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Thanks for the feedback!
I'm currently deciding between a Little Mark ii for $300, an Ampeg PF800 for $400, or the Quilter brand new for $700 (plus tax), and I recently ruled out a Mesa D800 used for $750 though its sooo tempting. I'm fairly tight on budget and I could get a keyboard amp with what I save by going used.. SIGH.
Thanks for the reply!
Use what sounds good to you. The V803 didn't include modern or flat because Quilter thought those suck.
Specifically for the jazz, it's got a built-in scoop if both pickups are on, so maybe not needed in the amp. How's the P sound on the scooped input to you? Might be more usable on the P. 
I'd say the main virtue of the 803 is that there are so many options to try, along with a very effective but easy-to-use EQ section. I would expect the choices to vary from bass to bass and maybe even room to room.
Sorry, maybe I didn't describe correctly my preferences so far. I actually like the warm setting with the scooped input when using my Bartolini equipped MIJ '75 reissue jazz bass. It seems to really fit the tonal profile of that bass in the music I play. However, when using the warm setting and scooped input while playing my American Professional II P Bass or my Stingray Special 5H, I don't like the tone at the high end of the eq. It sounds too clanky and ganky and I can't seem to eq it out. However, I am starting to find some progress with the P Bass and the Stingray using the modern setting and flat input. The eq controls using these settings seem more intuitive for these basses and I get better control over the high end clack I dislike.Use what sounds good to you. The V803 didn't include modern or flat because Quilter thought those suck.
FWIW, as a home player I usually use warm/flat. Sometimes modern/flat.
You answered your own question: what works well with one bass may fall short with others. You have essentially 6 very distinct voicing options...the world is your oyster!
That's great, thank you for confirming what I thought I have been hearing. Makes me feel better, lol. I'll continue to experiment and report back in time.
To my ears, it's a cleaner attack with quicker decay BUT missing the "heft" of the Warm and QTube settings. The Scooped input, per manual, emulates the infamous Fender 2-10-2 tone stack but without the tone-suck of conventional contour processes.
I think if you want that kind of sound you can get it. I would describe it as neutral voicing, your bass with minimal color from the amp. Also a great pedal platform. Quilter uses the "bottomless" description when talking about the limiters.
I use all the voices and both inputs, depending on the gig. The modern/flat setting is perfect for my low volume acoustic shows. The warm and qtube with scoop input are my preferences with my j-bass in rock band scenarios. All the voices do interesting stuff when pushed with extra gain, like with a boost or preamp pedal. If the sound gets overly clanky, rolling off the tone knob usually addresses it. In the V803 manual there's language about the amp providing a sense of effort when using the warm and qtube voices and I think that's appropriate. Finding those sweet spots that really sing at gig volume is something I am still figuring out.
Nice, are those the cream colored knobs? I think I'm going to get some of those.
