Here's what I use for a 90s cover band.
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im using the Sansamp to give me a bright boost that think I will lose if i reverse the order.Ever tried running the distortion before the DI? Any difference?
I run mine at full counter clockwise and it’s almost too much.
Please LMK what you hear!!!I emailed Earthquaker Devices about this and was wondering if there's a trim pot inside the pedal to tame the volume knob. Haven't heard back from them yet!!
Updated the small board, that's for a jazz quartet.
View attachment 5366729
Updated the small board, that's for a jazz quartet.
View attachment 5366729
I emailed Earthquaker Devices about this and was wondering if there's a trim pot inside the pedal to tame the volume knob. Haven't heard back from them yet!!
My problem with it is that even at the minimum gain setting it’s almost too much. Not sure a linear taper pot would fix that. That said, notice I said almost: I still think it sounds great.There isn't. However if you're handy with a Soldering Iron you can swap the Pot out with one with a Linear Taper and it will make it more dial-in-able.
Would love to hear how these all work together in a Jazz Quartet!
Thanks both! The Messenger Jr is always on, to tune to the room acoustics, depending on the amp. For the straight-ahead swing and latin stuff I admit I generally don't use anything else. But for more modern and fusion tunes, there are some good use cases. E.g. I set the FMeron to +1 octave only, 100% wet with little frequency modulation, this gives me a cool glitchy tone for solos. The Doom 2 can emphasize this with its octave fuzz character (think Bill Frisell). The Subsonic is perfect for synthy stuff, say if anyone calls Chameleon at the jam, but also great during a drum solo over a repeated pattern. I play the same pattern one octave above and engage the octaver, this adds volume in a subtle way.what does one do in a jazz quartet with a Subsonic, FMeron, and Doom 2?