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Roscoe Club

OK, so this happened last week -- picked up this LG from fellow TBer ivlucas (great guy to deal with BTW). Bubinga top over ash, neck is wenge over maple.

First impressions:
- Has the older Bart electronics -- I think they've been described as a bit "wooly" -- but the lows all the way down to the low B are massive and clear. Impressed so far, even though some of the higher mids seem to be missing from this setup. The money frequencies are spot-on, though.
- Has a set of stainless strings on, currently (D'Addario ProSteels, I'm guessing) . . . string tension is noticeably higher/tighter than your typical 34" neck, and even feels a bit tighter than my MTDs. Will try to get used to it, probably not a big deal . . . I'll check this forum's older posts to see what other string suggestions y'all have made for Roscoe 35's.

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Not sure I can get $2,200 together in time...:crying:

After practicing today (church and cover band) I need to have a 5 sting, and there are many songs where a Real"P" tone would be awesome. I get close with my soapbars and that may have to do for now.:(
 
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OK, so this happened last week -- picked up this LG from fellow TBer ivlucas (great guy to deal with TBW). Bubinga top over ash, neck is wenge over maple.

First impressions:
- Has the older Bart electronics -- I think they've been described as a bit "wooly" -- but the lows all the way down to the low B are massive and clear. Impressed so far, even though some of the higher mids seem to be missing from this setup. The money frequencies are spot-on, though.
- Has a set of stainless strings on, currently (D'Addario ProSteels, I'm guessing) . . . string tension is noticeably higher/tighter than your typical 34" neck, and even feels a bit tighter than my MTDs. Will try to get used to it, probably not a big deal . . . I'll check this forum's older posts to see what other string suggestions y'all have made for Roscoe 35's.

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Good find!
Looks like a really thick top too! Bubinga with ash creates such a nice tone (on a Roscoe).
 
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I was just kidding about the purchasing the PJ!

I recently purchased a Sadowsky Deluxe Satin as I felt a need for a change. In process of comparing it with my fretted SKB....can’t keep them both. Hoping to pare it down to just one fretted. I have a very nice Lakkand LOG P5 but it gets so little playing time with the two SKB’s ( and now the Sadowsky) in the House so I will likely be moving it.

My fret less SKB is going nowhere!
 
The EB Colbalt Flats arrived today and installed them.
The first thing I did is try to cop a P-Bass tone. I didn't know of any songs right of hand that I knew for a fact had the bass part recorded using a P-Bass so I figured I'd use the 2 Steve mentioned.
I've never heard the tunes before but I figured out a small section of each of them.
Here's a short sound clip of my Roscoe Century STD JB w/EB Colbalt flats installed (neck p/u soloed; all EQ controls flat).
The first clip is with a pick and the second finger style.

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All of these attempts at trying to make one bass sound like another reminds me of a song that went something like... Looking for Love in all the wrong places!!
 
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All of these attempts at trying to make one bass sound like another reminds me of a song that went something like... Looking for Love in all the wrong places!!

Lol I’ve certainly thought about just going for a P-Bass or selling/trading one of the Roscoe’s to get a P/J model.
I do like the sound of the fretted JB with flats though. At least to my ears it can sound similar to a P-bass.
I did some research this morning and found that David Hood used a P-Bass on "I'll Take You there" so I re-recorded the main bass part and the bridge solo in the middle using the JB w/flats.
The other basses are an assortment of other Roscoe's that I've owned (or own).
I'm really digging the sound of these flats on this bass.

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All of these attempts at trying to make one bass sound like another reminds me of a song that went something like... Looking for Love in all the wrong places!!
There is some truth. It’s always a balance. I can get close enough for live with my Roscoe and avoid bass swaps mid set and have a good B string.

If you want that “exact” sound and and feel then you get a P.
 
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There is some truth. It’s always a balance. I can get close enough for live with my Roscoe and avoid bass swaps mid set and have a good B string.

If you want that “exact” sound and and feel then you get a P.

Probably right Steve.
Sell/trade my JB fretted to get a P/J? I do prefer the 18.3 spacing. Tough call.
Maybe I'll grow out of the phase I'm going through. At this point in life, probably not!:D
 
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Probably right Steve.
Sell/trade my JB fretted to get a P/J? I do prefer the 18.3 spacing. Tough call.
Maybe I'll grow out of the phase I'm going through. At this point in life, probably not!:D

Right!! Just get the bass that has the sound your like or seek. Easy as Sunday morning! :thumbsup:

I took my Ken Smith Black Tiger to church this morning and dialed in the J, P, Roscoe and the Smitty sound with just a few turns of the knobs. Love or hate the Ken Smith Neck-thru sound/voice, but that's an awesome playing/sounding bass! IJS
 
Right. Like I said, for live shows the Roscoe is close enough and so easy to play and convenient. No swapping. Keeps it easy. A little pan, a little right hand placement. Easy.

That's why I still kick around the mod idea. A couple toggle switches with some dual coil soaps and I suppose I could get even closer. But, is it really worth it? No one is complaining and I still get asked to play so.....
 
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No one is complaining and I still get asked to play so.

There it is. No one cares as much about your tone as you, unless you are in a national/international act. You pan to the neck if you are doing a P cover, bridge or 50/50 for a jazz cover, and 50/50 with eq for everything else. You have a $$$$ bass that can do all that already...lucky you!

Disclaimer: I own all three Roscoe body shapes, each with a different pickup config, and a fretless JB. So, above opinion "is what it is".
 
I've never understood the concern for needing a bass that cops certain tones. I always look for basses that are very playable and sound good in a mix as hardly anyone can truly tell the difference in a live band setting. Give me a bass that has great clarity and cutting ability and I can get any tone I need for the bands I play with.
 
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