Just got in the new PJB Flightcase as well as a Wizzy 10 cabinet. Seems like a likely comparison. So here goes...
I used a Pollmann DB with a Full Circle and an Alembic 5 string BG. I played solo in a large live sounding room. I also added in a Bergantino HT110 driven by a Markbass LMII as a reference. The LMII was the head I used for the Wizzy 10. The Berg was angled up using a Markstand. The Wizzy was angled up using its bottom handle.
Disclaimers - this is not a scientific comparison! My comments are preliminary. The Wizzy 10 was not 'broken in'. I didn't play at loud volumes, but was clearly playing at a level beyond where similarly sized 'practice amps' would start to give out.
I'm gonna jump to the conclusion first. Bottom line? I don't think we bassists ever had it so good! Thanks to Phil Jones, EA, Markbass and Bergantino - these guys are helping us sound better and tote less gear. My opinion is that these are all winners. I usually like to find the ONE clear winner, but I can't.
Sound differences
Each rig has its own signature sound. The PJB is 'smooth', the Berg is pleasingly 'punchy' and the EA is bright, but in a good way. You can get the Berg tone with the PJB by adjusting the EQ. That's kind of true for each rig - with EQ you can get the sound you want.
On DB, with all settings flat, the PJB had a very 'acoustic' sound. In comparison, the Wizzy 10 seemed to have an artificial zing to it. Very subtle though. This might go away once it breaks in and it could likely be EQ'd out.
There are two areas that seem to be differ more amongst the three - that is in bass response and projection. This applies more to BG, and particularly the 'B' string. The PJB gets the lowest notes with the most clarity. The Wizzy 10 seems to strain A BIT on the open 'B' when pushed (but not pushed very hard). Suprisingly, so does the HT110 in comparison to the PJB - pretty amazing when you consider the Flightcase is only rated at 150 watts while the other rigs were getting 2 and 3x that power. The HT110 also changes tonal flavor SLIGHTLY as you get to the lowest notes IMHO. I'm not sure if any of this would be apparent in a group setting.
Projection is also an area of difference. The PJB seems to 'beam' its sound while the EA and especially the Berg, with its horn, have very wide and tall dispersion. Not sure how this will play out in a band. I did try the PJB alone in a jazz trio and everyone reported that my audible tone and projection were excellent.
I owned a few PJB Briefcases and never found them to work for me. You needed to place them in a corner to get enough bass for even small group playing, but then the amp lost its clarity. Not the case with the Flightcase. Put it up to the wall and enjoy. The up firing drivers are fantastic for DB work as you hear just what you are amplifying and don't have to mess amp stands or finding the right chair.
Other impressions
The PJB, from the moment you take it out of the box, is a very impressive piece of gear. Phil really knows how to craft a high-end product. The chrome corners, oversized feet (held in by allen bolts!), the included vinyl cover and tools, the black and chrome knobs...I could go on and on...this feels like it was designed and built by Lexus or Audi. His execution is head and shoulders beyond what I've seen in a bass product. It's also silly light. I haven't weighed it, but I'm sure its closer to 20lbs, not the reported 24. It's really small as well. It tilts down when carrying as the handle can't be at the center of gravity due to the upfiring speakers. Overall, it is clearly in the Wizzy 10/iAMP300 class in terms of breaking new ground in lightweight bass amps. While it is a one-piece combo, it wouldn't fit in any backpack I know of, which is a big plus for the Wizzy10/iAMP300.
So there you have it. 2 micro amp winners for bassists, IMHO. YMMV.
I used a Pollmann DB with a Full Circle and an Alembic 5 string BG. I played solo in a large live sounding room. I also added in a Bergantino HT110 driven by a Markbass LMII as a reference. The LMII was the head I used for the Wizzy 10. The Berg was angled up using a Markstand. The Wizzy was angled up using its bottom handle.
Disclaimers - this is not a scientific comparison! My comments are preliminary. The Wizzy 10 was not 'broken in'. I didn't play at loud volumes, but was clearly playing at a level beyond where similarly sized 'practice amps' would start to give out.
I'm gonna jump to the conclusion first. Bottom line? I don't think we bassists ever had it so good! Thanks to Phil Jones, EA, Markbass and Bergantino - these guys are helping us sound better and tote less gear. My opinion is that these are all winners. I usually like to find the ONE clear winner, but I can't.
Sound differences
Each rig has its own signature sound. The PJB is 'smooth', the Berg is pleasingly 'punchy' and the EA is bright, but in a good way. You can get the Berg tone with the PJB by adjusting the EQ. That's kind of true for each rig - with EQ you can get the sound you want.
On DB, with all settings flat, the PJB had a very 'acoustic' sound. In comparison, the Wizzy 10 seemed to have an artificial zing to it. Very subtle though. This might go away once it breaks in and it could likely be EQ'd out.
There are two areas that seem to be differ more amongst the three - that is in bass response and projection. This applies more to BG, and particularly the 'B' string. The PJB gets the lowest notes with the most clarity. The Wizzy 10 seems to strain A BIT on the open 'B' when pushed (but not pushed very hard). Suprisingly, so does the HT110 in comparison to the PJB - pretty amazing when you consider the Flightcase is only rated at 150 watts while the other rigs were getting 2 and 3x that power. The HT110 also changes tonal flavor SLIGHTLY as you get to the lowest notes IMHO. I'm not sure if any of this would be apparent in a group setting.
Projection is also an area of difference. The PJB seems to 'beam' its sound while the EA and especially the Berg, with its horn, have very wide and tall dispersion. Not sure how this will play out in a band. I did try the PJB alone in a jazz trio and everyone reported that my audible tone and projection were excellent.
I owned a few PJB Briefcases and never found them to work for me. You needed to place them in a corner to get enough bass for even small group playing, but then the amp lost its clarity. Not the case with the Flightcase. Put it up to the wall and enjoy. The up firing drivers are fantastic for DB work as you hear just what you are amplifying and don't have to mess amp stands or finding the right chair.
Other impressions
The PJB, from the moment you take it out of the box, is a very impressive piece of gear. Phil really knows how to craft a high-end product. The chrome corners, oversized feet (held in by allen bolts!), the included vinyl cover and tools, the black and chrome knobs...I could go on and on...this feels like it was designed and built by Lexus or Audi. His execution is head and shoulders beyond what I've seen in a bass product. It's also silly light. I haven't weighed it, but I'm sure its closer to 20lbs, not the reported 24. It's really small as well. It tilts down when carrying as the handle can't be at the center of gravity due to the upfiring speakers. Overall, it is clearly in the Wizzy 10/iAMP300 class in terms of breaking new ground in lightweight bass amps. While it is a one-piece combo, it wouldn't fit in any backpack I know of, which is a big plus for the Wizzy10/iAMP300.
So there you have it. 2 micro amp winners for bassists, IMHO. YMMV.
