Rest in peace, guess I know what I'm listening to tonight
https://youtube.com/playlist?list=PL1E3C22E30ABE585B
https://youtube.com/playlist?list=PL1E3C22E30ABE585B
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This happens when you’re ‘late to the party’ for music like this. Jealous of you folks who saw this bass-genius.
I was obsessed with ‘Concrete Jungle’, and only when I learned it was Robbie on this one track, whereas Family Man was on everything else, did I start to dig back into the Sly/Robbie impact. WOW. Compositionally … tonally … feel … everything … this one is on my ‘all time fave’ bass tracks list. RIP good sir.
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Also, on the ‘Catch a Fire’ making-of doc, they mention it on there. Robbie might even be interviewed for it, but it’s been a while since I’ve watched it.
This happens when you’re ‘late to the party’ for music like this. Jealous of you folks who saw this bass-genius.
I was obsessed with ‘Concrete Jungle’, and only when I learned it was Robbie on this one track, whereas Family Man was on everything else, did I start to dig back into the Sly/Robbie impact. WOW. Compositionally … tonally … feel … everything … this one is on my ‘all time fave’ bass tracks list. RIP good sir.
On this end I didn’t know about ‘Stir it Up’. Everything Family Man/Robbie play/played is just a master-class.yeah you're right, I just didn't know that. Weird they don't list him as playing on Stir It Up too
Now, that's a fact I didn't have! One of my favorite tracks ever, on all levels, especially that fabulous guitar solo. It's funny - Many times I've listened to that album, and noted that the timefeel and definition of the bass playing on that particular track was different from the rest of the album - I figured it was compositional, and some difference in the recording technique. Well, compositional, indeed!!!!