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Reggae Bassists Club!!!!

I just got back from a few heady days at the Rototom Sunsplash festival in Italy. It had been too long since I had my fill of live reggae and I'm a happy camper now after hearing and seeing Bunny Wailer, U-Roy, Sly and Robbie, and a few others. I wanted to share a few impressions from the shows, and it's a good opportunity to bump up this thread.

I watched all the shows from a few rows from the stage where I could hear the PA and a bit of the stage mix.

Bunny Wailer was good to see, but I found the show a bit lackluster- he didn't have the outrageous dancers who usually take the stage for part of the show, and he whipped through short versions of his classic songs from Blackheart man, IMO his finest work, in favour of his later dancehall stuff, a lot of which leaves me a bit cold. He did a lot of Wailers stuff, and when they really gelled on a few of them they were mind blowing.
He does talk an awful lot of nonsense between songs, but that's neither here nor there.


Unfortunately the bassist wasn't up to the quality of the rest of the band, and he made a complete trainwreck of at least one song (he didn't know the changes) and didn't add much to the others- it's a bit rich of me criticizing someone else at pro level, I know, but there is a big difference between playing the notes and playing the bass, and I really felt he was only doing the former. He stuck out more than he would have in a lesser band, as the rhythm guitarist, and the horns especially were mind blowing, and the drummer was superb, too.

U-Roy was a delight, as always, such a great entertainer and a real character, just a non-stop joy to see such an experienced and cool guy whose love of performing is so evident. Good band and solid rhythm section, got some great old time bass tones and it was feel good time all-over. The two back up singers should have been shot after the show, it was obvious they hadn't even learned all the songs (we are talking about songs who any reggae fan would know by osmosis already) and their harmonizing was shaky at best and flat out painful at worst. Complete lack of respect for the music and for Daddy U-Roy if you ask me. I don't know how people can get on stage in front of thousands of fans if you don't have your sh-t together...

Sly and Robbie, with Bitty Mclean, was a trip. Sly and Robbie were billed to play a set alone, and then to play with Bitty, but everything was running late, so they all came on at once. Personally I would have been happy to see more of the Riddim Twins and less of Bitty; he has a nice voice but is lacking a bit in stage presence and he is too light sounding live for the steamroller riddims they were putting down. Sly was too far back in the mix, unfortunately, so you didn't really hear the interplay between him and Robbie, nor the insane complexity and drive of his playing, but we could sure hear the bass fine.

It was a supersonic bass attack and the pure power and imagination he plays with was something special to behold. At times I was just rooted to the spot for a whole song, completely in awe of the technical virtuosity of his playing, and the amount of pure tone being generated.

I'm still not sure how anyone can play with a tone like his at such incredible speeds and still keep every single note completely distinct. It shouldn't be possible but he is a phenomenon. Mostly thumbstyle with up and down strokes, but also fingerstyle or with his forefinger and thump pressed together to act like a huge pick, mostly for chording. I'm not usually impressed by chops per se but this was something to behold. You don't hear him playing like this on recordings because it's too over the top for most songs, but live it was a blast. All this on a passive black Fender Jazz.

Anyway, thanks for putting up with this rambling post, I just wanted to share some of my thoughts with you fellow reggae fans. I learned a lot from a few days of swimming in the low end and came back home with a huge dose of inspiration and a clearer sense of what I want to achieve as a bassist.

Just for fun I've linked a few vids from shows from last week I would have like to have seen but couldn't due to a dumb-ass thing called work:

The Congos, the greatest living vocal group and a true connection to the heart and soul of reggae- these guys are coming from a different, deeper place:



I wanted to link a few more from this last week but youtube is undergoing maintenance and I can't search at the moment.
 
Good stuff. From my end, Beres was in Raleigh on Tuesday alongside Culture. Nice show. Having seen Beres before, I knew what to expect from him. I can never remember the bassie's name, but he was solid as always, AND for the first time I can remember, he took a solo! I knew he could play, and he didn't solo long, but, yeah..he can PLAY! He also had a different bass this time. He normally uses a red bass of some kind, but this time he had a Fender Jazz or very good copy (no name on the headstock- I think he removes the names because his red bass had no markings either). The drummie was different and also very good ( I believe he plays for Tessane Chin -Tami's sister).
Culture was excellent as well, with Joseph's son Kenyatta filling his father's footsteps quite well, but adding his style as well. He's finding his way.
The worst part of the show? The sound. The soundman travels with the bands and his mix of Culture was not good. By the time they came close to ending he got it halfway right, and even Beres' set didn't sound as good as I've heard in the past. The soundman got it decent about halfway thru, but it just gets me that people make decent money travelling and get a good sound. And I know it's not the equipment. Anyway, life goes on.
 
In general the best sound I've heard is at reggae shows, but when it's wrong it's a disaster, no room to hide.

I'm really surprised Rototom doesn't use better sound reinforcement- the backline is fine and Markbass heads and cabs were on stage, but the FOH was mediocre for this day and age, bins on stage and underneath on both sides of the stage. It doesn't cost much more to rent a Meyer line array set-up and the results would be infinitely better. As it was the best mix was 100m back, with another one about 20m back from the stage, but too loud for most acts unless you were right up front or way back.

But holy moses Robbie Shakespeare was loud, on stage and out front. he would probably sound loud unamplified...
 
my band played the park city roots rock and reggae festival this weekend in beautiful Park City Utah. it was an awesome event because it brought together both local and international reggae musicians. we (Sober Down) played the first day with Outlaw Nation, Pepper, Tomorrow's Bad Seeds and the Dirty Heads, along with locals Spearit, The Mono Poly All-Stars and Cody Jordan. The second day was filled with Eek a Mouse, Collie Budz, and The Easy Star All-Stars as well as Patwa, and our good friends Carlos Cornia.

i had the pleasure of talking for a minute with Ras I-Rey from Easy Star, and he was a humble spiritual man with a great deal of respect for everyone, not to mention one hell of a player.

i did notice that most of the bassists for the locals had warwicks, or other semi high level basses, (lakland dd for me) but the nationals were playing basses that might not be considered "cool" like old beat up epi's, peaveys and no name knockoffs and they sounded deeper and better than anything i could imagine. it was awesome and a great lesson.
 
my band played the park city roots rock and reggae festival this weekend in beautiful Park City Utah. it was an awesome event because it brought together both local and international reggae musicians. we (Sober Down) played the first day with Outlaw Nation, Pepper, Tomorrow's Bad Seeds and the Dirty Heads, along with locals Spearit, The Mono Poly All-Stars and Cody Jordan. The second day was filled with Eek a Mouse, Collie Budz, and The Easy Star All-Stars as well as Patwa, and our good friends Carlos Cornia.

i had the pleasure of talking for a minute with Ras I-Rey from Easy Star, and he was a humble spiritual man with a great deal of respect for everyone, not to mention one hell of a player.

i did notice that most of the bassists for the locals had warwicks, or other semi high level basses, (lakland dd for me) but the nationals were playing basses that might not be considered "cool" like old beat up epi's, peaveys and no name knockoffs and they sounded deeper and better than anything i could imagine. it was awesome and a great lesson.

How cool! I spent a ski season there in my early '20s, unfortunately a drought year and no powder days save for one in the spring.

Nice line-up, I'm a massive fan of Eek-A-Mouse and I think Easy Stars have come up with a great concept and they are putting it out there with a lot of smarts and talent.

Sounds like a great festival, nothing like mountain resorts for a party.
 
my band played the park city roots rock and reggae festival this weekend in beautiful Park City Utah. it was an awesome event because it brought together both local and international reggae musicians. we (Sober Down) played the first day with Outlaw Nation, Pepper, Tomorrow's Bad Seeds and the Dirty Heads, along with locals Spearit, The Mono Poly All-Stars and Cody Jordan. The second day was filled with Eek a Mouse, Collie Budz, and The Easy Star All-Stars as well as Patwa, and our good friends Carlos Cornia.

i had the pleasure of talking for a minute with Ras I-Rey from Easy Star, and he was a humble spiritual man with a great deal of respect for everyone, not to mention one hell of a player.

Cool! I saw Ras I-Rey and Easy Star All Stars when they came through Charlottesville last month. Awesome show! :cool:

i did notice that most of the bassists for the locals had warwicks, or other semi high level basses, (lakland dd for me) but the nationals were playing basses that might not be considered "cool" like old beat up epi's, peaveys and no name knockoffs and they sounded deeper and better than anything i could imagine. it was awesome and a great lesson.

I hear ya. :bassist:
 
Don't play in any band but the reason I'm learning to play bass is, 1st. My dad used to be a bass player and 2. Aston Barrett, I love reggae with passion, out 4 basses I own, 3 are strung with flats :)

BTW Alpha Blondy and Israel Vibration are coming to Los Angeles pretty soon, can't wait :bassist:
 
The flats I use are Lakland Joe Osborn's. I absolutely love them. Get the heavier set or (what I do) lighterier (B,) E & A and heavier D & G.

I'm going to go home very soon, put on some Marley and strap on my P-Bass.

KO

ghs brite flats don't have the silks and work great for string through body or top load bridges and they're only like $20. i'm looking for a five string set of flats for my new lakland ala Nate Edgar
 
My Brothers,

This is a great thread!! I play with a three piece band called Scarecrow People. We are dub based with some other styles thrown in. We cover all kinds of music, but the band is known for its skank-alicious grooves.

I use a Genz Benz 1200 through a 2x12 cab, but we always use sound so I get pumped through the mains and monitors.

myspace/scarecrowpeople.com

peace,

manny
 
really really new here on TB, not new to Boards/Forums (I'm really active in the PNW Volkswagen Scene) and it awesome to see another HUGE place of people loving another one of the same things I love. Jah Bass!

I play in a PNW based band called Urban Evergreen. we are a mix of Reggae/dub/punk/socal surf. me being influenced from Sublime, 311, Bob Marley, Half Pint, Tenor Saw, Slightly Stoopid, VooDoo Glow Skulls, and so on, I just love adding that awesome groove that makes people get down. we've been on the show side of things for about a year and a half, almost. we were a different band before that (drummer switch) and we played for about 2 years before that.

My Bass is a Ibby SoundGear Sr405, natural finish, nothing to fancy but damn does it treat me well, it has been through a lot! I'm playing through a GK 300 watt head and a 4x10+2x10 mixup of GK cabs (usually both hooked up for full 300 watts).

glad to have made my first post here haha.

Live it up and Love Jah Life. :bassist:
 
Greets you all you reggae bassists.

Been digging the music links, thanks!

I play in an afrobeat band, not exactly reggae but we drop into some full on reggae in when we jam occasionally.

Reggae rig: Fender P/J tuned BEAD and running TI flats into a mesa walkabout with 2x15" Bagend cabs.

Link Removed
 
Count me in. Although I don't play much reggae these days I have played my share and still love to play it when I can. I currently play some reggae in a Brazilian group. We have some originals that we do, as well as a Bob Marley medley that we call SambaMarley. In the past I played a few gigs with Jr. Toots, and used to play with reggae acts I-World and Rizzen.

I use a '77 Fender Jazz with Thomasik-Infeld flatwounds. Currently I am using a Markbass LMIII with an Eden 410xlt. I previously used an Eden WT800 which I absolutely loved for reggae, but the power amp section blew up on me and I haven't been able to get it repaired.

You can hear some dub tracks that I made at Link Removed.

I have to confess that most of the basslines on the myspace page were done in Reason. :hiding: I think only one has live bass. They were scratch tracks that I was planning on recording with a full band, but haven't gotten around to it.
 
I just caught the Passafire/John Brown's Body show down in Ft. Lauderdale. If any of you have a chance to check them out dont pass it up, it was well worth the $12 i paid to get in. Some serious bass playing from both bands. The dude from Passafire is crazy rockin and dubbin out with his pedals while singing nice back ups and the bass player from John Brown's Body is a rock. I'd kill for his tone and chops, all the basslines to their songs are awesome. A great great show. Highly recommend checkin them out.
 
mr rodgers, jbb is one of my faves. nate edgar is a monster of a player as i have said before. and we got to play a few months ago with passafire, (cool guys lame promoter absolute nightmare of a gig) and i dig how Will thinks outside the box with his lines. welcome and respect to the rest of you
 
Greetings and respect to all here. Count me in as well. I'm pretty new to TB, and I don't play in a band yet, but the reason I ever considered getting a bass guitar was to play reggae bass. To me, reggae and its relatives provide one of the finest expressions of the enjoyment of life. It doesn't matter whether times are rough or if everyting be irie, reggae music always makes me want to dance. I don't know why, it's just how it is.

If you have the chance, I recommend anyone who is into Jamaican music check out the Dub Echoes DVD that was released a while back. It's a documentary tracing the evolution of 'bass' music originating in Jamaica up through to dubstep today. It includes interviews with Robbie Shakespeare, U Roy, and Bunny Lee among other legends.

http://www.dubechoes.com/

I'm looking forward to getting my first 'proper' rig soon, two acme low b4s and a carvin b1500. I guess I'll need to get a 5-string to do the acmes justice too :)