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I can’t be perfectly sure, but I believe that board is Bolivian rosewood that they had that was two toned. Very niceSomething like this...this is a spanish cedar body. They often painted/tinted the body red which look very nice.
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Yes. When Gard came on board it was mostly mahogany and Spanish cedar bodies with a few ash (but not the grain enhanced version that Keith does today). Gard also opened the door to Roscoe offering preamps other than Bartolini and Aguilar and pickups other than Bartolini (and don’t forget gig bags).Gard was the one that had them using ash bodies, and probably the koa tops as well. The old school Roscoe’s had the two tone Purple Heart boards and usually mahogany bodies with maple tops
Has anyone here played a Roscoe with the pickups in a more traditional J location like this one? This looks like a Roscoe meets an MTD. Very, very cool
Here's an example of a pickup-placement compromise between your examples. Everything about this bass and it's sound are just right, IMO.I'll not stop kicking myself for selling this SKB. I loved the tone of those pickups mounted close to the bridge. It really had a nice jazz bass vibe to the tone.
I haven't -- but I bet I'd like it. I lean a little bit towards the neck pickup as it is.Has anyone here played a Roscoe with the pickups in a more traditional J location like this one? This looks like a Roscoe meets an MTD. Very, very cool
I haven't -- but I bet I'd like it. I lean a little bit towards the neck pickup as it is.
This is the Spanish Cedar body I should have never let go. Cocobolo Top , Cocobolo fingerboard and matching headstock. That bass was born in the pocket.Yes. When Gard came on board it was mostly mahogany and Spanish cedar bodies with a few ash (but not the grain enhanced version that Keith does today). Gard also opened the door to Roscoe offering preamps other than Bartolini and Aguilar and pickups other than Bartolini (and don’t forget gig bags).
As for the quintessential Roscoe, I think to us old school Roscoe lovers, it’s definitely the spalted or sapwood Purple Heart or rosewood fingerboard board with amber quilt or flamed top. That said, Keith hasn’t made those for years now and the younger Roscoe lovers probably identify more with the exhibition Koa or bubinga tops with BEM or wenge finger boards.
One thing has never changed though, and that’s the beautiful tops the Keith has always used. Prior to seeing Roscoes in the 90’s, I had never seen basses with tops as beautiful as what Keith was using.
Myrtle, burl, boxwood elder burl, exhibition cocobolo, Koa, ziricote, etc….
That's stunning, Dennis. I'm sure Keith Roscoe could help you find that beautiful bass once again (think equally desirable similar substitute)This is the Spanish Cedar body I should have never let go.
Not to nitpick, but 'unique' literally means 'one of a kind.' ......unique (not one of a kind but unique)...View attachment 7067306
I know. I just didn’t use the right words to convey my thoughts. Unusual may be a better choice.Not to nitpick, but 'unique' literally means 'one of a kind.' ...
This is the Spanish Cedar body I should have never let go. Cocobolo Top , Cocobolo fingerboard and matching headstock. That bass was born in the pocket.
If you happen to own it hit me up.
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Considering a sweet Walnut top SKB 5 up in the classifieds. As mainly a hard rock / metal guy this example has the Bart CB pickups. I own a Dingwall ABZ with the Glock preamp and FDE pickups and it sounds wicked clean and powerful. I admire the actual tone from each instrument I play and use a compressor and a couple of drive pedals. I shoot for 2-3 tones. A good clean tone with some tube warmth for the more mellow rock stuff I play, to a biamped clanky tone from my XB driver. I also play a streamer LX with jazz pickups and a Euro 5 kitted with an SNC pre with their 40 P/J pickups. The snc is a bit too gritty for my taste as my pedals react differently than the wick and the dingwall.
What features for you heavier players do you like about the Roscoe SKB’s?
I hear nothing but greatness on the build quality and clarity from these instruments.