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you definitely know me pretty wellAll those periods make it sound like you're going to murder someone for theirs, Jai![]()
Wow, this one made my day!![]()
I know, I know. . . I don't usually do this, but I couldn't help it!
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I've been thinking. Why not Chrome ramps?
I posted pics of my first preliminary ramp on page 5 - here's an update:
My black Warmoth has been fitted with its final ramp - radiused and properly painted - looks almost plasticy, but it is wood.
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Here's a shot of its cousin. Ramp is also radiused, painted but more wooden-looking:
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Just for fun, I've been toying with the idea of switching necks on these two. Here's a quick mock-up:
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What's the verdict?
Why are the majority of ramp users not ramping up near the neck where the warmer tones are? Even if you slap (thump) you can still have it decline to the point where you can still be comfortable with thumb techniques and fingerstyle.
I can't speak for the majority, but my ramps are situated between the pickups because that's where I do my plucking. Not that I slap and pop anymore but should I choose to, the non-ramped area near the fingerboard would still allow my fingers to get underneath the strings. I just don't get near there.
I only usedthumb technique as an example but of course you can take advantage of fingerstyle plucking near the neck. The sounds are bigger up there. Also the string vibrates slower there as opposed to closer to the bridge so it sometimes makes you pluck strings at a slower rate so the ramp will allow you to increase your speed as well as make the neck area more comfortable to pluck at. Especially for non-thumpers or fingerstyle-only players, but thumpers can take advantage of the neck ramp too!
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What's the verdict?
You'd also probably lose the ability to slap and pop.