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Praise Report: GHS Precision Flats

Just threw a set of 45-95's again on after a bit of a departure from flats. I've said it before, but this particular set is darn near perfect in the balance/feel dept. I don't like stiff strings and was able to go right from 45-105 Sunbeams to these without even having to touch the truss rod. Set intonation and done. I've probably also said it before, but bears repeating that if anyone is looking to bridge the "feel" gap between TI's and Labella 43-104's, this is the set to do it with. I'd argue it's also way more balanced feeling than either set and obviously cops "vintage" right out the gate.
3025s, I've got nothing but love for them!
 
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Same here, I tried everything before finding the perfect reggae tone with my Jazz and PBasses using the 3025's. Once they break in, they deliver the deepest punchiest flat sound. Like many have mentioned it, I was not sure about them at first then I realized how great they are. In comparison to the LaBella Deep Talkin' and the TI's, the sound with my 1996 is deeper and rounder and not as nasal.
 
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I remember a while back, perhaps in another thread, there was some discussion of GHS reformulating their low E strings (or perhaps alternately all the other sizes) to balance more with the lower gauges. Does anyone know what became of that? I'm perfectly happy with whatever the current formula is, but was just curious.
 
I remember a while back, perhaps in another thread, there was some discussion of GHS reformulating their low E strings (or perhaps alternately all the other sizes) to balance more with the lower gauges. Does anyone know what became of that? I'm perfectly happy with whatever the current formula is, but was just curious.

That was nearly two years ago, and it was reformulated.
 
I had chromes on my lakland decade for a while but wasn't enjoying the tension. I love the tone and feel of Ghs flats on my pbass so I decided to give them a try on the lakland. The tension is much more pleasant. Still too new to tell how they really sound but I got a couple gigs the weekend that ought to help.
 
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Having only 1 P bass, and it needing rounds, I haven't had a home for my Precision flats. Well I think they found a home on my 96 EBMM Stingray-4. Its a 4-band, 4 string that I had replaced the pickup and preamp with Basslines years ago to correct the missing G string issue. My tonal preferences have been leaning more towards traditional passive P and J and this bass has always been somewhat aggressive and twangy, so it has not gotten much play time. The GHS flats counteracts that to some extent and balances it out well, now im totally digging the tone...more old school pre-ernie ball sounding.
 
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Must have been a fairly subtle reformulation, because the low E and B still "thwock". I noticed the windings were a bit tighter though, so I guess GHS got that worked out.
Ive had my set on and off of a few basses and have had many, many, gigs and hours of play time. The E string is still noticeably different than the other three.....although on my EBMM Stingray(see above post) its less noticable, likely because of the aggressive nature and super tight E that bass has naturally.