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Richard Bona is so good!

Jaco only needed one.

Jaco's the one where I hear people trying to cop him within a note (I'm so guilty of this on a Fretless). When Jaco gets on his Rocco-Prestia-influenced 16th note grooves, I can always tell it's him.

To the subject of 'our culture/who we are' comes out in the playing, and Richard Bona definitely has that going on, I hear that in Jaco in a big way. I've been in Oklahoma the last 22 years, but spent my formative years in/around Sarasota/Tampa and Boca Raton/Ft Lauderdale. Age 9-16, when my musical sponge was dry and ready to soak up influences. The confluence of Caribbean/African/trad Jazz/Reggae/Afro-Cuban Jazz/etc that you hear just going to the dang grocery store ... it gets into your DNA.
 
There are some great clips here I haven't heard before - still learning his catalog. He's so inspiring.
I feel grateful that there is still room in music for mortals like me with a way, way lower level of talent and execution.
 
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Listening to these videos, Richard Bona is the most versatile bassist I know of. It would be interesting to hear him playing with South Asian (Indian) musicians. I already know he can nail African and Middle Eastern derived rhythms.
Bona and Anthony Jackson may be my two GOATs. Bona for his versatility and fluidity in performing so many styles. Jackson for his pioneering vision in transforming the instrument itself and his distinct approach to constructing basslines within a group.
 
This is goofy, but I guess I will end up with four GOATs because Jaco Pastorius redefined fretless and bass guitar as a melodic instrument, and Marcus Miller for really taking slap bass to 11.

I guess I’m even goofier to raise your 4 to 5 with Jamerson.

He’s the bassist everyone loves but they don’t even know it.

I was having this convo with a non musician friend who found bass solos a la Jaco and Hadrien dry but agrees Motown and the like is just plain gold.
 
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