I have an MTD Kingston Grendel. Two original jazz pups. Someone gutted it and installed a Nordstrand Pre. I generally leave it in passive. It sounds more open and detailed in passive. Not sure if it's the preamp or not.
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I think sometimes there is much adu about nothing, but it gives us something to talk about.
Ok, let's rumble. (joking) Please indicate where the OP said any of the things you have accused him of. Did he represent passive-players as a small, maligned minority? Or what about him stating that passive-players are somehow neglected?If you had followed your own advice, you’d see that I didn’t, either.
Jaco didn’t need active basses.

I'm not "anti-active", but I have been in an passive phase lately.
My main player is all passive. P bass pickup at the neck. Dual coil "double jazz" at the bridge. 3 way selector for series/single/parallel and 3 way selector for neck/both/bridge. Master volume and tone. I solo the neck pickup with the tone wide open probably 75% of the time. With the bridge in parallel it does a super PJ tone though.
Anybody else feel this way? I love what active electronics give to you, but dang if passive isn't just awesome. I think I've just been away for too long.
Ok, let's rumble. (joking) Please indicate where the OP said any of the things you have accused him of. Did he represent passive-players as a small, maligned minority? Or what about him stating that passive-players are somehow neglected?
It should be very easy for you to quote those statements, if they existed.
I will say again, I completely agree with what you said, in principle, but the evidence is that you are reading between the lines too much in this instance.