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Roscoe Club

Here is first 2 pics of the Koa bass that is working right and the 2rd pic of the Buckeye bass giving me trouble. You can clearly see the wires are different.

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Shane, the battery Gnd wire needs to go to the switch leg terminal on the jack (by itself). If it goes the terminal with cavity (common) gnd then the preamp will run all the time (draining your battery). Also check to make sure that connection terminals on the jack aren’t rotated in a manner that shorts out the common gnd and switch leg terminal (and that when inserted into the side cavity mounting hole doesn’t short out on the shielding paint).
 
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Shane, the battery Gnd wire needs to go to the switch leg terminal on the jack (by itself). If it goes the terminal with cavity (common) gnd then the preamp will run all the time (draining your battery). Also check to make sure that connection terminals on the jack aren’t rotated in a manner that shorts out the common gnd and switch leg terminal (and that when inserted into the side cavity mounting hole doesn’t short out on the shielding paint).

It has shield tape on both jacks so it wouldn’t be a short by touching the cavity.
 
Does anyone know if Rik is still at Roscoe?

Well I got my answer straight from the horses mouth. Just spoke to Keith and Rik is no longer full time at Roscoe (although he does come in once a week to wire up the basses).
Sounds like it’s a Keith and Kyle shop for now and according to Keith it’s going really well. So good to hear his son is loving working at the shop. Should have Roscoe basses for a long time!
 
For the Roscoe experts, does anyone recommend upgrading from a pau Ferro fingerboard to Wenge?
Well I have a bass at Keith’s getting a maple ‘board switched to wenge (unless i change my mind and get spalted purpleheart), so if it happens, I’ll let you know. I also had an ash bodied bass with a wenge ‘board and loved the growl it had.

Initially when I’d asked Keith about it, he was hesitant and said I might not get what I was hoping for, but I was persistent (and business slowed down with “current events”) so he said he’d do it, and he quoted me a very fair price to do so. Now if it’ll happen is another story...
 
Well I have a bass at Keith’s getting a maple ‘board switched to wenge (unless i change my mind and get spalted purpleheart), so if it happens, I’ll let you know. I also had an ash bodied bass with a wenge ‘board and loved the growl it had.

Initially when I’d asked Keith about it, he was hesitant and said I might not get what I was hoping for, but I was persistent (and business slowed down with “current events”) so he said he’d do it, and he quoted me a very fair price to do so. Now if it’ll happen is another story...
I like the look of traditional rosewood, I like dark boards. Ebony is a big upcharge, but pau Ferro and Wenge are about the same price so I’m trying to decide between them.
 
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I’ll mirror what a few have said, in that I’ve found wenge to sound a bit more compressed than other fretboard woods, but I’ve really liked it on the two Roscoe’s I’ve had with it - an ash bodied SKB 5 With an Aguilar OBP-3 that ended up with Big Singles and the Spanish Cedar bodies Century 5 with the Bart pre and Bart JM pickups. The SKB was wenge sapwood and almost looked like maple from afar, but it sounded like normal wenge to me.

I think Pau Ferro falls between rosewood and maple, but have only had the Century 5 JJ that had that board in addition to my Sadowsky Will Lee 5. Like was said, it seems more neutral and has worked great for me. Though, given the choice, I’m not entirely sure I’d necessarily spec it on a build.

if we’re talking a typical Roscoe with soap bars, of the two, wenge would definitely be my pick.
 
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I’ll mirror what a few have said, in that I’ve found wenge to sound a bit more compressed than other fretboard woods, but I’ve really liked it on the two Roscoe’s I’ve had with it - an ash bodied SKB 5 With an Aguilar OBP-3 that ended up with Big Singles and the Spanish Cedar bodies Century 5 with the Bart pre and Bart JM pickups. The SKB was wenge sapwood and almost looked like maple from afar, but it sounded like normal wenge to me.

I think Pau Ferro falls between rosewood and maple, but have only had the Century 5 JJ that had that board in addition to my Sadowsky Will Lee 5. Like was said, it seems more neutral and has worked great for me. Though, given the choice, I’m not entirely sure I’d necessarily spec it on a build.

if we’re talking a typical Roscoe with soap bars, of the two, wenge would definitely be my pick.
 
I’ll mirror what a few have said, in that I’ve found wenge to sound a bit more compressed than other fretboard woods, but I’ve really liked it on the two Roscoe’s I’ve had with it - an ash bodied SKB 5 With an Aguilar OBP-3 that ended up with Big Singles and the Spanish Cedar bodies Century 5 with the Bart pre and Bart JM pickups. The SKB was wenge sapwood and almost looked like maple from afar, but it sounded like normal wenge to me.

I think Pau Ferro falls between rosewood and maple, but have only had the Century 5 JJ that had that board in addition to my Sadowsky Will Lee 5. Like was said, it seems more neutral and has worked great for me. Though, given the choice, I’m not entirely sure I’d necessarily spec it on a build.

if we’re talking a typical Roscoe with soap bars, of the two, wenge would definitely be my pick.
Pau Ferro very Neutral . Paudak makes a great board as does Cocobolo. Paudak is compressed a bit like wenge
 

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For the Roscoe experts, does anyone recommend upgrading from a pau Ferro fingerboard to Wenge?

I got to thinking about the sound of the different Roscoe’s that I owned with a Wenge board and a lot of them sounded quite different. I think the key is what other neck and body woods that the bass had. The bottom line though is that I really prefer the sound of a Roscoe that has Wenge some where in the neck. When I traded for my current Roscoe that had a BEM board I was a bit concerned that it might be too bright and snappy for me. But when it arrived I was shocked at how growly with a touch of nice compression it had. I’m convinced that the Wenge wedge neck combined with the BEM board is difference.
Bottom line, if you have a maple PH neck go with the Wenge board. If you have a maple Wenge neck maybe go with pau Ferro board.
 
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I got to thinking about the sound of the different Roscoe’s that I owned with a Wenge board and a lot of them sounded quite different. I think the key is what other neck and body woods that the bass had. The bottom line though is that really prefer the sound of a Roscoe that has Wenge some where in the neck. When I traded for my current Roscoe that had a BEM board I was a bit concerned that it might be too bright and snappy for me. But when it arrived I was shocked at how growly with a touch of nice compression it had. I’m convinced that the Wenge wedge neck combined with the BEM board is difference.
Bottom line, if you have a maple PH neck go with the Wenge board. If you have a maple Wenge neck maybe go with pau Ferro board.

Or just go with the best color combination for your taste. Roscoes have enough tonal adjustment that it won't matter in a mix or on stage...