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Roscoe Club

Interesting to see a Roscoe "single-cut" in the wild. The Roscoe T variant is more appealing to me than the original, too. The Roscoe trademarks are there, with 5 strings, soapbars with narrow spacing, carved exhibition flame top, beautiful gloss finish, side output jack, and bridge location near body end.

Both basses are cropped at the 15th fret. Roscoe's treble-side bout seems to have a deeper carve with less extension away from neck to the right. Another beautiful Roscoe.

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My preferred gigbag atm…the updated TKL ‘stealth’ model. Year’s back, my Roscoe P4 came in a TKL, but the newest stealth model has far superior padding, still thin depth for upright closet storage, and sturdier form factor (yet super lightweight)…

I recently received my custom MTD 30” scale bass in a TKL stealth guitar bag, which made me order the bass version direct. Now I have several bass versions. I agree, there’s always something that could be improved upon with every bag…in this case, it sits a little tall over my head, but that’s the only negative for me. If you’ve had one of the older TKL’s from Keith—check the updated model out (they’re around $170, when you get it in the shopping cart)…
TKL Vectra® Stealth™ 2.6 IPX™ Electric Bass Impact-X™ Case
That is a sharp looking bag- not that I would ever doubt or question any gear choice you make ;)

I was talking to another TB’er about the old Undercover bags, which I love, although they’re not as protective as some of the newer bag/case hybrids. He said he and some other musicians had seriously looked into resurrecting the company, getting the designs and all, but it was cost prohibitive, especially to have them made in America…

those Glenn Cronkhite bags are pretty, but they ain’t cheap…

Glenn Cronkhite Home Page
 
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But the fretless Century is back…

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Yeah, it’s a nice bass, but it isn’t calling my name as much as my other fretless’ did. And I really don’t want to spend that much any more. I need to get my daughter off to college in a few months. She needs a laptop, among a lot of other stuff. It’s an 1,800 mile trip one way. That’s a LONG drive.
 
A Roscoe doesn't quite look right to me without a matching headstock. Not sure why, but it's just odd to me.

I’m with you on this. The Classics look fine though (probably because I grew up playing and seeing Fenders w/o matching headstock).
And it’s not just Roscoes. Any boutique bass with an exotic top looks unfinished without the matching headstock.
 
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New strings on the G&L and Koa 5’er. Set up tweaks and strobed all of them. The Classic P as well. Should be good to go for a while.

Backup bass duty will probably fall of either the G&L or the P. Both work fine for that. I will probably still play my Koa 5 most of the time. It’s just such a damn nice bass. When I was doing all my maintenance today, that one took the least amount of work. Just took the set up and was ready to go. The Classic P took the tweaks pretty easily as well. The G&L was fine, but took a little more effort.

There definitely is something special about a more “boutique” instrument. Just the ease of working with it. Sometimes you do get what you pay for...more than just a fancy top or electronics. The instrument is just “better” than anything else if that makes sense.

I’m so glad I had my Century 5 crafted all those years ago, and refinished last year…and that I never foolishly sold it on some dumb whim.
 
I guess we’ll have to agree to disagree. While the matching does indeed look great, I think my Standard Plus looks amazing as well.

Any bass you're playing looks amazing ;)

Exactly!
As good as that crazy nice top and uncapped headstock on your bass looks, you playing it takes it totally over the top!:)
 
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