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SHOW YOUR DISTRESSED FINISHES!

One of my recent builds ....


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Posted here before - a recent pic when I saw how nice the setting sun light looked -

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Such a beautiful bass.

I hated and detested the sunburst, tort & rosewood P look for years, mostly because it's so common.

Then I got one, now I want mine to look like yours. Unfortunately, with it being a CIJ '62 reissue (poly finish), it will never wear like that.
 
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Such a beautiful bass.

I hated and detested the sunburst, tort & rosewood P look for years, mostly because it's so common.

Then I got one, now I want mine to look like yours. Unfortunately, with it being a CIJ '62 reissue (poly finish), it will never wear like that.

It is a special bass - I call it my "magic bass" and call it that because I switch-up basses I own when rehearsing/practicing and so mid-way through playing it and I'm not connecting with which bass I pulled to do this because I get lost in the moment and I'm hearing this great tone/voice and then look down and am reminded - "oh yah, of course - it's that bass!" :) To neigh-sayers... basses played like this, for years and years to pay the bills and rock while doing so, definitely acquire a "soul", a memory - (a fibrous memory) and intimately inspires your playing if you are receptive.
But - basses like yours can still inspire w/o the distressing that occurred on those thin-nitro/poly finishes - you are the player who will give your bass a "soul" regardless of the way it looks/wears. :bassist:
 
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What a cool video this is, really awesome view of the recording process. Pretty cool to see how they work through building the part, and also really cool that as much of a legend as Billy is, he still makes mistakes and isn't just doing one take perfectly. And you can see how humble he is, how well he serves the song and strips back his playing when asked. Killer.


Great share, thanks
 
I like the pickguard design so much. I wonder if those lines are intended or it is aging too. The headstock though...

That pickguard is a thin semi-opaque plastic with imbedded decorative fibers (like fiberglass) and looked like that when new. (maybe it's a bit more amber now) There are rice-paper versions as well that you can find in art stores.
 
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That's incredibly cool. Very space age. Interesting bridge design, too. Also full-scale, unlike many of the oddball older instruments I see. I unfortunately don't have that kind of money, though. That worn sparkle finish looks badass.

I learned that the chrome knurled wheel on the bridge operates a mute! (the platform is there but the mute pad is missing - on the black sparkle one)

Here's one with the mute w/pad - if operating smoothly it seems like a good design. The bridge not so good - as indicated by the bottomed-out saddles not allowing proper intonation.

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