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That was my thought, tooA bad singer trying to cover Paul Rogers![]()
Intonation is incredibly important, but even with it music can still be pretty terrible if the person singing doesn’t understand or can’t convey the character of the music.
My vocal coach had Keb Mo as a client at one point, coincidentally when he was on tour opening for Bonnie.
Bonnie Raitt live can peel paint with that voice. Her father was a musical theatre guy. Those guys have to hit the back row. John taught Bonnie well.
True, but he suffered from asthma, a real bad case apparently. However, he was a real charismatic master of ceremonies, a good looking guy, and that’s what got him over live. But there was a drinking problem. There’s a YT clip of them playing a gig in France, Jimmy Page era, where Keith is a total trainwreck, it’s sad.Keith Relf made a career out of singing flat with the Yardbirds
imo they made their voices work for the music. that is not usually the case with offkey or croaking singers, but it can be done. not with all music, though.
Good call on the Vibe vs Accuracy issue.Can’t or Don’t?
Bob Dylan
Neil Young
Tom Waits
Khalid
Cat Power
Steven Tyler
Drake
What are you after here?
Soul and charisma are why we care about singers. Once we accept that reality we’re willing to let some things slide. Try listening to Celine Dion when nobody is making you. Precise? Yup. Good pitch? Ditto. Smooth? Spot on. So if you’re doing Celine tribute your criteria are different than when you’re shopping rock, blues, R&B, etc.
Or they look good upfront and you can add many instrumentals to the setlist.Do they sound great regardless of the issues in hitting the notes and/or note selection? Meaning, they already sound like someone you would like to have a singer in your group, but they have some things to clean up that could make them even better?
If not, I don't seen any reason to bother, unless maybe if the band itself is *really* great and it is a package deal that you think would be worth some extra attention to the vocals.
Check out Keb Mo Hot Pink Blues. Terrific live album with a killer band. I saw one of those concerts. He truly leveled up big time with that band. I hope he gets some of those guys back. In particular, the coda on The Door is stunning. Every member takes a turn at lead vocals in a very gospelesque manner. It moves me every time.I love Ken Mo. But I also saw a concert here of that tour. Keb’s band played their set and it was really good. But then Bonnie’s band played one song, and I felt bad for them, great as they were, because Bonnie and that band are in a whole other league. It’s just unreal how tight that band is. No weak links at all, and fronted by her??? Fuggetaboutit. Game over. One of the all time greats.
I find it harder! Interesting you find it easier, that's awesome. I also find rhythm way harder when playing bass and singing lead. So when we perform live I tend to really simplify my bass parts while I sing, so I Can focus on the main deal of the song (the lead vocals).
As my local music scene slowly wakes up from COVID isolation, I'm looking for a new band. I'm listening to people's recordings and it confirms what I already knew: A lot of singers are consistently way off key, and/or they're trying to sing in a key which makes no sense for their vocal range. This leads to an interesting question: How do you tell if a singer has more potential than what the recordings reveal? And more dangerous: How do you have this discussion if you're the new guy entering an existing band?