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REDDI Tube DI Mega Thread . Potential megathread that is.

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HI Peter.. I will try to call you tomorrow or wednesday.. Just moved my GF across the country to be here.. and getting re-situated here.. I had to give up some man cave room for now.. hahahaha

I need to figure out the distortion button... Im not sure about how i "should " use it...

This compressor is just sooooo smooth! and quiet... The attack and release are easy to set...

For folks that dont know what compressor we are talking about.. This is the BAC500 from Pete's Place an off shoot of A-Design the REDDI creator. Peter correct me if i am feeding incorrect info here..
Bac 500 | Pete's Place Audio | Audio Products and Overview

PS.. I have to get that Rebekkah Adrielle album after hearing the cut on your site.. Who engineered it?
 
Ya, that song sounds really good. Haven't really checked out their entire line of stuff until just now. Got to dig the generous use of output transformers. Nice!
 
Guess who's getting a REDDI? Got offered one by a friend for a nice price and I bit. Should have it in a few days. No more worshipping its tubey tones from afar!

I love cab micing but I've had a couple accidents with it and it's only a matter of time before I break it for good. Plus I really don't want to have to argue with unfamiliar soundmen about it anymore. I always give in and let them use their crap DI's and they tell me they'll blend the two the way I like and they never do. And emulators, while very nice and light and I'm also a fan of them, just aren't any substitute for tubes and transformers. Sorry.

So I got an opportunity to snag a REDDI, and I'm snaggin'! Hopefully this will stop all the arguing and bring about some healing and sunshiny feelings on both sides ;) I'll get my Ampeg tones from my Ampegs, they'll get theirs from the REDDI and I won't have to argue for 15 minutes about using a cab mic. I'll bet you, though, that I'll still get someone who wants me to plug into their cheapo Whirlwind DI ;)
 
Guess who's getting a REDDI? Got offered one by a friend for a nice price and I bit. Should have it in a few days. No more worshipping its tubey tones from afar!

I love cab micing but I've had a couple accidents with it and it's only a matter of time before I break it for good. Plus I really don't want to have to argue with unfamiliar soundmen about it anymore. I always give in and let them use their crap DI's and they tell me they'll blend the two the way I like and they never do. And emulators, while very nice and light and I'm also a fan of them, just aren't any substitute for tubes and transformers. Sorry.

So I got an opportunity to snag a REDDI, and I'm snaggin'! Hopefully this will stop all the arguing and bring about some healing and sunshiny feelings on both sides ;) I'll get my Ampeg tones from my Ampegs, they'll get theirs from the REDDI and I won't have to argue for 15 minutes about using a cab mic. I'll bet you, though, that I'll still get someone who wants me to plug into their cheapo Whirlwind DI ;)

Sigh, end of an era. There'll be no one else on TalkBass to wave the flag against belligerent soundmen who refuse to mike and/or blend a live signal. No one else to raise our blood pressure with tales of unfair pre-show antics about micing a cab. The last icon has bit the dust to go direct. Truly, the loss is ours.
 
Sigh, end of an era. There'll be no one else on TalkBass to wave the flag against belligerent soundmen who refuse to mike and/or blend a live signal. No one else to raise our blood pressure with tales of unfair pre-show antics about micing a cab. The last icon has bit the dust to go direct. Truly, the loss is ours.
:p :D

Don't worry, bro, I'm still going to do all that. The vast majority of DI's and preamps on the market aren't as good as the REDDI IMHO, so I still totally support going with micing cabs over DI if that best gets you the sound you want. And the Ampegs aren't going anywhere, trust me. But I really like what I've heard out of the REDDI and this little deal popped up, so I'm going to have some fun with it.
 
HI Peter.. I will try to call you tomorrow or wednesday.. Just moved my GF across the country to be here.. and getting re-situated here.. I had to give up some man cave room for now.. hahahaha

I need to figure out the distortion button... Im not sure about how i "should " use it...

This compressor is just sooooo smooth! and quiet... The attack and release are easy to set...

For folks that dont know what compressor we are talking about.. This is the BAC500 from Pete's Place an off shoot of A-Design the REDDI creator. Peter correct me if i am feeding incorrect info here..
Bac 500 | Pete's Place Audio | Audio Products and Overview

PS.. I have to get that Rebekkah Adrielle album after hearing the cut on your site.. Who engineered it?


That was Tony Shepperd and I believe it was Reggie who played bass but I'm not 100% sure.:hmm:
 
Guess who's getting a REDDI? Got offered one by a friend for a nice price and I bit. Should have it in a few days. No more worshipping its tubey tones from afar!

I love cab micing but I've had a couple accidents with it and it's only a matter of time before I break it for good. Plus I really don't want to have to argue with unfamiliar soundmen about it anymore. I always give in and let them use their crap DI's and they tell me they'll blend the two the way I like and they never do. And emulators, while very nice and light and I'm also a fan of them, just aren't any substitute for tubes and transformers. Sorry.

So I got an opportunity to snag a REDDI, and I'm snaggin'! Hopefully this will stop all the arguing and bring about some healing and sunshiny feelings on both sides ;) I'll get my Ampeg tones from my Ampegs, they'll get theirs from the REDDI and I won't have to argue for 15 minutes about using a cab mic. I'll bet you, though, that I'll still get someone who wants me to plug into their cheapo Whirlwind DI ;)



OMG!!!!!!!!!!!!!!! :)

CONGRATS Jimmy!!!!!
Hope it's in good shape and if not just let me know.

Thanks,
Peter

Peter
 
Sigh, end of an era. There'll be no one else on TalkBass to wave the flag against belligerent soundmen who refuse to mike and/or blend a live signal. No one else to raise our blood pressure with tales of unfair pre-show antics about micing a cab. The last icon has bit the dust to go direct. Truly, the loss is ours.

No, trust me Ukiah,

He will be dealing with FOH when they take and plug the REDDI into a pre with 48v active and gain stage all wacked out then going into some cheap speakers.

He won't go away anytime soon :D

Peter
 
+ 100
Guess who's getting a REDDI? Got offered one by a friend for a nice price and I bit. Should have it in a few days. No more worshipping its tubey tones from afar!

I love cab micing but I've had a couple accidents with it and it's only a matter of time before I break it for good. Plus I really don't want to have to argue with unfamiliar soundmen about it anymore. I always give in and let them use their crap DI's and they tell me they'll blend the two the way I like and they never do. And emulators, while very nice and light and I'm also a fan of them, just aren't any substitute for tubes and transformers. Sorry.

So I got an opportunity to snag a REDDI, and I'm snaggin'! Hopefully this will stop all the arguing and bring about some healing and sunshiny feelings on both sides ;) I'll get my Ampeg tones from my Ampegs, they'll get theirs from the REDDI and I won't have to argue for 15 minutes about using a cab mic. I'll bet you, though, that I'll still get someone who wants me to plug into their cheapo Whirlwind DI ;)
 
OMG!!!!!!!!!!!!!!! :)

CONGRATS Jimmy!!!!!
Hope it's in good shape and if not just let me know.

Thanks,
Peter

Peter
Thank YOU Peter...what a nice welcome to the world of A-Designs! Not every day you get such a warm welcome from the man in charge!

BTW, I gripe about soundmen sometimes, but the vast majority of my gigs have nice PA's and great soundmen, though we do get stuck with lemons once in a while. I'll read the manual thoroughly and make sure they run it in spec, for sure!

Can't anticipate any problems since it's a tank of a DI, but very nice of you to offer. Really looking forward to it...tubes and transformers for the win! Thanks Peter!
 
Heh...just checked out some of the other threads about the REDDI...some of my comments...sheesh! Spent a lot of time trying to talk myself out of getting one. Well, for all you single fellows, that's what married life will do to you unless you're rich ;)

So about this 6N1P, am I correct in guessing that this is a farily recent invention? I don't see it anywhere as NOS, and the Wiki page said it was a Russian invention. I suppose that would explain where there's nothing about trying vintage Mullards.
 
6N1P is a quite commonly used input tube in SET applications and it is from the family of 6922's (or they are compatible, I should say). I am sure there are tons of other information out there, but check decware.com. Most of their audiophile grade amplifiers use 6N1P as input tubes.

6N2P is a good substitute for 6N1P. Despite the fact that it reduces the headroom a little bit, it has spectacular ton!

Cheers,

Alper


Heh...just checked out some of the other threads about the REDDI...some of my comments...sheesh! Spent a lot of time trying to talk myself out of getting one. Well, for all you single fellows, that's what married life will do to you unless you're rich ;)

So about this 6N1P, am I correct in guessing that this is a farily recent invention? I don't see it anywhere as NOS, and the Wiki page said it was a Russian invention. I suppose that would explain where there's nothing about trying vintage Mullards.
 
Thx Alper...just checked out the 6N2P page. They say it's almost a 12AX7 but has a little less gain and slightly different wiring. Sounds like you'd get a bit more crunch when you dig in, eh? Are they 100% interchangeable, though? Got to admit that changing to an entirely different tube makes me feel like I'm second guessing the designer, and all I know about this stuff is that I'm entirely capable of blowing it up if I mess with it ;)
 
Hey Jimmy,

You cannot use 6N2P (or 6N1P) in place of a 12AX7. The former is of the 6922/6DJ8 family which is not compatible, as far as I know, with the 12AX7 family of tubes.

My experience with 6N1P is based pretty much on my stereo power amps (Decware SE34I.2 and TORII mkII) and preamp (Decware CSP). Of course, REDDI has it as well, but I have not rolled any tubes with it.

I think it is best to speak to Peter prior to tube rolling, as he would have more reliable information on the plate voltages and input sensitivities of alternative tubes and how one is likely to sound on REDDI. If I ever happen to try anything else on REDDI, I will of course share my experiences...

Cheers,

Alper



Thx Alper...just checked out the 6N2P page. They say it's almost a 12AX7 but has a little less gain and slightly different wiring. Sounds like you'd get a bit more crunch when you dig in, eh? Are they 100% interchangeable, though? Got to admit that changing to an entirely different tube makes me feel like I'm second guessing the designer, and all I know about this stuff is that I'm entirely capable of blowing it up if I mess with it ;)
 
Hey Limeman,

Unfortunately not, yet... I have tried 6N2P only on my power amps and preamp at my home stereo setup.

As I mentioned, it is a high-gain tube and therefore it reduces the headroom a bit. Some batches of 6N2P could be quite noisy as well, but the batch I have has improved the sound in my system considerably. I am currently using them only on my preamp, both at the gain and output sections. In comparison to 6N1P in that system, it sounds more airy to me and it tightens the bass a bit more.

Best,

Alper



Have you used a 6N2P successfully in a REDDI? Sounds potentially potent! :bassist:
 
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