Originally posted by Peter McFerrin
I think so. It costs more money to hold basses than stocks as assets. When the return from instruments minus the cost of storage is finally less than the return from equities or debt (probably not likely in the next five years), it doesn't make sense to hold instruments that you can't play (and I really doubt that most of these Japanese collectors could play so much as "Louie, Louie").
I don't know who the Japanese investors are, I do know that electric bass is huge in Japan. It makes sense that vintage Fenders would be too.
I don't think being able to play an investment is all that important to some and is very important to others.
I'm not sure in whose hands all of the 5, 6 and 7 figure instruments fall... players or collectors? Yet they're still retaining their value. By comparison, Fenders are a drop in the bucket.
Anyhow, how much did a brand new '62 Jazz Bass cost in 1962 dollars? I remember seeing a $400 figure once, but that may be off significantly. Anyhow, assuming 5% average annual inflation over the past 40 years (fairly close to reality), the value of today's $10,000 J is probably about $1420 in 1962 dollars. That works out to a real return of 3.2% annually--not too bad, I suppose. Of course, though, most people who collect vintage instruments purchased them in the last 10-15 years, and as such have gotten a significantly higher return due to virtually nonexistent inflation.
In straight economics what you just said may be valid. Throw "collectibility" into the pot and all bets are off. That's what makes a $.05 pack of baseball cards worth much more.
It works both ways, of course. My mother-in-law called last weekend to let my wife and I know that a lady she knows was selling a car. Tomorrow we're going to pick up a 1977 Fiat Spider convertible. One owner, 33k miles, service records, immaculate condition, garage kept. $3000. I hope it's as nice as they say it is.
I know, it's a Fiat

... but for what I consider next to nothing we get a cool weekend car with nice handling and relatively simple maintainence.
Now I'm looking for a 1973 Triumph GT-6 MkIII... I miss the one I sold over twenty years ago

. So far they seem to be in the same price range.
The real suckers are people who pay $100,000 for nice pieces of flame maple and binding with mediocre PRS and Gibson guitars attached to them. Our friend Ira Schwartzstein's made a lot of money from people like that, eh, BJ?
I personally don't get buying new collectibles, any more than buying Elvis plates from the Bradford Exchange. But hey, it's their money.
BTW the Ira I know of is Ira Strickstein, who has a pretty amazing collection of high end basses. Who is Schwartztein?