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Rock N Roll that requires a 5 string.

In my classic rock cover band, the guitarist is often switching between guitars with different tunings. I just bring a 5er and use it on everything.

Probably for songs that need a 5er anyway, I would say "No One Knows" by Queens of the Stone Age. I don't know what the original bassist plays but the way I play it, I use a 5.
 
In my classic rock cover band, the guitarist is often switching between guitars with different tunings. I just bring a 5er and use it on everything.

Probably for songs that need a 5er anyway, I would say "No One Knows" by Queens of the Stone Age. I don't know what the original bassist plays but the way I play it, I use a 5.

I too have wondered if he used a 5 for that low C, looking at a live version of the track seems to indicate he has a BEAD 4 string tuned up a semitone to get that C as an open string. Which is an advantage, because that line spends a long time at the wide end of the scale using a 5. I wouldn't want to have to carry a specifically tuned and strung 4 for one track though.
 
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I can see why you'd say that but no, I don't agree. There are passages that need the G string too.
When I saw the thread my thought isn't the B, C, Db, D which makes a 5 string necessary but rather some signature run that depends upon the G string being there in conjunction with that lower B, C or C#.

Then again I agree with an earlier post, that even though it is not my genre, when I hear "rock n roll" and not just "rock" nothing would require that combination of attributes unless some new roots player went beyond the strict playing our legacy as tribute songs.
 
In my classic rock cover band, the guitarist is often switching between guitars with different tunings. I just bring a 5er and use it on everything.

Probably for songs that need a 5er anyway, I would say "No One Knows" by Queens of the Stone Age. I don't know what the original bassist plays but the way I play it, I use a 5.

I too have wondered if he used a 5 for that low C, looking at a live version of the track seems to indicate he has a BEAD 4 string tuned up a semitone to get that C as an open string. Which is an advantage, because that line spends a long time at the wide end of the scale using a 5. I wouldn't want to have to carry a specifically tuned and strung 4 for one track though.

Pretty sure Nick Oliveri just played a 4-string in C-tuning most of the time. I'm not sure if there rest of the band also tuned to C; I think it's possible because Josh Homme was coming out of Kyuss who did generally time to C/C# I believe.
 
I can see why you'd say that but no, I don't agree. There are passages that need the G string too.

I managed without the G in a female fronted country band. I had gone into it with a Fiver but never found myself on the G, so I ditched it for a four in BEAD.

Now, if they would have wanted to do a cover of Aerosmith's Sweet Emotion, I would have needed the G to play it correctly.
 
The Killers - All the things I’ve Done.
Tainted Love sounds good when you octave down on the chorus.
A-ha - Take on Me is much more rockin when you start on the low B.
Stuff by Muse.
Purple Rain.
Sweet Dreams are Made of This.
Sevendust- Angel’s Son.
CeeLo Green- Forget You.
Dave Matthews stuff.
Limp Bizkit’s first 2 albums.
Anything from 12 Foot Ninja.