Yep. I had the 70s VM Jazz. They were (and still are, I imagine) a perfect match.my squire jazz vm with these strings
my number one now
sounds incredible
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Yep. I had the 70s VM Jazz. They were (and still are, I imagine) a perfect match.my squire jazz vm with these strings
my number one now
sounds incredible
I recently emailed GHS about making these in regular long scale instead of long scale plus, but haven't heard back.
I've been bugging @Jon Moody about this for the last couple of years. Doesn't look like it's going to happen any time soon.
As much as I love GHS for the Boomers and the Pressurewounds, this is one thing that has kept me from trying the Precision Flats.
there's no issue. you're trying to solve a problem that doesn't exist. wind the string around your tuners and play bass. having part of the string on the tuner post doesn't matter.
just because something is different from mainstream doesn't make it wrong.
there's no issue. you're trying to solve a problem that doesn't exist. wind the string around your tuners and play bass. having part of the string on the tuner post doesn't matter.
To be fair, some flatwounds are so stiff that winding the full diameter around the tuning post CAN increase the chance of the string breaking. Those are also the same flatwounds that you should only string top-load on bridges.
Our Precision Flats however, are not. I've coiled one of the FB105s small enough to fit into a guitar envelope; they're that flexible. So, the full diameter around a tuning post is not an issue. For ours.
But you haaave to! Life is too short--and you can always take them off and sell them. But you won't.I've been bugging @Jon Moody about this for the last couple of years. Doesn't look like it's going to happen any time soon.
As much as I love GHS for the Boomers and the Pressurewounds, this is one thing that has kept me from trying the Precision Flats.
Pressurewounds...
...they seem like a fairly nice middle ground between flats and rounds. Much more so than the D'Addario Ground-wounds I tried last time I had this dilemma. I'd say the tone leans more towards that of a subdued roundwound string, as opposed to a bright flat. Probably why I like them better.![]()
^^^This is exactly how I would describe the PWs. A perfect blend of flatwould-like punch and round-ish crunch without being overly thumpy or zingy.
Certainly seems that way so far. I'm looking forward to trying them at rehearsals for some country band subbing I'm doing over the next few weeks.
Foam mute them. Play with a pick. You get a lot of click with the PWs.Certainly seems that way so far. I'm looking forward to trying them at rehearsals for some country band subbing I'm doing over the next few weeks.
Foam mute them. Play with a pick. You get a lot of click with the PWs.
For those who care about such things, the GHS P Flats now come in a new balanced-tension set, CM3050 45-60-80-105!
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GHS is finally making all the right moves!![]()
Great!!!
It seems that John is concerned about the requirements of everyone in this forum.
The new packaging design look more upscale.
Plus it gives an immediate visual brand identity. Just a glance tells me ghs. Purple pack? Yep, Precision Flats. Good Look. Good Work. Well Done.So it HAD to be redesigned. Thankfully, someone in the office was a graphic designer prior to joining the team (you can guess who that was), so now it's in-house. My hope is to get as many sets as we can moved over to this look, as I think it looks nice, but also has better information on the front and also is the same color as the silks we use.
@Jon Moody - Why no .040 G strings for the Precision Flats? I find the .045 to have too much tension for me.