• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Shootout, Sadowsky, Stenback, de Gier, Fodera.

Which one do you like best for the sound, not the looks.

  • Sadowsky Masterbuilt.

  • Stenback.

  • de Gier

  • Foder MG5

  • Wortels.


Results are only viewable after voting.
First, all of the basses sound fantastic and this is some great playing!

Second, I like the Fodera the most for its tight, focused tone. I know that very modern sound doesn't perfectly suit this track, it sounds a bit abrasive in the mix, but I just love that tone.

All the others sound fantastic, but I imagine some EQing and fresh strings would make them sound very close. The Stenbeck impressed me a lot with old strings, it still has a lot of growl.
 
Last edited:
  • Like
Reactions: roogbass
Roogbass,

Your playing is always such a joy to watch, and to listen to. I have been so very inspired by you over the last few years, and this video made my morning!

With that said...for this particular track, I am going to go with the Sadowsky first, and the DiGier second. The Sadowsky had a bit more 'character'...kind of like the Stingray had on the original recording, while the DiGier was a bit smoother, and with a touch more mid. I enjoyed the sound of both basses, and have owned both.

Have a great day!
 
Last edited:
De Gier is really impressive! Very well balanced and lively in high register like a vintage jazz. I'm actually surprised how dull stenback sounded here ... Definitely cured some of the gas I have. Sadowsky has this characteristic pumped up sound which I just don't like but it's what others love so who am I to argue.
 
  • Like
Reactions: roogbass
Listened with AirPod Pros. Right off the bat, that Sadowsky sounds fat and deep. Maybe a bit too much of a good thing. For me personally, I like more Mids. Enter the Fodera. Ah. Yes. That’s MUCH more my speed. However, it REALLY stood out in the mix which is a blessing/curse depending on the group you’re sharing a stage with. But bringing the Sadowsky back at the end? Mmmmm. That’s the tone I’d want to hear most as an audience member.
 
Beautiful bass playing! I am from the NYC area. I remember in my teens and early 20s taking note of what all the session players in my area had. If you looked in the pit you always saw 2 things without fail. An upright, And either a Fender P or a Sadowsky. But Sadowsky more times than the Fender. I had no idea what a Sadowsky was. I checked on pricing and at the time I scoffed and looked in the other direction. Fast forward a few years and now I am the session guy and as I spoke with engineers about past sessions that sounded amazing Sadowsky kept coming up in the conversation. So I saved and saved and then went on a 4 month play every bass under the sun tour to see which bass would win my hard earned cash. In the end the Sadowsky won. There is something about the low end of a Sadowsky that tracks really well and not many other instruments have that signature. I now have been tracking for 16 years with my Sadowsky and to this day engineers still love that sound. It might not be the fanciest looking bass but it will be the one you want on your studio tracks.
 
Beautiful bass playing! I am from the NYC area. I remember in my teens and early 20s taking note of what all the session players in my area had. If you looked in the pit you always saw 2 things without fail. An upright, And either a Fender P or a Sadowsky. But Sadowsky more times than the Fender. I had no idea what a Sadowsky was. I checked on pricing and at the time I scoffed and looked in the other direction. Fast forward a few years and now I am the session guy and as I spoke with engineers about past sessions that sounded amazing Sadowsky kept coming up in the conversation. So I saved and saved and then went on a 4 month play every bass under the sun tour to see which bass would win my hard earned cash. In the end the Sadowsky won. There is something about the low end of a Sadowsky that tracks really well and not many other instruments have that signature. I now have been tracking for 16 years with my Sadowsky and to this day engineers still love that sound. It might not be the fanciest looking bass but it will be the one you want on your studio tracks.
That’s great! You really did your research and ended up with a Sadowsky. They always seem to work in a mix.
 
I voted for the Fodera, because it was stronger and I like it the best, but the Sadowsky definitely was the second and one that suited the song the best. The Fodera just has such a specific tone, that honestly is pretty cool.
The Fodera has a very nice sound that works for Jazz. The voice of that bass lends itself well to bass soloing.
 
  • Like
Reactions: roogbass and deff