Then I stand corrected; all of the "contact" I had with Ed Friedland's playing was him doing either fingers or slap. Maybe I should watch some of the reviews.Ed does fingers slap pick on every one of his outstanding reviews.
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Then I stand corrected; all of the "contact" I had with Ed Friedland's playing was him doing either fingers or slap. Maybe I should watch some of the reviews.Ed does fingers slap pick on every one of his outstanding reviews.
Then I stand corrected; all of the "contact" I had with Ed Friedland's playing was him doing either fingers or slap. Maybe I should watch some of the reviews.
For sure! This is a chance to post one of my all time favorites: Metheny, Sanchez and Bona doing Bright Size Life. I know, the Jaco version is iconic, but check this version out -- it's so alive and brilliant, even compared to that high standard:
I'm going to blow some minds here, so please sit down ...
There something about African culture/flavor that I believe will one day have a noticeable impact on the entire music world. Buy stock now.
I'm going to blow some minds here, so please sit down ...
There something about African culture/flavor that I believe will one day have a noticeable impact on the entire music world. Buy stock now.
One day?
So many styles of music derive from Africa. The influence is huge.
You’re late to the party. It has. And it’s been going on for at least a couple of centuries.![]()
Apparently my tongue in cheek font wasn’t activated. I know EXACTLY what culture influenced every note/style I play, and NONE of them looked like Beethoven ... or ME for that matter.
I never did get funding for my ‘Play Suburban White Kids Parliament/Motown/Prince/Stevie/Howlin Wolf’ initiative but OOOH WEEE it worked for me
There's a common denominator in Richard's playing that I hear in all musical styles I dig: I hear a real human being emoting through his instrument. Yeah, the licks and tricks are impressive, but I always feel he's saying something. Hard to quantify, but then, I don't go in for that 'let's examine all the bleeps and bloops of music that it becomes like math'. There's value in doing that of course, but I know it by the head bob and by the hairs that do or do not stand up on my neck.
Richard has on many occasion given me 'the feels' when I hear him play.
Every once in while an internet post falls flat; been there, done that.![]()
Hey, you miss every single pitch you DON’T swing at!
He also is very easily identifiable. That is something common among great stylists.
That Kilimanjaro bass reminds me of another instrument, but I can’t place it. It looks pretty big. I would like to hear some else play it because Richard Bona will get that fluid, rubbery, midrange on any bass he touches.
Zon Legacy or Hyper Bass maybe?That Kilimanjaro bass reminds me of another instrument, but I can’t place it. It looks pretty big. I would like to hear some else play it because Richard Bona will get that fluid, rubbery, midrange on any bass he touches.