- Mar 22, 2004
- 13,004
- 4,741
- Disclosures
- I play it all. Whatever works for the gig. Q+
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Guess who's getting a REDDI? Got offered one by a friend for a nice price and I bit. Should have it in a few days. No more worshipping its tubey tones from afar!
I love cab micing but I've had a couple accidents with it and it's only a matter of time before I break it for good. Plus I really don't want to have to argue with unfamiliar soundmen about it anymore. I always give in and let them use their crap DI's and they tell me they'll blend the two the way I like and they never do. And emulators, while very nice and light and I'm also a fan of them, just aren't any substitute for tubes and transformers. Sorry.
So I got an opportunity to snag a REDDI, and I'm snaggin'! Hopefully this will stop all the arguing and bring about some healing and sunshiny feelings on both sidesI'll get my Ampeg tones from my Ampegs, they'll get theirs from the REDDI and I won't have to argue for 15 minutes about using a cab mic. I'll bet you, though, that I'll still get someone who wants me to plug into their cheapo Whirlwind DI
![]()
Sigh, end of an era. There'll be no one else on TalkBass to wave the flag against belligerent soundmen who refuse to mike and/or blend a live signal. No one else to raise our blood pressure with tales of unfair pre-show antics about micing a cab. The last icon has bit the dust to go direct. Truly, the loss is ours.
Peter.. I LOVE your new website!!! A-Designs Audio
HI Peter.. I will try to call you tomorrow or wednesday.. Just moved my GF across the country to be here.. and getting re-situated here.. I had to give up some man cave room for now.. hahahaha
I need to figure out the distortion button... Im not sure about how i "should " use it...
This compressor is just sooooo smooth! and quiet... The attack and release are easy to set...
For folks that dont know what compressor we are talking about.. This is the BAC500 from Pete's Place an off shoot of A-Design the REDDI creator. Peter correct me if i am feeding incorrect info here..
Bac 500 | Pete's Place Audio | Audio Products and Overview
PS.. I have to get that Rebekkah Adrielle album after hearing the cut on your site.. Who engineered it?

Guess who's getting a REDDI? Got offered one by a friend for a nice price and I bit. Should have it in a few days. No more worshipping its tubey tones from afar!
I love cab micing but I've had a couple accidents with it and it's only a matter of time before I break it for good. Plus I really don't want to have to argue with unfamiliar soundmen about it anymore. I always give in and let them use their crap DI's and they tell me they'll blend the two the way I like and they never do. And emulators, while very nice and light and I'm also a fan of them, just aren't any substitute for tubes and transformers. Sorry.
So I got an opportunity to snag a REDDI, and I'm snaggin'! Hopefully this will stop all the arguing and bring about some healing and sunshiny feelings on both sidesI'll get my Ampeg tones from my Ampegs, they'll get theirs from the REDDI and I won't have to argue for 15 minutes about using a cab mic. I'll bet you, though, that I'll still get someone who wants me to plug into their cheapo Whirlwind DI
![]()
Sigh, end of an era. There'll be no one else on TalkBass to wave the flag against belligerent soundmen who refuse to mike and/or blend a live signal. No one else to raise our blood pressure with tales of unfair pre-show antics about micing a cab. The last icon has bit the dust to go direct. Truly, the loss is ours.
That was Tony Shepperd and I believe it was Reggie who played bass but I'm not 100% sure.![]()
Guess who's getting a REDDI? Got offered one by a friend for a nice price and I bit. Should have it in a few days. No more worshipping its tubey tones from afar!
I love cab micing but I've had a couple accidents with it and it's only a matter of time before I break it for good. Plus I really don't want to have to argue with unfamiliar soundmen about it anymore. I always give in and let them use their crap DI's and they tell me they'll blend the two the way I like and they never do. And emulators, while very nice and light and I'm also a fan of them, just aren't any substitute for tubes and transformers. Sorry.
So I got an opportunity to snag a REDDI, and I'm snaggin'! Hopefully this will stop all the arguing and bring about some healing and sunshiny feelings on both sidesI'll get my Ampeg tones from my Ampegs, they'll get theirs from the REDDI and I won't have to argue for 15 minutes about using a cab mic. I'll bet you, though, that I'll still get someone who wants me to plug into their cheapo Whirlwind DI
![]()
Thank YOU Peter...what a nice welcome to the world of A-Designs! Not every day you get such a warm welcome from the man in charge!OMG!!!!!!!!!!!!!!!
CONGRATS Jimmy!!!!!
Hope it's in good shape and if not just let me know.
Thanks,
Peter
Peter
Heh...just checked out some of the other threads about the REDDI...some of my comments...sheesh! Spent a lot of time trying to talk myself out of getting one. Well, for all you single fellows, that's what married life will do to you unless you're rich
So about this 6N1P, am I correct in guessing that this is a farily recent invention? I don't see it anywhere as NOS, and the Wiki page said it was a Russian invention. I suppose that would explain where there's nothing about trying vintage Mullards.

... 6N2P is a good substitute for 6N1P. Despite the fact that it reduces the headroom a little bit, it has spectacular ton!
Cheers,
Alper
Thx Alper...just checked out the 6N2P page. They say it's almost a 12AX7 but has a little less gain and slightly different wiring. Sounds like you'd get a bit more crunch when you dig in, eh? Are they 100% interchangeable, though? Got to admit that changing to an entirely different tube makes me feel like I'm second guessing the designer, and all I know about this stuff is that I'm entirely capable of blowing it up if I mess with it![]()
Have you used a 6N2P successfully in a REDDI? Sounds potentially potent!![]()