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Poll : Fender Free?

Do You Own Any Fender Basses?

  • I Own One Or More Fender Basses

    Votes: 586 65.7%
  • I Own No Fender Basses

    Votes: 195 21.9%
  • I Own No Fender Related Basses

    Votes: 111 12.4%

  • Total voters
    892
... I'm curious who doesnt own any bass that's associated to Leo Fender in any way.
I don't. I have had several Fenders over the decades (my first bass, that I got in 1971, was a late '60s Jazz Bass) and I used to have a G&L JB-2, and a great 2013 Stingray 4H (that is the only Fender related bass I wouldn't still mind having, but I prefer to have battery-less instruments).
 
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I'm down to one bass (I know...crazy). A 50's P Bass (Classic Series MIM). Fantastic bass. Stripped off the Urethane and gave it a light nitro couple of coats (same colour...fiesta red).

Love this P Bass.
IMG_2204.jpg
 
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First Bass was a Fender jazz, then played Jackson/Charvel for most of the 90's then Musicman... and now back to Fenders. All shapes and sizes. I really am digging my 80's Jazz special "duff" bass at the moment.
Have tried to get into something else and nothing have sat as well in my bands mix as a Fender. Also haven't really jumped in the +$2000 basses either.
 
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I have an MIA P and a fretless, 5-string with soap bars & piezos, so I see both sides of the coin. I love them both.

However, one could argue that some non-Fenders appear to be deliberate attempts to be non-P and non-J. Therefore, these non-Fender designs HAVE been influenced by Leo.

I'm not trying to stir up anything. That's just my humble take on it for as little as my opinion is worth.
 
Even without the Jazz I'd still have a MusicMan Ray. I'm curious who doesnt own any bass that's associated to Leo Fender in any way.

I'll admit that selling a bass which isn't related to Leo Fender in any way can be a pain in the arse. I have a semi-hollow LP shaped piezo bass I've been trying to move on for ages. It will probably end up as a trade in for an Epi EB3L.

For years I would only play Rics and a 4005 was at the top of my GAS list. A subsequent conversion to humbuckers and 'big angry pianos' has me on the Thunderbird path. All the 'advice' I was given by old men when I was young bass player, I took - don't play so hard, you must use your fingers, don't use roundwounds, distortion is bad, get a P or J and grrls can't play - and put in a drawer marked 'bollox'.
 
I'll admit that selling a bass which isn't related to Leo Fender in any way can be a pain in the arse. I have a semi-hollow LP shaped piezo bass I've been trying to move on for ages. It will probably end up as a trade in for an Epi EB3L.

For years I would only play Rics and a 4005 was at the top of my GAS list. A subsequent conversion to humbuckers and 'big angry pianos' has me on the Thunderbird path. All the 'advice' I was given by old men when I was young bass player, I took - don't play so hard, you must use your fingers, don't use roundwounds, distortion is bad, get a P or J and grrls can't play - and put in a drawer marked 'bollox'.
Indeed. Though I find Rickenbackers also do the "big angry piano" thing well. I actually think of them and T-birds as kinda similar, even though 4003s are single coil and T-birds have humbuckers (I wonder how similar 4004s would sound, since they have humbuckers).

And likewise, I play quite hard. My sister remarked that when friends of hers played their instruments unplugged at school, it was never nearly as loud as when I was practicing unplugged.
 
I don't currently own any Fenders but I do own two "Leo" basses. I have two G&Ls, a JB and an LB100. I have owned dozens of Fenders from Mexis to Custom Shops, and (except for my orig '62 Jazz) I think these two basses are right up there with any of the Fenders. They both have Empress, lightweight bodies and Jazz width necks. I think Leo's last company definitely made some great instruments.
 
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Being a non-owner as I stated earlier (as anyone paying attention should have immediately recognized), I would say if I lost all my bases today and had to buy one bass to keep on going, it would be a Fender American P bass (or G&L equivalent)
 
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And likewise, I play quite hard. My sister remarked that when friends of hers played their instruments unplugged at school, it was never nearly as loud as when I was practicing unplugged.

Playing hard started for the simple reason that at the beginning I was sharing an amp with a guitarist, and everytime he started doing his walls of feedback, the bass channel went away. By the time that was no longer a problem it was my style and there was no reason to change.
 
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