with the Eden's flabby lows dialled out, it sings. This motley assembly of various pieces from various places over a 15 year period kicks butt and sounds pretty good. The only thing I need to change is to put a switch and/or an L-pad on the Eden's tweeter, which has neither.
Serendipity it is!
Janky Rig of Doom?
View attachment 4923652
Thx man. I'll play with the crossover some more for sure.And your bass is backwards! Dude, straight-As for Jank! Lol.
Nicely configured. I'd try moving the crossover point up some, but bi-amping can really be great. Kudos on using up that Mk-III...
Are you in for a number with the most exclusive (i.e., "least known") club on TB?Thx man. I'll play with the crossover some more for sure.
I put this together for our NYE gig but as it turned out, wasn't necessary. Now I do want a gig that I can use it at.![]()
Sure!Are you in for a number with the most exclusive (i.e., "least known") club on TB?
You're already #9! ...my bad, lol.Sure!![]()
Well. Lol, that's a lot of amps!First amp was a TKO-80 in 1978 or so. Second amp was a Mark IV head and 215 BW cab in 1982 I think?
Gigged and toured the hell out of it for years.
Have a few Peavey VB2 heads now.
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I sold all but 3. 1 is for parts. I bought a whole pallet of them (12) during the peavey auction a few years ago.Well. Lol, that's a lot of amps!
Thinking back, it occurs to me that possibly the best bass sound I ever heard was a Kubicki Ex-Factor bass through a big Peavey rig.
Thinking back, it occurs to me that possibly the best bass sound I ever heard was a Kubicki Ex-Factor bass through a big Peavey rig.
It is so easy to be pulled around by trends and marketing, and the opinions of our peers... But left to yourself, finally, if you can do it, you do best going with where your ears are most happy, and undistracted.
I don't want to think about my amp anymore, even though gear is, in its own right, fun... But for my part, a kind of discipline is expedient, and I'm trying to work out having what is needful for the art I want to engage. This is a great example of that thinking. Great amp, @discochris ! You want a number?
Gimme today, I'm up to my rotator cuffs in replacement windows... Nice rig man.Sure!