How many does that thing take?
Four. One of which has the little metal sheath around it.
It's probably only one and may just need the tube socket cleaned. Had that problem recently. Also pre tubes are cheap
Nah, it's at least two. Poked them with a (wooden) pencil and all. They're the same ones that have been in there since I got it, and I probably have been hitting them pretty hard. Especially so if there's one in the circuit after the graphic EQ, which only boost on, never cut.
Did some songwriting/jamming with the band last night. We were trying to work in a bridge on a song and couldn't get the part to feel right. I tossed out the ol' "let's go halftime here" and it seemed to fit pretty well. So the song's cruising along and then, boom, the halftime part hits and it's kinda jarring, but in a good way. I always like that effect and it's fun to play.
That's generally a good way to go.
We do a similar thing. I like the sudden shock of big, slow, open notes.
The heaviest part in Catapult's song kicks in after a relatively up tempo part. It's all the more crushing for that.
Hah damn, had I not just bought that Jazz I might have been interested. Played one at GC awhile back and it was awesome.
I keep wanting a jazz bass even though they're pretty far from my ideal. Been thinking about getting an un-routed J bass body and putting pickups where I want them.
For me, it's because I'm not a very good musician. I can kind of zone of and just jam on 4/4 forever. Anything else requires me to fight against the 4/4 groove I naturally fall in to. I don't mind playing in odd time, but but for the long jam stuff that I really connect with, it's got to be slow and rhythmic 4/4.
It's definitely easiest to groove in 4/4 or some variation thereof.
I wouldn't say they're hard, just that we have internalized 4/4 so much we fall back to it instinctively. What do you do against that? Internalize the odd ones too. The best odd time stuff is where you don't plainly recognize it as such.
Never heard any non-musician complain about Floyd's 'money', at least
Maybe it's time for yet another metal subgenre: Progressive Doom.
Just plain lol.
Yeah, think it's just that it's harder to get a really good groove going in an odd tempo. Except for 3/4. That's super easy to groove to, for me.
Arg double post! New phone has a stutter.
But you are absolutely right about why they are hard. Most people were only taught to count in even numbered time signatures(except 3/4 maybe 5/4). I know the music a majors get more but for most people it's 4/4.
Most western music is in 4/4 or 3/4. We grow up hearing those all the time, whereas 5/4, 6/4, 7/4, etc. are unfamiliar.
The waltz is such an awesome beat. Can be so heavy if some right. Very easy to fail though.
I loooooove waltzes. Especially sad ones.
I'm a huge sucker for 3/4 time. Especially a slow 3/4.
Me, too. Triplicate time signatures in general (including 6/8, 9/8, and 12/8 as well).
One of the reasons Primordial is among my favorite bands. So many awesome triplicate time signatures. Grooves differently than duplicate time signatures, but in an awesome way.
Yob's "Great Cessation" is a waltz, if I'm remembering right. Some weird syncopation or time signature stuff (not sure which) going on in "Atma," too.
Anyone have a time signature in bed? Or notice lol
Maybe during cunnilingus.
What Laz said, ha ha. Except not maybe. Always.